19th Century Meiji Period Bronze of a Woodcutter Sawing a Large Tree Trunk

A charming Meiji period bronze of a boy collecting sweet chestnuts by Seiya, he carries a basket and is looking down at an insect crawling over his hand, he is also evidently wearing...

This figural group shows a mendicant Oni with a tattered umbrella and wearing a voluminous shakudo cloak over gilt tiger mask greaves. A smaller Oni wears s...

Unusual Meiji period bronze of a labourer sieving through a woven reed mat with another at his feet and a wooden bucket at his side, signed.

A large and impressive Meiji period bronze bison by Sano Takachika for the Kakuha Company, the animal powerfully modelled with his head low and turned slightly to the left and with a...

A pair of Meiji period solid silver bowls by Eigyoku, each of lobed oval form on four scroll feet, deeply embossed with continuous chrysanthemum hea...

A Chinese paktong basin, engraved with scenes of many children at play and before pagodas, within borders of shou characters, bats and flowerheads, the flattened rim with vases of flowers and lingzhi, swords, lotus pods...

A large and magnificent cast bronze image of the Medicine Buddha, Bhaisajyaguru, rendered in the Burmese Pagan style, and most likely based on a period example that was either damaged or lost, 19th century, Burma or Thailand. He can be identified as the Medicine Buddha by the hand that rests in his lap, with his middle finger touching the thumb. A medicine pot or fruit stem would originally have been placed in his upturned palm. The face of this Buddha has been sculpted masterfully. He has a beautiful heart shaped face topped by hair neatly arranged in the typical "snail shell curls", and surmounted by a high ushnisha. Long, pendulous earlobes frame his face, a symbol of his princely past. He gazes serenely outwards from heavily lidded, downcast eyes, a content smile upon his full, lush lips. The Buddha is portrayed seated in vajrasana (full lotus position), his elegant hands displayed in varada mudra, the gesture of granting favors and fulfilling wishes. Long, exquisite fingers extended, the thumb and middle finger touching in a gesture of compassion. He is clothed in a simple kasaya wrapped around his body and over one shoulder, leaving the shoulder and part of his chest bare. The diaphanous garment clings to his body, outlining his well proportioned and graceful, almost sensuous, form. The excess material pooled in neat pleats in front of him. A sash thrown over his shoulder. He sits upon a double lotus base upon a raised platform. The platform features two kneeling attendants, usually interpreted as the monks Ananda and Kasyapa. Between them is a circular disc representing the Wheel of Dharma. Contained in the disk is a flower with eight petals, symbolizing the eightfold path, one of the principle teachings of the Buddha. The sides and back of the platform featuring a series of singha, or lions, representative of the Buddha's royal past. An applied lacquer patina covers the entirety of the image. Large deposits of ash (from incense) are present between the curls of the hair, as well as some the other crevices, indicating this image was the subject of worship for many years. Bhaisajyaguru, also called the Medicine Buddha, or Buddha of Healing, is a revered figure in the Buddhist pantheon as a master able to cure suffering, both physical and spiritual, through his teachings. The Pagan Empire ruled most of present day Burma (Myanmar) from 849 to 1297. The capital, Bagan, served as a both the center of government and religion, where Buddhism reigned supreme. Bagan was also at a crossroads of the Buddhist world, with influence from India, Nepal, Tibet, China, and even Indonesia shaping their culture. As such, Pagan Buddha...

A signed Okimono from the Japanese Meiji period (1868-1912). Very rare, unusual and large sculptural assembling of a dysplaying piece of okimono. Created in Japan during the imperial period of the Meiji (1868-1912). This extraordinary piece okimono sculpture depict a group of four intricately and realistically rendered carousing males skeletons representations (Gaikotsu) standing in several position. One skeleton is crouched down playing with mouses in the floor. The second is seated resting in the other's back, peacefully smoking opium. The others two are fully standing in interacting position. The entire composition is arranged freely displayed on the wood base including a woven basket, apparently with food and four playfull mouses. There are an extra five mouses in different positions, freely playing around, all of them with the eyes accented with carved black ebony. The composition is displayed on a four-legged free form carved wood platform with an inlaid red plaque engraved with the artist's signature. The level of detail and the quality of the carving is truly exceptional. Has an exact measurements of 216.15 mm by 139.7 mm by 359.41 mm (8.51 x 5.5 x 14.15 Inches). After an extensive collection of data, comparables and references to this piece, we have only been able to find only three okimono sculptures like this, with similar themes and the same quality of work. References Note: A similar carving of four skeletons playing an animated game of dominos, signed Shutaro in an inlaid rectangular red plaque, was sold in London by Christie’s South Kensington in October 14 2014, Lot 120 Sale 5546. References Note: A similar carving with four skeletons in an otherwise typical victorian scene of a photographer and three sitters signed Shutaro in an inlaid rectangular red plaque, was sold in Edinburgh at Lyon & Turnbull in November 7, 2018. References Note: A similar carving with five skeletons seated, playing cards and drinking, was sold in London by John Nicholson Fine Art on September 26, 2018. Meiji period, is an era of Japanese history that extended from October 23, 1868 to July 30, 1912.The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keio era and was succeeded by the Taisho era, upon the accession of Emperor Taisho. Okimono, is a Japanese term meaning for display an ornament; art object; or decorative object, usually displayed in a tokonoma or butsudan "Buddhist altar". It is an ornament or figure, especially one placed in a guest room. An okimono may be a small Japanese carving...

19th century gold gilded bronze Buddha A finely cast bronze Buddha statue in gold gilt with modeled and incised floral motifs. This jeweled God o...

Tenjin-Sama, Shinto Deity of Learning and Wisdom, Meiji Period Tenjin,-Sama, Deification of Sugawara no Michizane, was a famous scholar, poet and politician of the Heian period. In...

Beautifully carved Qing dynasty tea caddy from Elmwood (yumu), with floral motifs. Beautiful original patina, the body is in a brown lacquer and the handle is finished with an red color lacquer. The large size is very usual and was used in a large family compound. The tea caddy is designed to hold and keep warm, large tea pot filled with tea. The tea pot’s spout comes out the front opening for pouring. The horizontal bar used as the container’s handle has a pivoting lock when open, the handle bar can be removed and closing of the pivoting lock, the handle is secure for use. The wooden tea caddy...

Beautifully carved Qing dynasty tea caddy from Elmwood (yumu), with floral motifs and finished with an oxblood color lacquer. The handle has a finely carved bat motif, which symbolizes good fortune. The large size is very usual and was used in a large family compound. The tea caddy is designed to hold and keep warm, large tea pot filled with tea. The tea pot’s spout comes out the front opening for pouring. The horizontal bar used as the container’s handle has a pivoting lock when open, the handle bar can be removed and closing of the pivoting lock, the handle is secure for use. The wooden tea caddy...