Ancient Gilt Bronze Sitting on Lotus Buddha Statue

19th Century Iron Skanda Buddha Sitting on Lion Statue – A Symbol of Strength and Protection This 19th Century Iron Skanda Buddha Statue depicts the Buddha in a powerful and protect...

This Old Asian Iron Sitting Buddha Statue is a captivating representation of serenity and spiritual wisdom, featuring the Buddha in a meditative pose with one hand resting on the flo...

Old Asian Iron Sitting Buddha Statue Holding Pagoda – Symbol of Wisdom & Inner Peace Add spiritual depth and timeless charm to your collection with this Old Asian Iron Sitting Buddh...

Old Chinese Iron Sitting Kṣitigarbha Bodhisattva Statue – Guardian of Souls & Symbol of Compassion Honor the deep spiritual traditions of East Asia with this Old Chinese Iron Statue...

Once ornately gilt, this serene bronze seated Buddha was created in Thailand in the mid-19th century. Cast in the older Sukhothai style, the Buddha bears a uniquely Thai flame-like s...

Large gilt bronze Thai Rattanakosin buddha eyes inlaid with mother pearl

A scarce small antique Southeast Asian Ayutthaya Period bronze Bhaisajyaguru (the Buddha of healing and medicine) religious icon statue. 18th Century or earlier, Siam / Thailand, exceptionally executed metalwork, especially considering its age and diminutive scale, rare pose combination, depicted standing on lotus flower pedestal, holding a gallipot (apothecary jar) in his left hand, right hand in Varada Mudra gesture with palm facing outward and fingers pointing down to the ground. The Varada Mudra is a gesture of compassion and wish-granting that represents open-handed generosity and granting of wishes. The medicine Buddha is described as a doctor who cures suffering using the medicine of his teachings and brings healing. Makes for a wonderful decorative object or thoughtful gift, sure to add a touch of whimsical elegance, serene warmth, balance, and tranquility to any space! Provenance / Acquisition: A private Gentleman's Dallas, Texas fine art and antiques collection Acquired from the highly reputable auction house Dallas Auction Gallery; Dallas, Texas. Owned and curated by Reyne Hirsch, a media personality and expert in 20th century decorative arts. She's was a top appraiser for Antiques Roadshow...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...