Pair of Chinese Blue and White Porcelain Official Figures

Chinese Qing dynasty style Blanc de chine porcelain Quan Yin or Guanyin depicted standing in a flowing robe. Constructed of Dehua porcelain fr...

Remarkable pair of diminutive Chinese porcelain Fencai vases featuring beautifully decorated landscape scenes. Vibrant famille rose colors depict a scholar and his attendant offering him a peach with a pine tree and waterfall in the background. Each vase has Chinese script on the back, probably a poem. Each vase stamped with a Tong zhi...

Amazing set of four Chinese Shiwan pottery figures depicting immortal gods or dieties. Beautifully glazed and made on a large scale with fascinating fac...

Remarkable pair of Chinese glazed ceramic celestial Buddhist Guanyin deities. Featuring two beauties depicted standing in draped robes with casc...

Splendid Chinese porcelain celadon glazed vase mounted as a table lamp by Marbro Lamp Company. Features a 17 inch high celadon or greenware vase su...

Dramatic pair of Chinese yoke back official's hat chairs featuring a Shuangxi emblem on the backsplat. These carved chairs have a lacquer finish with...

A near pair of Chinese export porcelain figures of the Taoist immortal Li Tieguai, Qing Dynasty, late 18th century, China. The Daoist Immortal Li Tieguai, on of the Eight Immortals...

Dubbed as production of the "Chinese Modern Official Kiln", a small group of porcelains of the highest standard were produced in Jingdezhen from 1962-1967, The production was aimed as a revival of the Chinese porcelain after the foundation of the Republic in 1949 in order to serve the purpose of decorating the meeting halls for the newly renewed diplomatic relations around the globe. The best available materials and artists, including the painters and potters, were employed to achieve a high quality that rivaled the pieces produced during the pinnacle years in the porcelain production in the previous Qing dynasty. Due to the breakout of the Cultural Revolution, most of the pieces failed to be used as intended. Most if not all signatures, such as found on this vase, were added later as a hallmark to distinguish them. "Zhong Nai Hai Huai Ren Tang Treasures Porcelain Research Bureau year of 1962". Zhong Nai Hai is the residential and working compound for Chinese political elites in Beijing and Huai Ren Hall being an important meeting hall. The pieces from "Modern Official Kiln" ubiquitously showcase perfectly balanced forms with precision in symmetry. The use of very high quality Gaolin clay resulted in a semi translucent body, often quite thinly potted. The superbly underglaze paint were sandwiched between a pre-applied glaze and then an overglaze, and the elaborate designs were drawn by master painters. Often, there is a hidden red Chinese National Emblem on the interior wall. These features were all well reflected in this piece. The decoration of the blue paint on the vase is of a classic regal composition and the cobalt blue is of a vivid radiating color. Blooming peonies, an old laurel tree with blossom and scholar rocks provide the background and anchor for a pair of peasants. One raises its head to crow while the other one looks down. These motifs are commonly found in classic Chinese scroll paintings, a genre called "Flower and Bird Painting". On the back of the vase, there are Chairman Mao's head portrait watermarked in the glaze as well as a cursive poem with a collection number as shown. For a pair of blue and white vase of the same production, see sale by Singapore International Auction PTE ltd on July 21st, 2019 lot 2014. For a pair of blue and white urns...

This square ceramic block is actually a form of Chinese headrest or neck pillow. Popular during the Qing dynasty, rigid headrests such as this were used by upper-class women to prote...

This small ceramic block is actually a form of Chinese headrest or neck pillow. Popular during the Qing dynasty, rigid headrests such as this were used by upper-class women to protec...

This small ceramic block is actually a form of Chinese headrest or neck pillow. Popular during the Qing dynasty, rigid headrests such as this were used by upper-class women to protect their elaborate hairstyles by elevating the head during slumber. This example dates to the mid-20th century and is glazed in the blue-and-white style with dark, cobalt-blue color. Each side of the headrest has a quadrilobe cartouche framing two mythical fu lions playing with a brocade ball, a motif that evokes the idiom "may you and your descendant achieve high rank." A powerful and benevolent guardian, the fu lion (shizi) is the perfect force to protect against nightmares and bad energy. The playful scene is surrounded by a cracked ice pattern dotted with plum blossoms, symbols of winter and longevity. A geometric meander trims the corners and small bats frame coin...

An exquisite pair of Chinese porcelain lidded vases, in baluster form and beautifully hand-painted with a traditional decoration of entwining branches of white blossoming prunus set ...