21st Century and Contemporary Decorative Bowls

Cotta vase tripod by Decio Studio. Decio (IT) shows ‘Cotta’, his unseen and undiscovered body of work. Decio studio’s ideal is to create a corner of a ...

Cotta vessel by Decio Studio. Decio (IT) shows ‘Cotta’, his unseen and undiscovered body of work. Decio studio’s ideal is to create a corner of a fanta...

This platter is sculpted out of teak wood. It is then topped with hand carved bone chip to follow the curves of the form. Patterns are then carved in the platter to fill with glossy ...

Sweden. 2014. Marble and steel. Measures: H 124 cm/ 4' 1 1/4" L 33 cm/ 13" W 24 cm/ 9 1/2".

BEATRICE CROWN Vase for flowers or decorative centerpiece in ceramic, made on the lathe and hand painted. The inside of the crown is in white majolica,...

It’s tempting to imagine that order and chaos sit at opposite sides of a complex spectrum; the former inherently beautiful, the latter too complex to comprehend. However, it is in the emergence of order from chaos - the seeking out of patterns and correlations within the unfathomable - where the most thrilling of new aesthetics arise. This is the credo of the Matrix Vase...

Piece of art made by Kang Zhicheng (born 1932 – ) 100 Boys with a booklet. Absolutely beautifull painting. Top level artist Additional information: Material: Porcelain & Pottery Typ...

Todd Merrill Studio has represented artist John Procario since 2016. Having grown up around his carpenter father’s workshop, Procario entered the world of art and design with a well defined love of woodworking and a distinct vision inspired by his reverence for the material’s possibilities and limitations. Starting with his Freeform Series, and later translating and taking inspiration from this series to develop new works, Procario has continued to produce elegant, contemporary, and minimalistic designs that capture its audiences emotionally through sensation and observation. ? While studying sculpture in graduate school, Procario developed a unique aesthetic that began with the notion of wood as metaphor for the human body. “I would describe my work as having a heartbeat,” says Procario. “Each one has so much personality. As you move around them, the forms appear to shift and change. Just as we push the limits of our bones and muscles, I enjoy pushing the limits of wood to create a sense of strain in the material’s gesture,” Procario further elaborates. By pushing the limit of breakage, Procario creates a sense of strain in the otherwise fluid gestures of his works. Conceptually, this reveals beauty to be the product of stress. ? This evocation of the human form found throughout his Freeform Series can also be found in his recent furniture...

This piece shows Chris Knights's continued exploration of silver as he challenges its use; turning away from the material's traditional application and using its qualities to freely ...

One of three vessels developed as the material maquette's for Brian Thoreen's larger works. Comprised of a cast bronze bowl, grey marble and grey glass. Also available in brown or re...