European Bowls and Baskets

A glass dish designed and produced in Italy, c. 1970s. Overall Dimensions (inches): 3.0"H x 12.5"W x 12.5"D All items ship from High Point, North Carolina.

A glass dish designed by Christer Sjögren and produced by Lindshammar Glasbruk, Sweden, c. 1970s. Overall Dimensions (inches): 2.125"H x 10.5"W x 9.5"D All items ship from High Poi...

Scandinavian modern decorative ceramic dish made by Haunsø Ceramics in the 1950s. Shiny cream white and bright green glazed plate with incised symmetrical lines and depiction of a de...

A large 18th c. Spanish Fajalauza "Lebrillo" from Granada. Circa 1780.  A lebrillo is a large ceramic bowl with a rim.  The origins are the Spanish Moresque.  Named Fajalauza after t...

Mawa “A centerpiece draw its inspiration from Nature. Mawa, narrow at the base and wider towards the top, borrows its features from a flower in all its splendor.” This container reinterprets the archetype of the woven basket in a contemporary way, with ample proportions and organic asymmetrical forms. The wicker is enhanced by a leather band at the base that gives the object decorative impact. The piece is difficult to make precisely due to the asymmetrical form. Use and maintenance All the items are made with raw materials and are guaranteed for interiors. If it is necessary, they can also be installed outdoors as long as they are sufficiently protected from atmospheric agents and not directly exposed to the sunlight or water, in spaces like verandas, gazebos, arcades or protected spaces. The raw materials used for weavings could be not extremely homogeneous due to different physical properties and the items could have dimensions a bit different from descriptions listed in this document. The colors could change for the same reasons. Those features are the demonstration of authenticity of each product that is unique and handcrafted in Italy by Mogliano’s masters. Woven wicker is extremely resistant over the years, if it is stored in a dry place and without excessive temperature changes, and it could also change color or nuances due to its sunlight exposure based-on nature. The weaving by the craftsman is performed with soft and wet material, an the material dries naturally with the passage of time losing its elasticity. For this reason, avoid excessive pressures, overloads of heavy weights or impacts. The bases or wooden parts are entirely in solid wood: with the aging they could change in size and present natural micro-cracks. Avoid direct and long exposure to the sun, completely avoid wetting. About the lamp usage, in normal condition the items don’t require special maintenance. Technicals About item technical details and bulbs specifications, please refer to the technical data sheets. Cleaning Use a soft cloth for cleaning. Don’t use any chemicals, acids, scourers or steel brushes. The base in natural wood must be cleaned and dusted using a soft cloth, even slightly damp. Immediately wipe again with a soft, dry cloth. For lamps cleaning, unplug the appliance from electric power...

Mid-20 century Modern glazed ceramic sinuous organic design bowl by french luxury brand Hermès Paris By: Hermès Paris Material: ceramic, paint, enamel Technique: pressed, molded, painted, hand-painted, glazed, enameled Dimensions: 9 in x 8 in x 3 in Date: mid-20th century Style: Organic Modern, Mid-Century Modern, Space Age, Scandinavian Modern Place of origin: France This sinuous organic bowl exemplifies Hermès' mid-20th century embrace of biomorphic Modernism. Molded from colored clay in warm earth tones of orange and brown, its sensuous curves evoke flowing, organic forms and the purity of line reflects Scandinavian inspiration. The marks under the base confirm the bowl's creation by the renowned luxury brand and its french origin. Hermès captured...

Hand blown Murano glass Sommerso triangle geode bowl in dark blue and turquoise blue glass . Italy, 1960s. A darker blue in the central part contrasting with the edge in turquoise blue using the "sommerso" technique Manufactured by Archimede Seguso and Seguso Vetri d'Arte A highly decorative geode bowl lovely to be used as rings bowl, decorative bowl or small ashtray. Beautiful placed with other Murano glass pieces to create a colorful set as shown at the images. Overall dimensions: 9,5 cm W x 8,5 cm D x 3,5 cm H Geode Glass Bowl // Murano Glass Bowl...

An antique Wedgwood Jasperware blue and white oblong jewelry dish in the Neoclassical Style, circa late-19th century, England. Piece has a ...

An attractive bowl executed in green glass and then surrounded in a wicker bowl with faux brass handles. Really great Scandinavian design with a nice blend of materials and colors. C...

Early and unique hand-thrown and hand-painted Ceramic bowl by Bjorn Wiinblad from 1950. The decoration, possibly by Wiinblad's own hands, is of two young shepherdess wearing a mask w...

Midcentury Magazine rack or basket with handle in rattan and lucite with chrome borders in the style of Christian Dior Home. Made in Italy in the 1970s.

Vintage Midcentury Art Studio Pottery Bowl by Hans (Hanns) Welling for Ceramano Ceralux, West Germany 1960's. Red fat lava glazed ceramic dish. Signed at the bottom. This comes in ve...

Fairyland Lustre Plate Wedgwood Circa 1925 An enchanting scene rendered in brightly hued enamel adorns this captivating porcelain plate by Wedgwood. The Imps on a Bridge and Treehou...

Mid-century bamboo and rattan trash can or paper bin, France, 1950s. Height : 21.4"(54.3cm), Width : 13.6"(34.5cm), Depth : 11.2"(28.5cm)

A very stylish Austrian brass mounted metal basket attributed to renowned design Josef Hoffmann (Austro-Hungarian, 1870-1956) and believed to have been made in the early establishmen...

Elegant printed pocket tray with handles represents marine elements such as shells corals seahorses on a delicate blue and white striped background. The...

Mid-Century French Ceramic dish signed Robert Picault (Vallauris).

Picasso's hand-stitched pocket emptiers, upholstered in Foglizzo leather, are an example of Italian craftsmanship. Perfect on an entryway console or dresser in the bedroom, they styl...

Disk tray large black by Arno Declercq. Dimensions: D43 x W43 x H9 cm. Meterials: burned and waxed Oak. Signed by Arno Declercq. Arno Declercq Belgia...

This stunning and sculptural antique decorative bowl was realized in England, circa 1900. It features a scalloped border with an abundance of s...

Almost Baroque in the energy and movement of the scene it depicts, this Art Deco footed dish by Max Le Verrier depicts a wild scene -- Apollo in his chariot led by several rearing ho...

A green and beige-glazed earthenware dish or bowl designed and produced by Upsala Ekeby, Sweden, 1930s. Overall Dimensions (inches): 3.3"H x 9.4"W x 9.4"D All items ship from High...

Unique Danish Art Nouveau Royal Copenhagen bowl, circa 1940s. Stunning hand-painted naturalistic depictions of flowers, leaves and stems in dark brown, warm yellow and green colors o...

"Veckla" vase designed by Stig Lindberg for Gustavsberg. Stig Lindberg designed the series in 1950, the series was composed of 12 bowls and vases with sculptural free form shapes. Th...

Urn by Rick Owens 2007 Dimensions: L 34 x W 34 x H 57 cm Materials: Bronze Weight: 37 kg Available in Black finish or Nitrate (Dark Brown) finish. ...

French Faience Tureen attributed to Desvres Circa 1900. Inspired by Rouen manufacture. Signed Arromanches.

Stunning French bronze tazza with wine & Bacchus theme, by Ferdinand LEVILLAIN (1837-1905). Every time we find an antique of this extraordinary quality and beauty we wonder what p...

This antique English tole bucket has been recently updated with new paint and decoupage of parakeets and other avian friends. The substantial size of the bin provides a wonderful can...

Big fruit bowl in Portoro marble, characterised by a dark black background with golden veins. Processed in Carrara, Italy. You have a 100% made in Italy product. It is ideal to prese...

Carl Aubo¨ck Model #3548 polished brass bowl. Designed in the 1950s, this incredibly refined and sculptural Viennese bowl is executed in polished b...

Italian glazed ceramic fruit basket figure sculpture. This compote is handmade with the greatest attention to detail. We see this piece on a kitchen counter or table. The basket is m...

Blue Crystal Bowl Crystal Arte Italy, 1970 Curved Crystal Bowl Sticker Label Manufacture Perfect Condiction

19th century large copper cooking vessel circa 1890. Good quality large cooking vessel made from copper with iron ring handles. Ideal for use today for a log bin, hallway storage o...

Rattan and Rope Italian Basket Bowl Centerpiece, 1970s

Bowl designed by Vicke Lindstrand. Produced by Kosta in Sweden. Signed and numbered "Kosta 56693 Lindstrand" on the bottom

"Elegant and light, it seems to drift through the placid waters of the lagoon". Gondola, big elegant bowl, hand-sculpted from a solid block of Rose Quartz. Bowl dimensions: Extra La...

Pierre Gire (1901-1984), aka Pierre d'Aesn, France. Large bowl in clear art glass. Art Deco style. Approx. 1940s. In perfect condition. Dimensions: D 17.5 x H 9.5 cm. Pierre ...

Large Swedish decorative and antique wooden tray in a wabi sabi / primitive style. Produced in Sweden in the late 1800s. In good vintage condition. Dimensions: H: 15 cm / 5.90" W: ...

Large porcelain bowl in the style of the Sèvres manufactory, Napoleon III period. An important porcelain and ormolu bowl, Louis XVI style, Napoleon III period, 19th century, porcela...

Bruciata Wooden Tray by Gabor Gobi Limited Edition Of 5 Pieces. Dimensions: D 15 x W 15 x H 4 cm. Materials: Pine wood. Elegantly crafted, these wooden trays—ideal for jewelry or as...

Drawing from the rich tradition of Black Forest craftsmanship, this 21st-century Swiss bowl is an artful composition of fallow deer and stag antlers. The fallow deer antlers form the...

Gaetano Pesce "Big Surprise " A bowl or centerpiece supported by delicately placed resin drops. An incredible work of functional art. Edizione del Pesce for Meritalia.The Edizioni d...

A Mid-Century Modern Bistossi ceramic bowl with a stylized crossword design of squiggly lines with block squares in red, gray blue and black on a white glazed soft textured backgroun...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

Scandinavian Modern Blue Enamel Stainless Dish by Cathrineholm of Norway and Grete Prytz Kittelsen stamped by maker 2.75 h x 7.5 x 7.5 Original early vintage preowned condition Refer...

These two dishes were crafted at Spode in Stoke-on-Trent, England, circa 1820. The Imari pattern is Spode pattern 1495. It is hand-painted in shades of orange, blue, and gold. The di...

Hallmarked in London in 1888 by Charles Stuart Harris, this attractive, Antique, Victorian Sterling Silver Bowl, is ornately decorated and features a gilt interior and engraved crest...

Swiss alp decorative bowl from Gruyere village

Circle basket - Clear purple, dark ruby Basket in soft resin designed by Enzo Mari in 2011 for Lezioni by Enzo Mari collection. Additional Information: Mate...

Hand blown Murano glass Sommerso triangle geode bowl in dark blue and turquoise blue glass . Italy, 1960s. A darker blue in the central part contrasting with the edge in turquoise b...

Beautiful Turned Birch Wood Bowl from Bohuslän, Sweden ca 1750 Great patina and a timeless shape. Height: 9.5 cm/3.7 inch Diameter: 23 cm/9 inch

A vintage olive green, black and gold highlighted, gold stenciled tin / toleware planter resting on lion paw feet with ring handles. Beautiful regency design with an acanthus leaf bo...

Kay Bojesen Teak Bowl, Denmark, c.1960. Beautiful original condition. We have seven bowls available. The listed price is for one bowl.

Pair of French Majolica Cups & Saucers Louis Sicard Circa 1950. Decorated with cicadas on the cups and olives on the cups. Rare blue colors , usually yell...

A very fine antique English creamware teabowl bat printed with scenes to two sides and attributed to Wedgwood and dating from around 1770. The teabowl is lightly potted standing raised on a narrow round foot rim with a simple raised round bowl shaped body. The teabowl is decorated to sides with black printed designs, one portraying a resting seated shepherd within a landscape with his dog and sheep...

This is an Italian neo-classical Grand Tour ram’s head form stirrup cup. The composition is pottery with an almost bisque-like finish.

Axel Salto, Danish 1889-1961 A Royal Copenhagen stoneware bowl by Axel Salto, decorated with fluted pattern in a brown /gray sungglaze. Measures: Diameter 19.5 cm, height 8 cm Sig...

This is a beautiful square plate or dish produced by the Spode factory and made of porcelain, in the early 19th Century, Circa 1815 to 1827. The dish is well potted on a low foot ...

Antonio da Ros (attributed) for Cenedese large & heavy vintage Italian Murano glass bowl, serving dish or ashtray circa 1965-1975. Utilizing the Sommerso technique this large, heavy ...

Large hand made birch burl wood bowl. Hand made by Swedish craftsman around the 1960-70s. Large size with beautiful wood pattern and skillfully executed. Very good condition with lig...