Pair of Qing Tongzhi Dynasty Vases

Chinese Qing Dynasty Vase Circa 1900 Origin China Decoration with traditional scenes (1644 - 1911) Glazed and enamelled technique Blue and white colour Po...

Pair Huge Chinese Qing Tongzhi Style Famille Jaune figures floor porcelain vase Item description: an amazing pair of huge Qing Tongzhi style Famille Rose figure porcelain vases. A pair of foo dogs on each side of the neck. Turquoise glazed interior. These vases are fully painted around their entire body. Also you can find a pair of dragons on both front and back shoulder of these vases. Throughout the entire painting around this pair, it tells a great story from Chinese history...

A Highly Rare Pair of Monumental Qing Dynasty Rouleau Porcelain "Dragon" Vases A Masterful Display of 19th Century Chinese Artistry: The mid-19th century Qing Dynasty marked a period of artistic innovation and imperial grandeur, as exemplified by this rare and monumental pair of Rouleau vases. These exceptional porcelain works, notable for their commanding size and vibrant palette, are a testament to the unparalleled craftsmanship that flourished during this era. Embellished with a dynamic tableau of dragons rendered in bold hues of red, green, blue, brown, and yellow, these vases embody both artistic brilliance and the deep cultural symbolism woven into Chinese decorative arts. Artistic Excellence and Symbolism: At the heart of these magnificent vases lies a visual narrative that channels the power and mystique of the dragon, a central motif in Chinese culture symbolizing imperial authority, strength, and cosmic energy. The intricate depiction of dragons in motion, intertwined amidst stylized ocean waves, conveys a sense of fluidity and dynamic movement. Each color used—the crimson reds, verdant greens, striking blues, earthy browns, and golden yellows—has been meticulously applied, reflecting a mastery of the high-fired, polychrome enameling techniques perfected during the Qing Dynasty. The Rouleau form, with its cylindrical body, short neck, and slightly flared mouth, was a favored shape for large-scale vases in the 18th and 19th centuries. The form’s structured elegance allowed for expansive decorative panels, serving as an ideal canvas for intricate, multi-layered designs. This pair demonstrates how artisans skillfully balanced the flowing movement of the dragons with the rhythmic motifs of waves, resulting in a harmonious composition that engages the viewer from every angle. Craftsmanship and Technique: These vases represent the pinnacle of porcelain artistry achieved under the Qing Dynasty, showcasing techniques that reflect centuries of refined craftsmanship. The precision in the application of overglaze enamels and the expert manipulation of kiln temperatures to achieve vibrant and consistent coloration are indicative of the expertise within the imperial kilns. The dragons' scales, rendered with remarkable detail, create a textured effect that contrasts beautifully with the smooth, undulating waves, enhancing the three-dimensional quality of the design. The depth of color and the crisp delineation of each element point to a rigorous and time-intensive process. These qualities signify the involvement of highly skilled artisans who adhered to the imperial standards set by the royal court, ensuring that each piece was a fitting representation of the empire’s wealth and cultural prowess. Historical and Cultural Significance: Vases of this caliber were not merely decorative; they were imbued with profound symbolic meaning and often commissioned for imperial use or gifted as prestigious diplomatic offerings. The dragon motif, deeply embedded in Chinese folklore and philosophy, was associated with the emperor himself—known as the "Son of Heaven"—and symbolized his divine right to rule. These vases also reflect the Qing Dynasty's flourishing export trade and the global fascination with Chinese porcelain during the 19th century. European collectors and royal patrons prized such pieces for their artistry and the exoticism they represented, contributing to a legacy that elevated Chinese porcelain to a revered status in the annals of decorative art history. Provenance and Collectability: The extraordinary scale, exceptional craftsmanship, and rarity of this pair establish them as museum-quality works. Such vases would have held a place of honor in a palace or wealthy estate, reflecting not only the owner’s status but also an appreciation for the profound cultural and artistic traditions of China. Their provenance—potentially tied to an imperial commission or significant historical collection—underscores their importance as objects of study and admiration. Provenance: Private American Collection, acquired in London, circa 1905. Thence by descent to the current owners Solomon Treasure...

Faux bamboo Chinese vases were a type of decorative art that emerged during the Qing Dynasty (1644-1912) in China. These porcelain vases were designed to mimic the appearance of bamboo, a plant highly regarded in Chinese culture for its resilience, elegance, and symbolism. Bamboo is associated with attributes such as flexibility, strength, and modesty, making it a popular motif in Chinese art. In the Qing Dynasty the color yellow held significant symbolism and represented imperial authority, power, and the emperor himself. Yellow was considered the most sacred and prestigious color in Chinese culture, and it had strong associations with the emperor's position as the Son of Heaven and the ruler of all under heaven. The marks at the bottom of the vases indicate that these were crafted more specifically during the Tongzhi period – an emperor who reigned from 1861 to 1875, which effectively lasted nthrough his adolescence and was largly overshadowed by the rule of his mother, Empress Dowager Cixi. Although he had little influence over state affairs, the events of his reign gave rise to what historians call the “Tongzhi Restoration”, an unsuccessful modernization program. The polychrome enamels representing on one vase a traditional Chinese kite...