Late 19th Century Pair of Japanese Satsuma Vases

Two porcelain hexagonal Satsuma vases painted in polychrome enamels and gold. The paunch is decorated with intricate Japanese characters in a landscape, the neck and the shoulder wit...

Small tripod vase with narrow neck decorated with polychrome and gold enamels in Satsuma ware. The lip is multi-lobed and underlined with gold. The decoration is composed of haloed characters in cartouches on a dotted background. They are the 18 Luohans...

Small porcelain vase in Satsuma earthenware. The 4-sided body is decorated in polychrome and gold enamels with geishas in a garden, a mountain landscape, a bird on a flowering branch...

Pair of green marble “vert de mer” baluster-shaped vases. They are richly decorated with gilt bronze Louis XV-style Rocaille, foliage, flowers, and seeds that wind up around the paun...

Importante paire de vases balustre en opaline couleur jade et monture en laiton doré, à épaulement orné de guirlandes de lauriers sommées par une galeri...

Bulb-bottomed vase with long neck decorated with multicolored enamel and gold. It is embellished with arabesques, flowers and latticework patterns in orientalist taste on a marbled Bordeaux background. Remnants of a mark underneath. The fascination with the orient and its exotic decoration dominated the 18th-19th centuries. It was China that started the enthusiasm for the costumes and artistic shapes that came from faraway lands. However, as a result of conquests and colonial Expansion, this fascination saw the displacement of its origins. During the 18th century, Chinese and Turkish styles invaded the salons and gardens of royalty as well as affluent esthetes who prided themselves on their taste for The Orient. From then on, baths were Turkish, furniture was lacquered, Persian tapestries...

A gorgeous pair of Japanese earthenware Satsuma vases, hand-painted, Meiji period, circa early-20th century, Japan. Vases' beautiful decoration is high-qu...

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...

A very good quality pair of Japanese Meiji period (1868-1912) Satsuma porcelain vases / lamps. Each with wonderful gilded classical motif decoration, with inset hand painted panels depicting various scenes of courtiers in attendance and Samurai warriors. Both mounted on ormolu oriental stands.

A very impressive pair of Japanese Meiji period (1868-1912) Satsuma lidded Koros (Vases) Each with a bold turquoise ground, classical gilded decoration,...

Late 19th / early 20th century Japanese, Meiji Satsuma vase with a double gourd form. The design incorporates underwater plants with golden Koi Car...

A good and unusual pair antique Japanese Satsuma Meiji diamond shaped pottery vases decorated with monk figures with a scrolling dragon dating from the 1...