Vintage Japanese Hakuji White Vase, Large

20th Century Japanese ceramic vase

Large Karatsu Bowl

Decorative bronze crab with Japanese origin

Unique Studio pottery ceramic vase

Unique Studio pottery vase

Steve Sauer is an American cermaic artist, born December 1945 and raised in the Pacific North West. Large wood fired vase

Japanese vintage Arita porcelain vase in blue underglaze from Showa period, (1926-1989,) in a stunning shape depicting intricate chrysanthemums decorating the body pleasantly contrasted by intricate and detailed geometric patterns decorating the neck, rim and base of the vase. The late father of the collector of this exquisite pair, who operated one of the leading kilns in Imari-Arita region of Japan, travelled extensively to Europe in the early 1960s with a mission that he led, to purchase and bring back to Japan antique ceramics...

With organic abstract design. Artist signature on the bottom and on original storage box: Hasegawa Isamu. This vase exhibited at the 6th Shin-Nitten in 1963. Hasegawa Isamu was born in 1925 in Kyoto, son of famed porcelain artist Hasegawa Hakuho...

With organic abstract design. Artist signature on the bottom and on original storage box: Hasegawa Isamu. This vase exhibited at the 2nd Nitten in 1970. Hasegawa Isamu was born in 1925 in Kyoto, son of famed porcelain artist Hasegawa Hakuho...

Large baluster vase with copper leaf on a ceramic core, decorated in repoussé with two dragons passing through the clouds, the perimeter of the bas...

As part of our Japanese works of art collection we are delighted to offer this finely decorated Meiji Period (1868-1912), Satsuma vase stemming from the highly regarded Kinkozan stud...

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...