China Qing Dynasty 19th Century Reclining Foo Dog Statue Carved in Gray Jade

Buddhist altar temple-pagoda from the Qing Dynasty (1644-1911). Fabulous and very rare, East Asian, Buddhist Altar Temple-Pagoda. It was created in China during the late Qing Dynast...

Extremely rare Chinese pottery caparisoned horse from the Northern Qi region. A beautiful large sculptural piece, created in China during the Northern Qi dynasty period, between the 549 and 577 AD. This horse statue is extremely finely modeled of earthenware pottery, standing in a very elegant and majestic position striding on a trapezoidal shaped base. The animal has a gracefully arched neck to the left looking forward and its extremely well modeled. The head is adorned with a large detailed tassels of plumes and the body is embellished with a beautiful saddle and intricate harnesses. The trapping around the chest and rump is adorned with elaborated tassels and the straps are accented with multiples florets and bosses in high relief. Decorated with dotted and circles patterns. The surface is treated with applications of natural color pigments such; red, white and others. Has a measurements of 435 mm by 319 mm by 243 mm (17.10 x 12.55 x 9.55 Inches) (43.5 x 31.9 x 24.3 Cm). Northern Qi, was the successor state of the Chinese Xianbei state of Eastern Wei...

Standing Stickman from the Han Dynasty. Original ancient Chinese tomb attendants sculpture of a tall, thin standing man wearing a short tunic. Beautifully crafted in grey earthenw...

Exceedingly rare Chinese pottery caparisoned horse from the Northern Qi region. A beautiful sculptural piece, created in China during the Northern Qi dynasty period, between the 549 and 577 AD. This horse statue is extremely finely modeled of earthenware pottery, standing in a very elegant and majestic position striding on a trapezoidal shaped base. The animal has a gracefully arched neck to the left and its extremely well modeled. The head is adorned with a large detailed tassels of plumes and the body is embellished with a beautiful saddle and intricate harnesses. The trapping around the chest and rump is adorned with elaborated tassels and the straps are accented with multiples florets and bosses in high relief. The surface is treated with applications of natural pigments such; red, white and others. Has a measurements of 394 mm by 343 mm by 257 mm (15.53 x 13.52 x 10.15 Inches) (39.4 x 34.3 x 25.7 Cm). Northern Qi, was the successor state of the Chinese Xianbei state of Eastern Wei...

Pair of Earths Spirits "Zhenmushou" from the China Tang Dynasty 618-907 AD. A beautiful and rare pair of "Earths Spirits guardians" from the Yunnan province region in the ancient China. This was created in clay earthenware pottery during the Tang Dynasty period between 618 and 907 AD. Featuring the molded figures of two seated guardians with decorations with polychrome pigmentations. The figures are seated on their haunches with cloven hooves planted firmly on the base looking forward with their front legs in a straight position. Both with face and body alert expressions on a rectangular base. Earth spirits usually appear in pairs, one with a human head and the other with a lion head. Their supernatural powers, indicated by antlers, spiky flanges and flames, enable them to confront evil spirits and protect any precincts within their gaze. Have been believed to protect the living by keeping the spirits of the dead from inappropriately roaming the world outside the tomb. Zhenmushou or guardian deities, developed from a line of protective spirits found normally in pairs at the front of Tang dynasty tombs. They served both to protect the figure from untoward spirits, and the outside world from the roving spirit of the dead. Combining features from a number of animals to form the perfect mythic beast, these mythical creatures were perceived to be the ideal guardians of the dead The semi human faced figure has a measures of 11.25 by 4.5 by 5.75 inches (28.57 x 11.43 x 14.60 Cm). The mythological lion animal figure has a measures of 10 by 5 by 5.8 inches (24.5 x 12.7 x 14.73 Cm). Tang dynasty or Tang Empire, was an imperial dynasty of China that ruled from 618 to 907, with an interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Tend Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilization, and a the golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivaled that of the Han dynasty. The Li family founded the dynasty, seizing power during the decline and collapse of the Sui Empire and inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Wu Zhou dynasty...

Standing horse from the Tang Dynasty 618-907 AD. Beautiful sculptural piece of art from the Chinese ancient period of the Tang Dynasty (618-907 AD) featuring the finely sculptural figure of a horse, carefully made of earthenware clay pottery. The horse is standing in a very elegant and majestic position striding the four legs crossed. The animal has a slightly arched neck to the left looking forward and its extremely well modeled. The body is embellished with a beautiful saddle and intricate harnesses. The surface is treated with applications of natural color pigments such; white, light red and grays. Has a measurements of 343 mm by 140 mm by 356 mm (13.5 x 5.5 x14 Inches) (34.3 x 14 x 35.6 Cm). Tang dynasty or Tang Empire, was an imperial dynasty of China that ruled from 618 to 907, with an interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Tend Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilization, and a the golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivaled that of the Han dynasty. The Li family founded the dynasty, seizing power during the decline and collapse of the Sui Empire and inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Wu Zhou dynasty...

A Chinese Qing Dynasty period carved stone foo dog guardian lion from the 19th century, on square base. Created in China during the Qing Dynasty, this st...

A Chinese Qing Dynasty period carved stone foo dog sculpture from the 19th century, mounted on black custom made base. Created in China during the...

A fantastic Chinese cast bronze censer in the form of two Buddhistic lions play fighting, late Qing Dynasty, late 19th century, China. The censer formed as a pair of Buddhistic li...

A 19th century Chinese standing priestess sculpture made from terracotta during the later stages of the Qing dynasty with traces of original paint. This small hollow statue displays ...

A wonderful Chinese bamboo figural carving featuring the Taoist immortal twins of eternal youth, known as the HeHe ErXian, Qing dynasty, 19th century. F...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...