Early 20th Century Japanese Gilt Sakyamuni Buddha with Stele

This intricate limestone stele of a standing buddha likely depicts Maitreya, the Buddha of the Future. The only Buddhist divinity revered as both a bodhisattva and a Buddha, Maitreya is prophesied to return to Earth some time in the distant future and continue the historic Buddha's teachings of the Dharma. Like the historic Shakyamuni Buddha, Maitreya is a compassionate being devoted to showing the path to enlightenment. Carved in the style of sixth century Chinese statuary...

This carved stone stele depicts the historical Buddha, known also as Shaka, Shakyamuni, or Siddhartha Gautama. Seated in perpetual meditation, the Buddha embodies virtues of wisdom and composure. Hand-carved of limestone in the style of Northern Wei (386-535) statuary, the Buddha is depicted upon a lotus plinth with legs crossed in lotus position. His hands are held downwards in bhumisparsha mudra, a gesture representing the moment that the Buddha claimed the earth as witness to his awakening. The Buddha has a peaceful, benevolent expression and is framed by a halo of concentric circles. His figure is surrounded by attendant bodhisattvas, carved in relief on the curved stele behind and platform below. Leafy tree branches add a naturalistic touch to the background, wrapping around to the back of the stele to form a canopy above a second, smaller Buddha...

Intricately carved and finished with gilt black lacquer, this seated figure depicts the bodhisattva Guanyin, known in Japanese Buddhism as Kannon. Described as the "Buddha of Infinite Compassion," Kannon is the embodiment of mercy and makes himself available to all who call upon him with all their mind. Kannon is depicted here seated in diamond position upon a double lotus plinth, set above a stepped base. He is dressed in gracefully draped robes and wears a tall crown bearing a minuscule figure of Amida, the Buddha of Infinite Light. He has a serene expression of calm and holds his right hand in the abhaya mudra, a gesture of comfort, blessing, and protection. Backed by a magnificent leaf-form nimbus, this Kannon figure...

With closed eyes and a gentle expression, this large stone Buddha head brings calm and serenity to its surroundings. The hand-carved figure depicts the historic Buddha Shakyamuni, also known as Shaka, Gautama Buddha...

With closed eyes and a gentle expression, this large stone Buddha head brings calm and serenity to its surroundings. The hand-carved figure depicts ...

This 19th-century Buddha's hand sculpture from Thailand is finely cast of bronze with lifelike features and a beautiful dark patina. The hand is held upwards in abhaya mudra, the ges...

A large, tall Thai standing carved teak wood Buddha, lacquered and gilt, with hand raised in abhaya mudra, far Northern Thailand or possibly Laos, early 20th century. Near life-siz...

A charming and mischievous pair of Japanese carved, gilt and painted komainu, often mistaken for foo dogs or foo lions, Showa Period, 1920's, Japan. The two komainu, or guardian lions, are portrayed seated upon their haunches, heads slightly turned. The two beasts are well carved, with wonderful musculature, flowing manes, and bushy tails. Their faces a mix of ferocious and comical. The eyes of reverse painted glass with gilt highlights. One is a true komainu, (lion-dog), with a horn on its head, and its mouth closed. The other is a shishi, (lion), with its mouth open, and no horn. The komainu sports a mane and tail pigmented blue with gilt highlights. The shishi sports a mane and tail pigmented green with gilt highlights. Both figures richly gilt in gold lacquer. Komainu are protective beings, similar to foo lions or foo dogs...

A lovely sandstone Buddha head on wooden base, early 1900's, Utttar Pradesh, Northern India. The hand-carved features include the typical snail-s...

A large and impressive vintage gilt bronze figure of the tantric Buddha Vajrasattva, the Diamond Thunderbolt, mid 20th century, Nepal. Crafted of cast and richly gilt bronze, Vajrasattva sits in vajrasana, or full lotus position, his torso slightly bent at the waist. He holds an upright vajra scepter in one hand, raised at heart level. His other hand, resting on his hip, would originally have held a a ghanta, or bell, which is now missing. He is festooned in jewelry, including a five pointed crown, earrings, necklaces and armlets, all studded with coral and turquoise beads. His long hair falling in elegant tresses around his shoulders, the rest tied up in a high chignon topped by a vajra. Vajrasattva wears a dhoti covering his lower half. The dhoti intricately cast and carved with a scrolling vegetal design, and featuring images from the Ashtamangala, or Eight Auspicious Emblems, including the conch, endless knot, and double fish. Scarves billow out around his arms. The tantric Buddha sits upon a tall double lotus throne, the back with more intricately cast decorations of dragons and lotus blossoms against dense vegetal scrolls. The base sealed with a dented copper plate inscribed with a visvajra, or double vajra...

An elegant Japanese cast bronze okimono of a swimming carp, Taisho Period (1912 - 1926), early 20th century, Japan. The graceful fish portrayed realistically in motion, as if swimmi...

Three early 20th century red horn carvings of Buddha and Bodhisattvas. These three carvings all from approx. circa 1915 represent the bodhisattvas and or the ...