Large Vintage Framed Pichhavai Painting of Krishna, Radha and Gopis by Moonlight

Vintage Pichhavai painting on fabric of Krishna playing is flute with Radha and female Gopis gathered by his side. The colors, details and facial ex...

Antique pair of Qing dynasty ancestor portraits depicting a male and a female. Hand painted on silk and framed under glass within a large te...

Jim Rodgers (American/New Jersey, b. 1958), a framed still life with summer fruit, signed "Rodgers" at lower right. Succulent ripe peaches, figs and raspberries are beautifully rende...

A small and engaging contemporary painting of a chestnut horse in a pastoral setting. The colors in this unsigned painting are fresh and vibrant. The...

20th c., Showa period gouache and gold leaf Japanese screen. Depicting plum tree blossoms on a riverbank across 6 panels. Plum blossoms are often mentioned in Japanese poetry as a symbol of spring...

American intra-war artist and illustrator Porter Woodruff (1894-1959). Arabian Horse scene, oil and gold leaf on board with chalky gouache. Signed Woodruff on lower right of painting. Signature somewhat obscured by frame. His Art Deco-influenced paintings are highly decorative and appealing, the compositions complex and well-thought out. The gold leaf background is decorative and elegant. His are rare Modernist paintings by an artist who found himself at the very heart of design, fashion and celebrity life in the early part of the century. Label at back for Pitt & Scott Ltd London - well known for its expertise in handling antiques, works of art and fragile artefacts. Dimensions: 11.5"h x 15.5"w (sight) 12.5"h x 17.5"w (frame) Porter Woodruff, was an illustrator artist and contributor to Vogue Magazine and Home & Garden (including covers for both). He was one of five artists stationed in Paris in 1923 for Vogue. Woodruff spent considerable time in Tunisia, North Africa, residing with his romantic partner, Romanian socialite George Sebastian. Sebastian owned a lavish, coastal property in then-trendy Hammamet, near Tunis on the Mediterranean. Sebastian fell in love with the simple beauty of the quiet fishing port of Hammamet and was the first of the international set of the times to build his villa there. He started a trend that has never ceased. Frank Lloyd Wright is said to have claimed Dar Sebastian to be ”the most beautiful house I have ever seen”. American and European intelligentsia and upper-crust were attracted to the area between the wars. The artists Cocteau, Elsa Schiaparelli, Paul Klee, Andre Gide, the Sitwells, and Cecil Beaton enjoyed visiting, partying, and undertaking what someone once described as indulging the opportunity to do 'some rather elaborate sinning'. Other visitors included Art Deco designer Jean-Michel Frank, Wallis Simpson, Somerset Maugham, and Greta Garbo, among others. The onset of war disrupted this scene and it never truly regained its former glory. Dar Sebastian was requisitioned by the 'Desert Fox', German General, Field Marshal Erwin Rommel...

Large Pichhavai Hindu Painting of Radha and Krishna with Female Gopis. Pichhwai Hindu Painting of Krishna and Radha framed under glass. Kris...

"Pichwai (pichvai or Pichhavai) is a style of painting that originated over 400 years ago, in the town of Nathdwara near Udaipur in Rajasthan, India. Intricate and visually stunning, pichwai paintings...

"Pichwai (pichvai or Pichhavai) is a style of painting that originated over 400 years ago, in the town of Nathdwara near Udaipur in Rajasthan, India. Intricate and visually stunning, pichwai paintings...

A charming painting of Lord Krishna and his paramour Radha painted in mineral pigments (gouache) with gold and silver highlights circa mid 19th century in Jaipur style of painting. Krishna was a god (an incarnation of god Vishnu) who accomplished great feats and defeated insurmountable demons. However, he is also considered the most playful amongst gods and an epic lover of godly proportions. His love story with Radha (a married woman) has been the subject of much poetry and worship for centuries as it symbolized the divine love. Here, the lovers are depicted in a loving embrace offering one another a lotus flower. Radha is often depicted hopelessly resisting Krishna's advances as in this painting. The couple's heads are circled by a halo, signifying their divinity. The setting is typical of the interior modeling in the 19th century with use of heavy curtains...

A large Korean folk-art painting framed in a carved gilt frame under museum-quality acrylic glass. The ink and watercolor on paper was dated circa late 19th century to turn of the 20...

A Korean Folk Art painting watercolor on silk mounted with brocade border and framed. The watercolor was likely dated from late 19th century to the tur...