Large Antique Japanese Cloisonne Enamel Censer Koro W Stand Attributed To GOTO

An antique Japanese, probably Goto school, enamel over copper charger plate. The exterior of the plate is adorned with a polychrome image of ducks flying over a pond with blossomin...

An antique Japanese late Meiji era decorative enamel over copper plate or charger. Attributed to Goto The interior of the plate is adorned with a polychrome design of flying geese ...

An antique Japanese, late Meiji Era, tripod enamel censer koro. The sphere form ware is enameled with a polychrome image of a dragon on a black ground made in the Cloisonne technique...

An antique Japanese gilt copper lidded jar with cloisonne enamel design. Large Antique Meiji Japanese Cloisonne Enamel Covered Jar with Butterflies...

A Large Japanese Cloisonne Enamel vase attributed to Ando Jubei. Taisho period (1912 – 1926) A large baluster Cloisonne-Enamel vase worked in musen and silver wire of varying gauge...

Japanese Koro from the Meiji Period (1868-1912). Beautiful antique ten sides fluted koro censer, created in Japan during the Meiji period (1868-1912), ci...

Large Meiji Period Cloisonne Enamel Koro Japanese, late 19th Century Height 88cm, width 76cm, depth 53cm This superb cloisonne enamel koro was made during...

A Large Pair of Japanese Cloisonne Enamel Lanterns Attributed to Kaji Tsunekichi, Edo Period, 19th century Japanese cloisonne lanterns were made during the Meiji period, from the late 19th to early 20th century, and were often used as decorative lighting fixtures in temples and shrines. Kaji Tsunekichi (1866-1916) was a Japanese cloisonné artist who was active in the late 19th and early 20th centuries. He was born in Tokyo and learned the art of cloisonné from his father, Kaji Sataro, who was also a cloisonné artist. He was renowned for his mastery of the shippo-yaki technique, which involves creating intricate designs with thin wires on a metal base before filling in the spaces with enamel. Tsunekichi was known for his exceptional technical skills and his ability to create intricate designs with vibrant colors. His works often featured nature motifs, such as flowers, birds, and fish, which were rendered in a highly detailed and naturalistic style. He also experimented with new techniques, such as plique-à-jour, a type of cloisonné that creates a stained-glass effect. Tsunekichi's works were highly prized during his lifetime and continue to be sought after by collectors today. He won numerous awards for his cloisonné creations, including a Gold Medal at the 1900 Exposition Universelle in Paris. His works are characterized by their fine wirework, precise enamel application, and attention to detail. Some of Tsunekichi's most famous works include a pair of large cloisonné vases...