Chinese Terracotta Sculpture Representing A Horseman, China Han Dynasty

Mingqi in grey terracotta with white slip and polychromy, representing a Bactrian camel, ridden by a court lady. Good condition. Please note that all ancient Chinese terracotta sculp...

Terracotta mingqi with white slip and polychromy, representing a horse with its finery. Very good to perfect condition. Please note that all ancient Chinese terracotta sculptures wer...

Statue of a Taoist god in wood, represented seated on a seat with armrests in the shape of heads of dragons. The face is really beautifully rendered, as well as the draping of the co...

Superb bronze okimono with black patina representing a peasant resting after his work, a basket of vegetables at his feet. Signed Kakuha Sei on the wooden stump. Excellent quality ! ...

Porcelain vase with polychrome decoration with gilt highlights of figures in a garden. Marked under the base. 19th century China.

Porcelain dish decorated in blue and iron red with gilt highlights of flowers and landscapes. A chip barely visible otherwise superb state of preservation. Diameter 39cm. Marked with...

Impressive terracotta warrior representing a banner bearer gripping a wooden staff with his hands (dematerialized through the ages); his gaze is ser...

A massive Chinese Han dynasty Sichuan terracotta pottery figure of a horse Han dynasty (206 BC-220 AD) Powerfully modelled in a pose of alert attention, its strong neck and head po...

A massive pottery horse with separately made head and tail, standing on all fours and striding with its right hoof forward. Extended snout ends in parted lips showing teeth beneath i...

A Chinese terracotta tomb figure (Ni Yong) from East Han Dynasty (25-220 AD), likely from the area of nowadays Sichuan. It depicts a horse groomer with tool and harness in hand. Dres...

Slab pottery constructed Model of a Paper Mill, in Green and Cream Color Glazed Terracotta having a peaked roof – open walled form with a mechanical pounder and a large round storage container. Light blue-green mottled glazed surface with some iridescence patina to the glaze. The Iridescence is a refraction of the layers on the glass that produces multicolor hues & metallic luster, and only develops after one thousand years of being buried in the ground. An unquestionable mark of antiquity, impossible to falsify. Han Dynasty, dated 206 B.C-220 A.D. Condition: Excellent, wear commensurate with age, an unusual example. This fantastic piece is accompanied by a Certificate of Authenticity. Sculptural effigies of domesticated animals were often interred in the tombs of nobility and elite members of the social hierarchy. Models like this one were made to represent everything from simple goat or pig pens to the most elaborate towers and palaces. Because very few ancient Chinese buildings have survived intact, these models, along with descriptions from ancient texts, give a good representation of what the buildings might have looked like. Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. For the first time in Chinese history, we have images of rural and daily life during the Han in the form of contemporary records...

Slab pottery constructed barn workshop having a peaked roof – open walled form with a mechanical pounder and a large round covered storage container. Light blue-green mottled glazed surface with some iridescence patina to the glaze. Condition: Intact, excellent condition, an unusual example. Provenance: The Living Torah Museum, Brooklyn; ex. Sands of Time, 2002. Sculptural effigies of domesticated animals were often interred in the tombs of nobility and elite members of the social hierarchy. Models like this one were made to represent everything from simple goat or pig pens to the most elaborate towers and palaces. Because very few ancient Chinese buildings have survived intact, these models, along with descriptions from ancient texts, give a good representation of what the buildings might have looked like. This fantastic piece is accompanied by a Certificate of Authenticity. Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. For the first time in Chinese history, we have images of rural and daily life during the Han in the form of contemporary...