India, Medieval Period, 11th Century, a Sandstone Fragmentary Stele of Vishnu

Central India 10th - 12th century Pink sandstone Measure: 13.7 x 10.7 cm stand included Surface wear to be related to the age of the part From Archaïa Gallery, Lyon, France Fragmen...

Fragment of a stele representing two Tirthankaras India Jain culture VIII – Xth century The two saints are represented naked, seated in a small niche, each in a position of medita...

Nepal, possibly Kathmandu Valley 14th – 15th century Rare representation in high relief of Vaishnavi, female deity representing the primordial creative energy (shakti) of the Hindu...

Reclining Buddha in lacquered and gilded wood Ancient Kingdom of Siam 19th century The Buddha is represented in the Paranirvâna position, lying on the right side, the bent elbow res...

Ancient Kingdom of Siam (current Thailand) Northern School 16th-17th century Small Buddha head with excavation patina. The face, imbued with great serenity, is characterized by eyeb...

Origin: Tibet Period: 19th century Material: Wood, Silver Dimensions: See description below Condition: Excellent condition °°Items collected in the middle of the 19th century in China by a French army officer stationed in the Far East (China campaign...

Presenting a stunning piece of Indian antiquity from the 12th century, namely, a Vishnu Buff Sandstone Central India. From Central India. This piece has impeccable Provenance ! It...

PRESENTING a STUNNING piece of Southeast Asian Antiquity, namely, a 10/11C Pot-Bellied Vishnu Buff Sandstone Sculpture from Central India. This piece has impeccable Provenance! So...

A remarkable Chinese life sized painted stucco head of a luohan, Song, Liao or Jin Dynasty, circa 11th century, China. The amazingly life-like figure depicts a luohan (sometime spelled lohan), also known as an arhat, one of the original disciples of the Buddha. The elderly man has been molded in stucco with inset glass eyes and painted with idealized, if slightly exaggerated features. The unidentified luohan sports a bald, or perhaps shaved, domed head above a bulging forehead, symbolizing his vast wisdom. The wrinkles in his furrowed brow, and creases around his eyes add to his realism. The learned man stares out wisely from deep set, heavily lidded inlaid glass eyes that catch the light. The luohan has high cheekbones and a prominent jawline. His lips full and pursed as if about to speak. The corners of his mouth turned up ever so slightly in a faint smile, causing his gaunt cheeks to dimple charismatically. A series of dots above the upper lip indicate he may originally have sported a mustache of real hair. This life sized head with extremely realistic features fits into a very narrow time frame of Chinese Buddhist art. Perhaps the most recognized group of large, finely molded Chinese luohan...

A large and impressive Indian carved sandstone architectural frieze featuring a central image of the Hindu goddess Lakshmi flanked by two atten...

A sandstone figure head of Shiva Khmer, Baphuon style, circa 11th century. A rare Khmer gray sandstone head of Shiva. The handsome head of the divinity deity Shiva. His face with serene expression, almond-shaped eyes, ridged eyebrows and elongated earlobes, His headdress in tight rows and piled in tresses at the top of the head. Provenance: From a Canadian auction selling the estate of a French gentleman who amassed a large collection of Gandhara, Buddhas and Khmer items throughout his life. Measures: Head: 8 x 4.5 x 4.5 inches (20.5 x 11.4 x 11.4 cm) With stand: 10.7 inches tall Similar to item at Christies SALE 2828, Lot 1124 Indian and Southeast Asian Art 19, March 2014, New York. Shiva ( Siva, lit. the auspicious one) also known as Mahadeva ( lit. the greatest god) is one of the principal deities of Hinduism. He is the Supreme Being within Shaivism, one of the major traditions within contemporary Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity that includes Brahma and Vishnu. In Shaivism tradition, Shiva is the Supreme being who creates, protects and transforms the universe. In the tradition of Hinduism called Shaktism, the Goddess, or Devi, is described as supreme, yet Shiva is revered along with Vishnu and Brahma. A goddess is stated to be the energy and creative power (Shakti) of each, with Parvati (Sati) the equal complementary partner of Shiva. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to the Shaivism sect, the highest form of Shiva is formless, limitless, transcendent and unchanging absolute Brahman,[16] and the primal Atman (soul, self) of the universe. There are many both benevolent and fearsome depictions of Shiva. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash[1] as well as a householder with wife Parvati and his two children, Ganesha and Kartikeya. In his fierce aspects, he is often depicted slaying demons. Shiva is also known as Adiyogi Shiva, regarded as the patron god of yoga, meditation and arts. The iconographical attributes of Shiva are the serpent around his neck, the adorning crescent moon, the holy river Ganga flowing from his matted hair, the third eye on his forehead, the trishula or trident, as his weapon, and the damaru drum...

An Ancient Polished Sandstone lingam stone with an octagonal shaft which Rises from a Square Base, Khmer Period, 12-13th Century, Angkor Period. A fan...