Qing Architectural Elements

19th Century Asian Architectural transom panel with pierced carved foliage.

The Court Screen is a modern metal fireplace screen cover that can be used flush fitted into the fireplace opening or can stand right outside a ...

These are four attractive individual Delft ceramic wall tiles, dating to the second half of the 19th century. All tiles are nominally 5 inches square and 5/16 to 3/8 inches thick....

This stunning antique Victorian stick and ball panel is an architectural salvage from a bank where it was used as a teller's partition screen and gate. It is constructed of solid wood (likely mahogany) and made sometime in the late 19th century or early 20th. It could be repurposed in a number of ways making it a versatile historic architectural piece. Please note that the panel alone is not stable and is somewhat delicate, as it was originally attached to a ceiling at the top and bank counter...

This very nice carved plaque of good size comes from China and was made circa 1900. The stone is a rich combination of dark, light and emerald green. Sliced from a boulder washed and...

A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...

This red coral specimen, with flowing lines and organic form, is a beautiful example of how the work of nature can be, and has been, celebrated as a...

A wonderful Chinese bamboo figural carving featuring the Taoist immortal twins of eternal youth, known as the HeHe ErXian, Qing dynasty, 19th century. F...

A 19th century Asian stone architectural fragment. This intriguing sculpture probably had a utilitarian function as a water deposit. As often in China prac...

An Italian hand-carved wall plaque, with its original painted and gilt finish, from the 19th century. This antique wall decoration from Italy features a rectangular-shaped molded surround, with quarter-circle inner edges, that frame a carved assemblage of helmet, horn, arrows, and foliate motif at center with carved-rope and bow-tied ribbon in gilt. The original hand-painted finish has a faux marble background in gray hues, with green, red and gilt accents on the center carvings. This 19th century Italy carved plaque...

Ancient main door, carved by hand in solid walnut wood with six panels, built in the 19th century for a noble palace as an entrance to their home in the historic center, maximum size...

19th Century carved wood panel with lotus bud motive. An Architectural Element from a Buddhist Monastery in Northen Thailand. A Lotus Bud representi...