Painted Paintings and Screens

Pigments on silk. Signature and seal read: Chiga saku (Acid free mounting with UV plexiglass) Painting dimentions: 59" H x 34" W, overall dimentions: 63 1/4" H x 38 1/2" W.

Japanese Two Panel Screen: Ink Landscape on Silk, Meiji period (1868 - 1912) painting of a man riding a mule on a pathway through the Kurotani mountains with a thatched roof shelter ...

China Trade watercolor paintings of exotic birds on branches are in watercolor and gouache on Chinese paper. One picture depicts a pigeon perched on a tree branch with a landscape background. Chinese calligraphy can be seen in the top right corner. The second picture depicts two courting birds in shades of brown, both perched on a branch, also in a landscape background. Both paintings framed with a green silk mat and contemporary gilt and dark wood frame. Reference: Chinese Export...

Landscape with Flowers and Bamboo by an 18th century painter of the Rinpa school, two panels painted in ink on gold leaf and vegetable paper. The flowers...

Chinese painting on paper, which is unrolled once hung on the wall. It is a painting that depicts birds in nature, in the style of the 18th c...

A charming painting of Lord Krishna and his paramour Radha painted in mineral pigments (gouache) with gold and silver highlights circa mid 19th century in Jaipur style of painting. Krishna was a god (an incarnation of god Vishnu) who accomplished great feats and defeated insurmountable demons. However, he is also considered the most playful amongst gods and an epic lover of godly proportions. His love story with Radha (a married woman) has been the subject of much poetry and worship for centuries as it symbolized the divine love. Here, the lovers are depicted in a loving embrace offering one another a lotus flower. Radha is often depicted hopelessly resisting Krishna's advances as in this painting. The couple's heads are circled by a halo, signifying their divinity. The setting is typical of the interior modeling in the 19th century with use of heavy curtains...

Beautiful 19th century Pichhwai silk painting of Krishna and Radha accompanied by gopis, devas, the sun God Surya, plants and animals enjoying ...

Bamboo in moonlight Gamo Rakan (1784-1866) Hanging scroll, ink on silk. Dimensions: Scroll: 201 cm x 58 cm Image: 137 cm x 45 cm In this early 19th century work by Gamo Rakan a light ink wash applied to the silk background silhouettes the moon and suggests the atmosphere of early evening. Even though it is a literati subject, Rakan’s bamboo is quite realistic with a strong decorative style. The painting finds its inspiration from Chinese Ming dynasty painters who often used a single-tone, jet black stroke to emphasize the calligraphic nature of bamboo. In a different era, decorative would have been seen as somewhat unrefined. But increasingly in the Edo period, it was the hallmark of high style. The Japanese people, in particular the rising merchant class, had gradually become apathetic toward the traditional Sesshu and Kano schools of painting. Chinese professional and amateur painters living in the port of Nagasaki during the 18th century had a profound effect on Japanese painting and the freshness of their style and its decorative appeal contributed greatly to its popularity. Gamo Rakan’s teacher, Tani Buncho...

A traditional style Japanese four panel folding screen depicting a flower cart full of red and white flowers. 10198

A large Pichhavai painting depicting Krishna, represented in multiple places with female Gopis dancing and offering, great colors, the composition is enclosed in a lush green forest ...

A large Pichhavai painting of Krishna with female Gopis dancing Krishna playing flute on a bed of lotus, the composition is enclosed in a lush gree...

A nice pair of Chinese ancestor family group portraits, 19th century, on paper, framed in teak frames under glass. Twelve characters total in per...