Yeo Byong-Uk Korean Multi-Fired Stoneware Pottery Ceramic Vessel Vase Sculpture

A wonderfully crafted Korean stoneware pottery teapot with a beautiful muted green and brown glaze, color, and nicely aged patina. This work radiates ...

A fantastic piece. Wonderfully glazed and colored work of a seated man with brightly colored robes riding a mythical galloping horse. We believe this is Qing Dynasty (1644-1912) ...

Simply gorgeous and so delicately and beautifully made. This work has been molded in a whitish, dense terracotta, typical of the region of the capital of Luoyang, and then lightly glazed. We are not sure how to date this work. We believe, based on comparisons, that this piece could date as far back as the Tang dynasty (though we are not experts and have not had this verified by one. Again, this is not our area of expertise). The white terracotta and glaze appear correct as does the figures stately pose and elaborate hairstyle which was a characteristic feature of Tang pottery women. The people of ancient China believed that some part of the essence and life force of a human being was contained in the hair. Much time and effort went into this to create elaborate coiffures that the woman proudly displayed when in public. The Tang dynasty is also the only period in Chinese History to have known a female sovereign - The Empress Wu Zetian (625-706). Comes with lucite display stand...

Simply gorgeous and so delicately and beautifully made. This work has been molded in a whitish, dense terra cotta, typical of the region of the capital of Luoyang, and then attractively glazed over with various yellow, green, brown, amber, colored glazes. We are not sure how to date this work. We believe, based on comparisons, that this piece could date as far back as the Tang dynasty (though we are not experts and have not had this verified by one. Again, this is not our area of expertise). The white terracotta and glaze appear correct as does the figures stately pose and elaborate hairstyle which was a characteristic feature of Tang pottery women. The people of ancient China believed that some part of the essence and life force of a human being was contained in the hair. Much time and effort went into this to create elaborate coiffures that the woman proudly displayed when in public. The Tang dynasty is also the only period in Chinese History to have known a female sovereign - The Empress Wu Zetian (625-706). Comes with lucite display stand...

Simply gorgeous and so delicately and beautifully made. This work has been molded in a whitish, dense terracotta, typical of the region of the capital of Luoyang, and then lightly glazed. We are not sure how to date this work. We believe, based on comparisons, that this piece could date as far back as the Tang dynasty (though we are not experts and have not had this verified by one. Again, this is not our area of expertise). The white terracotta and glaze appear correct as does the figures stately pose and elaborate hairstyle which was a characteristic feature of Tang pottery women. The people of ancient China believed that some part of the essence and life force of a human being was contained in the hair. Much time and effort went into this to create elaborate coiffures that the woman proudly displayed when in public. The Tang dynasty is also the only period in Chinese History to have known a female sovereign, The Empress Wu Zetian (625-706). Comes with Lucite display stand...

Simply gorgeous and so delicately and beautifully made. This work has been molded in a whitish, dense terracotta, typical of the region of the capital of Luoyang, and then lightly glazed. We are not sure how to date this work. We believe, based on comparisons, that this piece could date as far back as the Tang dynasty (though we are not experts and have not had this verified by one. Again, this is not our area of expertise). The white terracotta and glaze appear correct as does the figures stately pose and elaborate hairstyle which was a characteristic feature of Tang pottery women. The people of ancient China believed that some part of the essence and life force of a human being was contained in the hair. Much time and effort went into this to create elaborate coiffures that the woman proudly displayed when in public. The Tang dynasty is also the only period in Chinese History to have known a female sovereign - The Empress Wu Zetian (625-706). Comes with Lucite display stand...

A ceramic sculpture piece created in the tradition of Buncheong ware by contemporary Korean ceramicist Sung Jae Choi (South Korean, b. 1962). In a hollow rectangular with slight irregularity of being hand-made, the piece evokes the distant memory of the stoneware pillow...

3-613 Japanese copper clad ceramic bud vase/sculpture Ceramic vase clad in molted copper.

Japanese lady sculpture wood fired handmade ceramic pottery. Traditional Japanese young woman small sculpture. Unusual shape beautiful collectib...

A Chinese molded stoneware figure on a custom display stand likely from Han Dynasty (202BC-220AD). These pottery figures were used as part of tomb accouterment for the burial practic...

A majestic pair of Mid-Century Modern Italian life-size black and white ceramic Great Dane dogs depicted in two different seated stances on black ba...

A stoneware shrine model with a figurine made in Ming dynasty (15th-17th century) in China and used as funeral burial objects. It is not known whether the two objects were originally associated, but they display similar glaze and oxidation and were in the same collection. The stoneware building is an architectural rendering of a typical ancestor shrine used at the time. It features a single room behind an elaborate front with double doors, under a multiple layered eaves. There are great architectural and decorative details throughout. The green glaze shows a wonderful silvery oxidation, an indication that the piece was buried in the ground. The side appears to be glazed lightly originally and some scrape marks and oxidized glaze residues remains. The back is unglazed. The figure is a typical tomb figurine...