Japanese Two-Panel Screen with Snow Cranes on a Willow Tree, 19th C

Japanese set of sliding doors that have been mounted as a screen in the early 20th century and the panels from the 19th-century. ABOUT This screen is indeed a masterpiece o...

Japanese Art Deco 4-Panel Screen with Falcon, Ca. 1920 DIMENSIONS Height: 36.25 inches Width: 71.25 inches

Japanese Meiji Period Two-Panel Embroidery Screen with Rooster and Chicken, Ca. 1890s Meiji Period (1868-1912) – Ca. 1890/1910 Signed DIMENSIONS Width: 60 inches Heigh...

Japanese Pair of Shibayama Panels, Ca. 1900 ABOUT Both panels have immensely rich detail articulated in shell, mother-of-pearl, and bone along with ca...

Pine Trees and Cranes Materials: Paper on Wooden Frame, Colored One piece: W865×H1760mm, unfolded size: W1730mm, 6kg Folded size: W865×H1760×D35mm packaging (sandwiched with 5mm plyw...

Pines and Cranes Anonymous. Kyoto Kano School. Late 17th/early 18th centuries, circa 1700. Pair of six-panel Japanese folding screens. Ink, gofun, pigment and gold leaf on paper. This bold composition presents two pine trees extending to the left and right across a gold leaf background. One tree is silhouetted against a green ground, golden clouds obscuring its true size, the other stretches across a stylized waterway. The pines are paired with Manchurian cranes with red crests and snow white plumage. Both have been highly auspicious motifs in East Asia since Chinese antiquity. Here the artist utilized fluid and instinctive ink brushstrokes to define the trunk, branches and tail feathers, in strong contrast to the precision and sharp angularity of the crane’s legs and beaks. The adoption of this vast metallic painting support required an unerring sense of design and composition, so that the negative space surrounding motifs could imply context for the otherwise floating pictorial elements. The brushwork detailing the trunks of the pines, the exaggerated dimensions of the pine trees and the strength and dynamism of the composition are all reminiscent of Kano Eitoku...

Amazing 19th century pair of large Japanese Meiji period six panel screens each depicting a sedge of Manchurian red-crowned cranes along the shore. The screens are crafted in the Nihonga school style with intricate details and beautifully depicted cresting waves. Each screen is signed by artist Hakundo Keikan and studio name of Watahiki Tokai (Japanese 1837-1915). Both screens are signed with red seals on the left and right side. Tokai was a Chinese scholar from the late Edo period and served in the Imperial Household...

Early Kano School painting of pine trees overlooking two beautifully painted cranes and floral design in a natural setting by water’s edge. Mineral pig...