Rare Japanese Sumi-E Lacquer Inro Yamada Jokasai Edo Period

This exquisite four-case lacquered inro was dated to the latter part of 18th century to early 19th century (Edo period) and made by Shigehide. The opposite sides of the inro together features a lavish flower arrangement in a bamboo basket (ikebana). The detailed craftmanship was a true pleasure to behold. Mostly Takamaki-e (high relief) were used to texturize the delicate petals of the chrysanthemums, on which different shades of gold were used to create contrast. Raden (mother of pearl) shells were also used to highlight some leaves, rendering the piece an interesting balance of color and material. The interior was completed in a mottled gold finish. It was signed Shigehide on the bottom with a Kao. There is a small carved rabbit ojime bead...

A four-case lacquered Japanese inro by Yutokusai (Gyokkei), a lacquer artist active from 1845-1900 (end of Edo to Meiji period). The slightly round inro features a very intricate design with three unfolded fans on the front and two on the back: each reveals a vignette landscape scenery, likely real places in Japan. Using a combination of hiramaki-e and slight takamaki-e, the artist deftly created the pictures with fine details, rendering the inro as a miniature artwork...

A Japanese four-case lacquer inro by a member of Kajikawa family circa 19th century (late Edo to early Meiji period). It depicts a nocturnal scenery of a meandering stream surrounded by bush clovers, where a full moon is reflected on the water. It was masterfully decorated in gold and silver maki-e using a combination of techniques including takamakie, togidashi and kirigane as well as aogai (abalone shell) inlays. The stream was set between the slightly elevated banks, adding to this piece a already strong three-dimensional composition. The interior was decorated in gold nashiji. It was signed on the bottom "Kajikawa Zou" (made by Kajikawa and a pot seal centered with "Ei" in Kanji. In one of the compartment, there is a katakana mark, appears to be a name, possibly the owner. Kajikawa clan was one of the most famous lacquer artisanal family established in the 17th century. Many well known members over the generations produced lacquer art in a wide range of formats, but two third were signed only with the family name such as this one. It is therefore not possible to pinpoint the exact author of this piece. Provenance: This inro was purchased as lot 349 in Christie's New York sale Japanese...

A Japanese Lacquer writing box Suzuribako Meiji Period (1868-1912), likely circa late 19th century. This suzuribako is one of the most unusual boxe...

The highly decorated tray in the form of a table frames a series of three stacking boxes, a further three lidded boxes and a tray concealed within, raised on ogee bracket feet. This...

A wonderful Japanese lacquer incense box, kogo, with a design of plovers in flight, late Momoyama or early Edo Period, circa 1600, Japan. The small box, called a kogo, was used to s...

A fine and impressive Japanese gold maki-e decorated black lacquer five-tier jubako with presentation tray, two lids, and the original tomobako storage box, Meiji period, late 19th c...

Inro with four gold lacquer boxes, decorated with a lake landscape. Accompanied by a bronze ryusa manju. Small boxes formed of compartments that fit one on top of the other, inro (? ?) are traditional Japanese clothing...