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Original Japanese Woodblock Print Circa 1900

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Large, Japanese, Blue and White Imari Jardiniere, 19th Century
Located in Toronto, CA
A large and beautiful Japanese Imari jardiniere from the Meiji period, 19th century. Gorgeous blue and white floral decoration with four mask handles. This jardiniere comes with an e...
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Antique 19th Century Japanese Other Planters, Cachepots and Jardinières

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Japanese Silver Inlaid Bronze Incense Burner, 19th Century
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This is a wonderful Japanese, silver inlaid, solid Bronze incense burner from the late 19th century or early 20th century. The removable lid features beautiful modelling of a small ...
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Mount Vernon, Pair of Vintage Prints
Located in Toronto, CA
Two beautiful vintage prints of Washington's Mount Vernon, early 1970's. These two prints are reproductions of the famous paintings of Mount Vernon's East and West front, found in th...
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Giovanni Benedetto Castiglione, 1609-1664, Young Man, Etching Circa 1640
By Giovanni Benedetto Castiglione
Located in Toronto, CA
This is an original etching by Giovanni Benedetto Castiglione, circa 1640, of a Young Man Looking Down to the Right. It is the only known state and belongs to the series known as 'Studies of Heads in Oriental Headdress'. Signed (in monogram) in the plate in the upper right 'G Castiglione Genovese.' In a delicate gilt/black frame. Frame dimensions 12.75" by 8.75". Certificate of Authenticity. In this work, Castiglione offers us an exquisite portrait of a young man. This small etching shows all the hallmarks of Castiglione's style: incredibly detailed etching marks that result in a wonderful play of light and shadow. The angle of the head and the lively floating feather in the young man's hat show us a figure in movement, pausing to look at something the viewer can only guess at. That such a small collection lines and cross-hatchings can evoke so much is a testament to Castiglione's genius. Giovanni Benedetto Castiglione was an Italian Baroque painter, printmaker and draftsman of the Genoese school. He is best known now for his etchings, and as the inventor of the printmaking technique of monotyping. He was known as Il Grechetto in Italy and in France as Le Benédette. Castiglione was a brilliant draftsman and pioneered the development of the oil sketch (often using a mixture of mediums) as a finished work. He is credited with having invented the monotype in 1648, the only printmaking technique to be an Italian invention, making over twenty over the succeeding years. His most popular and influential prints were a series of exotic heads, mostly of vaguely Oriental males, but also of women. From Bartch/Bellini: Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621, Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal painting. Though he painted portraits, historical pieces and landscapes, Castiglione excelled in rural scenes with animals and influenced Italy's animal painting specialists. By 1634, Castiglione was in Rome, where he remained for about ten years. After returning to Genoa for a time, he worked for the Mantuan court in 1648, which had also employed Rubens. There Castiglione picked up the freedom of touch he saw in Domenico Fetti's paintings. One of the first Italians to appreciate Rembrandt van...
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Art Nouveau Marble Sculpture of Two Figures Kissing
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Set of Twelve 18th century Printer's Devices
Located in Toronto, CA
Set of twelve individual sheets with affixed printers' devices, each featuring individual designs along with wording in old french, dating from approximately 1700. Printers' devices ...
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Antique Early 1700s French Louis XV Prints

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