Set of Two Antique Japanese Lacquer Trays Edo Period

A Japanese lacquer water ewer without handle (known as hazo in Japanese) that was used to carry water, traditionally together with a large basin (known as tsunodarai) for domestic us...

A large rectangular tray with scalloped corners and slightly raised gallery rim circa late 19th century to early 20th century (end of Meiji period). The center image showcases a live...

A large square lacquer presentation tray (likely for kimono) predated 1950 of the Showa period. Elaborately decorated with Maki-e that depicts the prunus blossom, bamboo and needle p...

A lovely Japanese lacquer rectangular lacquer tray with a slightly scalloped corner and four L shape supporting feet by one of the most celebrated lacquer artist active in Edo period Hara Yoyusai (1772-1845). Yoyusai lived in Edo (Tokyo) and worked under the patronage of Lord Matsudaira. He operated a large workshop and had a very prolific output of lacquer objects. Most survived pieces being inro...

A bespoken Japanese historical hat known as Jinggasa (militant hat) that was worn by samurai in Edo period (1603-1868) circa 18-19th century. There were several subtypes of Jingasa a...

This exquisite four-case lacquered inro was dated to the latter part of 18th century to early 19th century (Edo period) and made by Shigehide. The opposite sides of the inro together features a lavish flower arrangement in a bamboo basket (ikebana). The detailed craftmanship was a true pleasure to behold. Mostly Takamaki-e (high relief) were used to texturize the delicate petals of the chrysanthemums, on which different shades of gold were used to create contrast. Raden (mother of pearl) shells were also used to highlight some leaves, rendering the piece an interesting balance of color and material. The interior was completed in a mottled gold finish. It was signed Shigehide on the bottom with a Kao. There is a small carved rabbit ojime bead...

Japanese lacquer tray with the wild goose, reed, and wave design. This pair of tray is a fine example of multiple lacquer techniques using gold, hiramaki-e, takamaki-e, and togidashi...

Precious and rare small kazaridana lacquered on all sides with two drawers and three panels decorated with fish, landscapes and birds. The removable panel reveals a locker with a sma...

A large and magnificently decorated Japanese lacquer document box, ryoshibako, signed Umeboshi/Baikyo, late Edo or early Meiji Period, mid 19th century, Japan. The large document box, ryoshibako, of tall, rectangular shape with rounded corners, and fitted with an inrobuta (flush-fitting) cover with beveled edges. The exterior of this exquisite box is decorated all over with fifteen different raised reserves shaped as uchiwa (paddle) fans against a lush and intricate krikane ground imitating shagreen. The uchiwa shaped reserves all of takamaki-e, and exquisitely painted with designs of animals, flowers, and landscapes in silver, gold, maki-e, hiramaki-e, and takamaki-e, with kirikane, nashiji, and polychrome embellishments, upon gold lacquer fudame grounds. The interior of the lid is nothing short of spectacular, featuring a large design of a magnificent and beautifully detailed rooster and hen with chicks gathered around a lazy stream. Large stalks of chrysanthemum bloom behind them. All against an ethereal nashiji ground. The cover of the box features five reserves: 1. Three minogame (turtles with long tails), symbolizing longevity 2. "Narihira Crossing the Sumida" from The Tales of Ise...

A fine and elegant Japanese lacquer box for writing implements or stationery, suzuribako, with an image of a Shinto shrine, Edo Period, mid-19th century, circa 1840, Japan. The exqu...

Pair of antique Japanese Lacquer Trays, Taisho period (1912-1926) beautifully decorated with a miniature landscape of pea pods on the vine and a gold cricket set...

Complete with a lacquered surface and original silk straps, this Japanese Edo-period traveling hat, or jingasa, first emerged during the illustrious period between 1603 and 1868, a t...