Chinese Laquered Bronze Sculpture of Dignitary, Ming, 1600s

This monumental Ming-dynasty bell once pealed in a Chinese village, sounding out in celebration or giving notice of important events. Expertly forged, the cast-iron bell is detailed with characters in intricate relief, and its exaggerated scallop rim is traced with oversized rivets. Covered in scales and ending in expressive faces, the bell's handle is cast in the form of a two-headed hong dragon, thought to be the embodiment of a rainbow and thus visible only after rainfall. Frosted with snow or lit from within by flickering candles, this sculptural bell takes on a magical presence in the winter garden.

A Chinese huge antique bronze "4-clawed" dragon- fine quality, late Qing dynasty, 1900 Quality: finely cast details head, flame, eyes, tail, scales, and four (4) claws, and scales....

This imposing figure is the head of an Arhat, a Buddhist devotee who has attained enlightenment, also called a “Luohan.” The eighteen original Arhat are the personal disciples of Buddha and the guardians of Buddhist adherents. Each is represented with a unique disposition, posture, and distinctive symbol. This exquisitely formed monumental ceramic Arhat dates to the Ming dynasty (1368-1644) and has likely been separated from its original full body sculpture...

A cast bronze statue of Yamantaka and his envisioned consort Vajravetali on lotus throne and with a halo canopy, Tibetan, circa 19th century. The statue was cast in section with the main figures inserted onto the throne. Yamantaka, also known as Vajrabhairava, is the wrathful manifestation of Manjusri (Yamantaka means 'terminator of Yama, the god of death). He is shown here holding a double-edged sword, embracing his consort Vajravetali who holds a skull cup...

Beautifully executed and unusual.

Lanterns such as these were widely produced during the Shang Dynasty. They were mainly used for various ceremonial purposes and featured high quality craftsmanship and ornate details...