Large Contemporary Japanese Green White Porcelain Charger by Master Artist

Very large exceptional contemporary Japanese porcelain charger/centrepiece, hand-painted in green and turquoise on a stunningly shaped raised square body, with a unique interpretatio...

Exquisite very large contemporary ceramic deep charger/centerpiece, hand painted in green, blue and white on an attractive silver/gray background to feature a stunning bold flower an...

Exceptional Japanese contemporary large decorative deep porcelain charger, dramatically hand-painted on the finest quality porcelain, a signed masterpiece by highly acclaimed award-...

Exceptional contemporary Japanese museum-quality porcelain raised deep charger/centerpiece, hand-painted in vivid green and yellow, in a stunning Pentagon shape. It showcases a uniqu...

Exctraordinary contemporary Japanese porcelain decorative charger, extremely intricately hand painted in an auspicious karakusa pattern...

Exceptional breathtaking museum quality contemporary Japanese signed porcelain decorative charger in an elegant rectagular shape, with a unique interpretation of zebras in a stunning...

Japanese Meiji period large porcelain charger with fish theme and decorative border. The piece was likely made during the Meiji Period. In gre...

This is a good quality Japanese porcelain large plate or dish or charger with an Imari pattern, dating to the mid-late 19th century, Meiji period, circa 1870. The plate or charger...

Why we love it: Look at the image! This beautiful Chinese porcelain charger is hand-painted in the Imari style. It dates to the Qianlong per...

A gorgeous, substantial work. Beautifully designed and made. Signed/ chop stamped by the artist on the base. From a collection of Japanese and Asian ceramics and art. Dimens...

This large antique charger (18 inches in diameter) is a showpiece of Japanese decorative art. Made in the late 19th-century Meiji period, the intricat...

On offer is a truly impressive blue and white porcelain plate of Hizen ware, from Arita in Japan, circa mid to late-19th century. The plate was made by Kajiwara Kikujiro (菊次郎, the second Kiku son) and/or Kajiwara Kikusaburo (菊三郎, the third Kiku son who died in 1883) of the Kajiware Family Kiln of in Arita. It was decorated in a superb design with blue under-glaze, clearly out of a hand of a master. In a Classic Japanese composition that was popular in the Meiji Period, the plate displays a riot of auspicious elements, arranged still in a surprisingly harmonious manner. Anchoring the center of the design is an eagle perched on the branch of a blooming cherry tree, its talons clenching the bark and its wings about to open. The motion of the its immediate taking off is palpable. The trunk and the branches of the old cherry tree provide a spacial frame for the arrangement of large peonies with foliage, bundles of chrysanthemums, Chinese bell...