Saudi Arabian Decorative Bowls

Represented by Tuleste Factory Low Slab Table by CEU The item is customizable by size Low Slab 31: 31" dia x .11.7" H Low Slab 33: 33" dia x 11.5" H Slab...

Wedgwood Fairyland Lustre octagonal bowl decorated with 'Firbolgs' design on ruby lustre to exterior, 'Thumbelina' design to the interior. 'Roseberry Bead'...

Mother table centerpiece by Sophie Parachey Dimensions: W 37 x D 32 x H 8 cm Materials: Sand stoneware, mate sage glaze. Inspired by extended st...

A classic example of Art Deco design, its swirling vortex embellished with stylized blossoms, this rare bowl was produced by Denby pottery in England. The glazes are lovely -- a pur...

Rare and striking, this large Art Deco bowl, dating from 1928, depicts a large, open lotus blossom to one side, with a second blossom's center seed...

Deliberately and charmingly naive and Primitive in style, reminiscent of some of the WPA-sponsored work produced in America, this large and very rare decorated bowl was produced by t...

These one of a kind indiginous rugged primeval burl tables are of veritable vitality due to their naturalistic form. We retained the bark sub-strata which gives the table it's rough ...

Vintage Roseville Pottery bowl features a turquoise blue glaze with hand-painted trim at the top of ceramic body, executed as a series of dark blue short vertical lines. The inner s...

A Wedgwood Fairyland lustre bowl designed by Daisy Makeig-Jones ca. 1925 and decorated with the 'Blue Willow' pattern. The ‘Blue Willow’ pattern is timeless, inspired by 18th-century Chinese blue and white porcelains and appearing on English transferwares since the early 19th century. Thomas Minton is credited with creating the standard pattern as we know it today circa 1780; from there, all the major English potteries, and some American ones, began producing ‘Blue Willow’ transferwares...

Is like having a huge block of wood and turn it in a huge lathe, making it look like it’s revolved shape was originated by a single gesture. This wooden table will not only look beau...

Custom table with beautiful barley twist legs and stretcher. Bread boards on each end. Can be made in a custom sizes and in a variety of woods, colors, finishes and range of distress...

Rock crystal vessels were highly demanded and valuable in Medieval times. Inventories from European royal houses and the highest aristocratic families detail the important and sophisticated collections of ewers and bowls. Rock crystal has also been used extensively in religious art. Fine European reliquaries were also made of Rock Crystal including gems, enamel and other precious materials. The work of rock crystal is very ancient. The materials has been worked and valued for its solidity and its purity: it has been believed to be water ice permanently frozen. Our superb example is a gold-mounted rock crystal bowl with enamel. The items origin is not clear and various features and characteristics may lead us to think of different origins and periods of creation. A single piece of stone mounted with gold could be a Milanese work. Although the cut could be French as similar pieces belonged to the French royalty (especially the art lover Duc de Berry, (1340-1416)). French and Italian crystal cutters have been active at the same time and it is often difficult to differentiate their works. Islamic art also influenced European artists. The famous Fatimid treasury provided examples of their sophistication and quality. The seven ewers carved for the Fatimid Imans (known as "The Magnificent Seven") display impressive quality of both rock crystal and enamelled mounts. Even though not identical to works by French silversmith Jean-Valentin Morel who was appointed goldsmith to Queen Victoria in 1852 or Reinhold Vasters (1927-1909) another renown German goldsmith who embellished older rock crystal items, there are similarities between these works. Both reduce their use of colour to black and white on pure gold mounts. Moreover the black enamel design is quite similar. Also, no gems are included and no human figure is represented. Sotherby's described our bowl as a "German Rock crystal bowl with later gold mounts, 15th century." Other items from the period from Germany or Austria are usually silver mounted and the decorations are more colourful and include gems or human figures but they have in common enamel motifs. In our case, the gold foot, handles and rim could date from the 1900s. An expert has established the foot, handles and rim are pure gold. The goldsmith responsible for the improvement of the bowl is possibly the most famous Reinhold Vasters whose work has been displayed in the greatest museums such as the V&A in London and the Metropolitan Museum of Art in New York. The Rock Crystal bowl we have is gold mounted. The gold shows in enamelled details that are black and white. The gold handles are also enamelled with black acanthus-like leaves. The enamelling method could be "champleve" or "painting metal". The metal that is usually preferred is copper but these techniques are also applied to gold. The bowl itself could be from the 14th century. It's cut reminds of an estimated 14th century rock crystal ball bearing the Buoncompagni family arms...