Japanese Two-Panel Screen, Cherry Blossoms on Gold

Dramatic and beautifully executed cherry blossoms trickle down the two panels with natural willows calmly coexisting with luminous gold dust fading to the ground. Mineral pigments an...

Mineral pigments on silk. Signature and seal read: Shunsei (or Haruo).

Japanese two-panel screen: Peony and Cherry, Edo period (circa 1800) painting, formerly fusuma (Japanese sliding doors), executed in the Kano school style, featuring a cherry tree in...

Early Kano School painting of pine trees overlooking two beautifully painted cranes and floral design in a natural setting by water’s edge. Mineral pig...

Ink on gold leaf with a silk brocade border. Signature reads: Nakajima Raishou (1796-1872). Student of Maruyama Okyo (one of Japan's most famous artists).

Japanese two-panel screen: Ikebana on gold. Meiji period (1868-1912) painting of a basket with beautifully arranged spring flowers in the style of ikebana (Japanese traditional flowe...

Serene Japanese Showa period two-panel folding byobu screen depicting a large spring blossoming prunus tree or plum tree. Beautifully painted with ink and natural color pigments on m...

Stunning Japanese two-panel folding screen featuring a gold leaf landscape signed by Yoshikawa. Delicate scene of cherry and willow trees near a village with high mountains in the ba...

Spring landscape by an unknown painter of the Rinpa school, 19th century, six-panel ink painted on gold leaf on rice paper. The flowers are made with the "gofun" technique, natural or pigmented white oyster powder. Rinpa (? ?, Rinpa) is one of the major historical schools of Japanese painting. the style was consolidated by the brothers Ogata Korin (1658–1716) and Ogata Kenzan...

Cherry Blossoms Kano Sanrakuki (1898-1981) Showa period, circa 1930 2-panel Japanese Screen Color, gofun and gold leaf on paper Against a backdrop of gold-leafed ground, the lichen covered trunk and branches of the life-sized cherry blossom tree reach out and beyond the confines of the pictorial surface. The overall composition has a feeling of flatness which draws emphasis to the surface and the three-dimensionality of the cherry blossoms. Painstakingly built-up layers of thickly applied shell-white gofun detail the voluminous blossoms and cover large areas of this tour-de-force of Japanese Nihonga painting. By simplifying the background, minimizing the number of colors and depicting the blossoms with such heavy relief, the artist has emphasized the stunning presence of the cherry tree. The type of tree depicted is the Yae-Zakura; a double-layered type of cherry blossom famed for its beauty and strength. When we think of Japanese cherry blossoms, the first thing that comes to mind is Somei Yoshino variety, which has a single flower with five almost white petals. This type is fragile and easily blown away by strong wind or rain. Most of the double-flowered cherry blossoms begin to bloom when the Somei-Yoshino falls, and the flowering period lasts longer than that of the Somei-Yoshino. Kano Sanrakuki originally studied painting at the Kyoto City Arts and Crafts School under the tutelage of Yamamoto Shunkyo...

Impressive early 19th century Japanese Edo period two-panel screen featuring flowering plants and grasses of autumn. Painted in the Tosa School style Bunka Bunsei period or Ogosho pe...

Fantastic Japanese late Meiji period two-panel byobu screen by Hashimoto Koshu. The large screen features two white geese amid brightly colored reeds. The symbolism of geese and reeds was introduced to Japan from China in the 13th century. This was a popular subject for Japanese zen artists of the period. Beautifully crafted with exceptional brush strokes and details. Made with natural pigments in dramatic vivid colors of white, pink, and mint green on a silk background of gilt. Circa 1900 with artist seal on bottom right corner. Koshu studied Western art under...