Vintage Tanuki, The Mythical Badger, Shigaraki Ware, Meiji, Early 20th Century

Pair of Large Japanese Ceramic Shi-Shi Dogs roof tiles, Bizen kiln, 20th c. Bizen kiln is one of the oldest and well known kilns in Japan. This is a very unusual pose of Shi-Shi Do...

Japanese Bizen ware bunrin chaire by Toho Kimura. A ceramic powdered tea container for the Japanese tea ceremony. The globular body delicately potted and mottled with ash adhesions,...

Vietnamese Three-colour Ware Ceramic Lime Pot, Chu Dao Kiln, 17th century. Created for slaked lime, a component for the social practice of chewing “Betelnut”, globular form resembling an areca nut with round aperture at the shoulder and decorative overhead handle stylized in such a way that it could be interpreted as a dragon with tablets with four legs and feet adhering to the shoulder or a stem branch with tendrils terminating in raised short spikes and molded oblong shapes resembling bunches of areca nut, all covered in a crackled transparent glaze with copper green on the handle, sturdy foot rim decorated by a band of iron oxide brown where the body meets the foot, the base is unglazed. Lime residue, otherwise excellent condition. 6-1/4 in. high x 4 in. in diameter. (159 x 101mm) 2 lbs. (900g.) 17th century. For similar example see: Ha Thuc Can and Nguyen Bich, “Discovery of the Chu Dau...

Antique Chinese Porcelain Bowl for the Thai Market, 18th century. Bencharong enamel decoration with Buddhist imagery on a black background. This classic porcelain bowl form having a raised narrow foot rim and slightly everted mouth rim is richly decorated in bright polychrome enamels much favored by the nobility in eighteenth century Siam. This colorful style became known as “bencharong”, a term that derives from two Sanskrit words – panch (‘five’) and rong (‘colour’) and which relates to the number of colours used to decorate such porcelain. This bowl is decorated with typically Thai motifs. The sides are decorated with four Thepanom (Buddhist celestial beings) each wearing a broad necklace of petals and seated on a lotus within triangular cartouches that have a coral-red ground. Four Norasingh (mythical forest-dwelling semi-deity with a human head, torso, and arms but with the hind-quarters of a lion and the tail and hoofs of a deer) against black back grounds filled with flaming pink kranok motifs. This design is framed by two floral bands top and bottom and another double band on the interior mouth rim. The interior glazed in a soft turquoise green and remnants of a floral pattern roundel on center. Sets of porcelain such as this example were commissioned from the Jingdezhen kilns in China and exported to Thailand. 6-7/8 in. in diameter x 3-5/8 high (17.5 x 9cm) 16.7 oz. (475g.) Ayutthaya Period, 18th century. Provenance: German Private Collection. For similar examples see: William Warren & Luca Invernizzi Tettoni, Arts and Crafts of Thailand, Chronicle Books, San Francisco 1994, p.33. Bonhams New York, Indian, Himalayan & Southeast Asian Art, 17 Sep. 2014, lot 180 With the following notes: Bencharong porcelains...

Elevate your space with our Vintage Boho Monumental Terra Cotta Capitals - A Pair. These impressive capitals showcase intricate terra cotta craftsmanship, blending bohemian flair wit...

Found in England, this circa 1900 iron finial has ivy leaves and a white painted finish. Mounted on a custom iron display stand. Unknown maker.

A delightful pair of early 20th century Bulldogs from England in painted concrete. Charming!.

Charming early 20th Century English water barrow. This wonderful water barrow was used to collect rain water in an English garden and rolled around the garden to water plants. It fea...