Antique Thailand Sterling Silver Candle Stick Set Bencharong, Thailand

A very nicely decorated bowl. Extremely well painted and rare Condition Overall condition very good 1 hairline. 145 x 74mm Period 18th century Qing (1661-1912).

A very nicely decorated bowl. Extremely well painted and rare with elephants/tigers and figures. Condition: Overall condition 2 restored chips to rim, some kind of paste and pa...

A very nicely decorated jar. 18th century Chinese made for the SE Asian / Thai Market. Very rare! Condition Overall condition very good only some enamel loss. 190 x 183 mm Pe...

Nice, rare and beautiful colors in enamel in the shape of a flower. These wares and their specific characteristics of wild colour and thick enamel have all the characteristics that we can also find in Straits and Bencharong wares. We quite often find whole collections of these thick ennameled & bright coloured 18th c plates stuck together in Dutch Indonesian...

Very nice and richly decorated lotus plate/dish from the Edme Samson factory. Made after example of Yongzheng/Qianlong period? Chinese porcelain pieces for...

Nice, rare and beautiful dishes. Flower and rocks as central scene. Condition Dish 1 with 6 hairlines and 2 frits. Dish 2 with 3 hairlines and chips/fritting. Size 200 x 29mm app...

Antique Chinese Porcelain Bowl for the Thai Market, 18th century. Bencharong enamel decoration with Buddhist imagery on a black background. This classic porcelain bowl form having a raised narrow foot rim and slightly everted mouth rim is richly decorated in bright polychrome enamels much favored by the nobility in eighteenth century Siam. This colorful style became known as “bencharong”, a term that derives from two Sanskrit words – panch (‘five’) and rong (‘colour’) and which relates to the number of colours used to decorate such porcelain. This bowl is decorated with typically Thai motifs. The sides are decorated with four Thepanom (Buddhist celestial beings) each wearing a broad necklace of petals and seated on a lotus within triangular cartouches that have a coral-red ground. Four Norasingh (mythical forest-dwelling semi-deity with a human head, torso, and arms but with the hind-quarters of a lion and the tail and hoofs of a deer) against black back grounds filled with flaming pink kranok motifs. This design is framed by two floral bands top and bottom and another double band on the interior mouth rim. The interior glazed in a soft turquoise green and remnants of a floral pattern roundel on center. Sets of porcelain such as this example were commissioned from the Jingdezhen kilns in China and exported to Thailand. 6-7/8 in. in diameter x 3-5/8 high (17.5 x 9cm) 16.7 oz. (475g.) Ayutthaya Period, 18th century. Provenance: German Private Collection. For similar examples see: William Warren & Luca Invernizzi Tettoni, Arts and Crafts of Thailand, Chronicle Books, San Francisco 1994, p.33. Bonhams New York, Indian, Himalayan & Southeast Asian Art, 17 Sep. 2014, lot 180 With the following notes: Bencharong porcelains...

Pair of Vintage Thai Bencharong Lidded Jars, 20th century. Bencharong enamel decoration with Buddhist imagery on a black background. This porcelain jar and lid form having a raised foot rim and lotus bud on a disk lid finial are richly decorated in bright polychrome enamels in the style of the royal household ceramics favored by the nobility in eighteenth century Siam. This colorful style became known as “bencharong”, a term that derives from two Sanskrit words – panch (‘five’) and rong (‘colour’) and which relates to the number of colors used to decorate such porcelain. These jars and covers are decorated with typical Thai motifs. The sides are decorated with four Thepanom (Buddhist celestial beings) each wearing a broad necklace of petals and seated on a lotus within triangular cartouches that have a coral-red ground. Four Norasingh (mythical forest-dwelling semi-deity with a human head, torso, and arms but with the hind-quarters of a lion and the tail and hoofs of a deer) against black back grounds filled with flaming purple kranok motifs. This design is framed by two floral bands top and bottom. The interior is a covered in a transparent glaze with unglazed lid edge and the gallery interior edge of the lid unglazed. Condition: Excellent Each measuring: 5 in. in diameter x 6 in. high (12.7 x 15.2cm) Each weighing: 1 lb. 5.5 oz. (610g.) 20th century. Provenance: Dr. Philip Gould, New York, NY. Millea Brothers, New Jersey For similar examples see: William Warren & Luca Invernizzi Tettoni, Arts and Crafts of Thailand, Chronicle Books, San Francisco 1994, p.33. Bonhams New York, Indian, Himalayan & Southeast Asian Art, 17 Sep. 2014, lot 180 With the following notes: Bencharong porcelains...

Exceptional candle-essence burner with a great patina. Thailand, Sawankhalok, 15th century.

Antique Sawakhalok Celadon Bowl, Thailand 14th/15th century. A sturdily potted wheel thrown stoneware bowl with everted rim and flattened lip. The deep cavetto has an upper decorativ...

Antique Sawakhalok Celadon Bowl, Thailand 14th/15th century. A sturdily potted wheel thrown stoneware bowl with everted rim and chamfered lip. The cavetto has a three line combed dec...

A celadon stemmed dish with underglaze deep blue decoration from Sukhothai (a former Kingdom in nowadays central Thailand) circa 14th-16th century. The pedestal dish was a typical ceramic output from Sawankhalok region, likely one of the kilns in Sri Sachanalai that thrived during 14th-15th century. Sukhothai ceramics made a large portion of export from Asia during that period due to the political policy in Ming Dynasty that banned the ocean faring (the so called Ming Gap). This stemmed dish, likely an export item, was modeled in a Classic Chinese form. The under-glaze deep blue decorations depicting the scrolling vines and flowers, as well as the archaic band around the base, are also reminiscent to the designs found in blue and white porcelain in Ming dynasty. The piece shows a fine crackles and age wear on the dish surface, an indication of appropriate patina. Under the reddish slip paint of the base, the gray paste can be discerned in small area, which is also a characteristic of the Thai celadon...