Japanese Woodblock Print by Eizan Kikugawa, 菊川英山

Original woodblock work by " Three Geishas" Kikukawa Eizan (????) 1787-1867, depicting the traditional Japanese ladies with the traditional beautiful cu...

Original woodblock work by " Three Geishas" Kikukawa Eizan (????) 1787-1867, depicting the traditional Japanese ladies with the traditional beautiful cu...

Original woodblock work by " The Geisha" by Kikukawa Eizan 1787-1867, publisher Ezakiya Kichibe. Dimension: Image 8.75" x 13.5": with frame 15.5" x 20....

Japanese woodblock print by Utagawa Yoshiika 落合芳幾 (1833-1904), unframed. About the Artist: Yoshiiku was a popular ukiyo-e printmaker during the Meiji period. It is thought that he was the son of a tea house proprietor, hence his particular skill success in the portrayal of various beauties from teahouses and restaurants. Yet, he was an artist comfortable across subject matter and is recognized for his fierce portrayal of famous historical warriors. Yoshiiku was a student of Kuniyoshi and a contemporary rival of the famed Yoshitoshi. He signed his name Utagawa Yoshiiku...

Okumura Masanobu (????) (artist late 1680s - early 1760s) Signed: Hogetsudo shomei Okumura Bunkaku Masanobu shohitsu ????????????? Artist's seal: Tanchosai ABOUT THE ARTIST Okumura Masanobu (????) (artist late 1680s - early 1760s) ALTERNATE NAMES: Baio (go - ??) Bunkaku (go - ??) Chikatai (family name) Gempachi (nickname - ??) Genroku (nickname - ??) Hogetsudo (go - ???) Masanobu (go - ??) Shidoken (go - ???) Tanchosai (go - ???) Okumura Shinmyo (family name - ????) BIOGRAPHY: Common name: Genpachi (Genpachiro); go Shinmyo (from 1707), Baio (from 1707), Hogetsudo (from Genbun era, 1736-41), Tanchosai and Bunkaku (both from Enkyo era [?], 1744-8). Ukiyo-e painter, print artist and innovative print publisher, also author and illustrator early in his career. Studied haikai poetry under Tachiba (Shogetsudo) Fukaku (Sen'o, 1662-1753). Said to have been influenced by the work of Moronobu. and Kiyonobu., and his earliest dated work is a copy of Kiyonobu I's Illustrated Book of Courtesans of 1700. published by Kurihara Choemon in the eighth month of 170a. From 1703 to 1711 he designed illustrations for at least 22 ukiyo-zoshi novels and puppet theatre playbooks, notably three works also written by him that parodied Tale of Genji. In the Hoei and Shotoku eras (1704-16) Masanobu designed o-oban prints of beautiful women, horizontal oban sumizuri-e 'parody pictures' (mitat-e) and actor prints...

The painting presents a very old and traditional Japanese belt with hidden space to store small things such as pills, rings, and jewelry. Tanaka Shutei(1810 ~ 1858) Tanka was a ...

Utagawa Kuniyoshi (Japan, 1798-1861), a set of nine Japanese woodblock prints (ukiyo-e) from the series 'Taiheiki Eiyuden', or 'Heroes of the Great Peace' published between 1846-1847...

This Meiji-period color woodblock by Toyohara Chikanobu (1838-1912) depicts three elegant female courtiers in traditional dress taking refreshments. Th...

Faces (4 Faces), 1969 Tomio Kinoshita (1923-2014), Japan Woodblock print Paper, pigment, sumi ink Image: 27 high by 18.25 inches wide (68.5 by 46.4 cm) Paper size: 28 high by 19...

Tomio Kinoshita (1923 - 2014) Masks (No. 4), 1981 Woodblock print Image Size: 22 high by 31 inches wide (56 by 79 cm) Paper Size: 22.75 high by 31.5 inches wide (57.8 by 80 cm) ...

Contemporary Japanese woodblock print (Sosaku hanga) by the female artist Reika Iwami (b. 1927, Tokyo) titled “Water Fantasy A”of a setting full moon on th...

Tomio Kinoshita (1923 – 2014) Big Boys, 1960 Woodblock print Image size: 32.75 high by 22 inches wide (83 by 56 cm) Paper size: 35.5 high by 23.75 inches wide (90 by 60.3 cm) Signed: in pencil lower right, Tomio Kinoshita Titled: in pencil at lower left Edition: 30/50 Condition: Very good The woodblock for this large print was carved in 1958, just three years after Kinoshita’s began creating woodblocks. This print was signed and dated in 1960, but not numbered; prints were also pulled from this block in the 1970s, so it must have been one of more popular images. One of his students has written, “As time progressed further, the postwar era saw improvements in nutrition, and children became taller and heavier than in the past, but their lack of physical exercise and severely inferior physical abilities became a social problem; this is ironically depicted in Big Boys.” In 1963, Kinoshita told him that he had just finished pulling a print of this image in response to a request from Unichi Hiratsuka...