1990s Bowls and Baskets

Elegant clear crystal bowl by Orrefors, Sweden, featuring a sophisticated wavy cut design that captures and reflects light beautifully. This heavy, multifaceted bowl serves as a styl...

This stunning modernist vase was realized by the esteemed artisan Robert Guenter in the United States circa 1990. It features a tiered skyscraper style geometric base consisting of s...

Andy Warhol, Marilyn Monroe, Rosenthal Studio Line Limited Edition Plate. This glass tray is both a practical accessory and a captivating piece of contemporary art. Squared in shape...

This bronze footed bowl has a simple yet striking presence. Its shallow form rests on a small pedestal, giving it a balanced, elevated look. The surface carries a natural patina, whi...

A beautiful handmade ceramic dish or vide-poche by unknown studio potter / maker with an organic oval form and hand painted glaze of cream and dark grey / blue color (color). Would be perfect for serving nuts or other little bar snacks...

Vintage Nantucket Purse by Barbara Grey, circa 1995, a covered oval Nantucket basket, with cane weave on rattan staves, braided leather shoulder strap, turned bone peg, and having a ...

Striking monumental sized drip bowl hand blown by acclaimed glass artist, Will Dexter. This bowl is composed of thick rivulets of glass that give it a dyna...

A Rosenthal crystal center piece or bowl. This lovely piece by the German maker is signed " Rosenthal Germany" . The crystal center piece or bowl ...

A striking and uncommon piece by renowned Florentine ceramicist Bruno Gambone (circa 1990s). The exterior features a soft, creamy matte glaze accented with tonal oatmeal-brown highli...

This is a vintage decorative fruit bowl. An English, cut crystal glass serving dish, dating to the late 20th century, circa 1990. Appealingly decorative fruit bowl with a bright app...

Daum France "The Caduceus". Sculpture in pâte de verre and crystal. This is an original work in a limited edition numbered  1548 / 2000. This piece was created by Christian Poincigno...

Round Dish in 24KT gold bath metal design .

Hand made murano glass ashtray or vide poche by designe Ettore Sottsass for Venini. The piece is signed underneath and we believe it to be limited to 97 pieces. 1990s - italy Good...

Decorative art glass bowl by Marco Susani and Elisabeth Vidal for Sottsass Associati circa 1990s Rare amber example in matte finish with copper metallic animal silhouette motif Sign...

Blue ceramic decorative vide poche

Stefano Giovannoni for Alessi, Italy "Fruit Mama" Fruit Holder, designed in 1993 No longer in production, this is a fun, useful and scul...

A stylish and large Carnon Downs Pottery raku bowl made during the 25th anniversary by renowned potter Hugh West (British, b.1950) and dating from 1996. The lightly hand potted bowl ...

Czech Art glass bowl by ladislav Palacek

Wonderful oval Empire style centerpiece with foot made in sterling silver by Ilario Pradella for Bellezza Cagliari. New, never used Pradella Iario, founded in 1920, was the greatest Italian silversmith of the second half of the 20th century, famous for his collaboration with Buccellati. We have had the honor and privilege of collaborating with them for over fifty years until its closure. With silversmith marks for Pradella Ilario...

Nantucket Basket by Harry Hilbert, 1995, a Nantucket purse having a solid mahogany hinged top with colonial or federal style stenciled decoration on ebonized reserve, fine brass hinges minutely inlaid, and tropic wood cross-band inlay around perimeter; double carved wooden swing handles attached with bone mounts; nickel clasp; two tone woven cane wrap on oak staves; signed and dated by wood-burnt stamp on the mahogany bottom. This is a beautiful basket made with astounding craftsmanship by one of the finest artists in the field. The basket remains in superb, barely used condition. I found one scuff above the stenciled reserve. Harry Hilbert (1917 – 2010) was an acclaimed Nantucket Basket maker known for his fine inlay and superb craftsmanship. He originally made his baskets as personal gifts, but later sold them through Wayne Pratt...

Pair of hands bowls designed by Afra & Tobia Scarpa. This is a fabulous matching pair of bowls designed in Milano Italy by the architects Afra & Tobia Scarpa, back in the 1990. The ...

Commissioned by Briger Design and made by Mexican artisans in San Miguel de Allende, this painted tole wastebasket is boldly designed and painted. The flaring sides of the piece are...

A charming woven wicker basket in the form of a pineapple. A glass vase could be inserted into this. USA, Circa 1990s Measures: 7.5"W x 7.5"D x 8.75"H. Very good original vintage ...

Vintage glass bowl in biomorphic shape was created by Rick and Janet Nickolson in 1992; it features a pair of abstract patterns in pink, cream, and white glass fused on thin, almost transparent green glass background. The green color deepens around the heavier base, creating a contrast with the light, ethereal body of the bowl. The bowl is signed and dated on the base near the bottom. Rick and Janet Nicholson of Nicholson Blown Glass Studio have worked together as a successful team since 1979. Rick first studied glass with Don Hartman and the University of Southern California and was a TA at Pilchuck Glass School for Dale Chihuly and Fritz Dreisbach in 1981; he continued to study with such notables as Therman Statom...

Great Art Glass Centerpiece by Seguso Vetri D'Arte, Murano A large art glass bowl designed by Gianluca and Pierpaolo Seguso in the late 1990ties and manufactured by Seguso Viro. Bla...

Phillips Starck Custom Stainless Steel Dishes set of Thirty-Eight, from The Clift Hotel, San Francisco, California. Two sizes: Both 1/2" high Smaller 23" in total 9" x 6" Larger 15 i...

Beautiful ceramic bowl by Jerome Heck crafted in the Raku firing technique. This one of a kind piece stands on four legs and develops and opens upwards. The glaze has variations of greens that ondulate in shape around the bowl. Inside the bowl, different designs come forward (turtle figure...

Heavy and thick blown glass large bowl "Atoll" by Anna Ehrner for Kosta Boda, Sweden. Original manufacturer label on the wall. Excellent condition. Dimensions: Diameter 17,5 cm, hei...

Large Vintage Hand Painted Decorative Ceramic Fish Bowl By Italian Ceramist Nino Parrucca Signed and Numbered. Circa 1990s Features a large size and a c...

Coral red Murano glass artistic bowl with 24-karat gold, attributed to Alberto Donà, 1990s. This is a unique art piece, entirely handmade with blown glass in the Italian island of M...

Millefiori Murano Blown Glass Swirling Mixed Color Bowl Has silver flakes in glass. No marks

Vintage Rare to see Louis Vuitton Small Tray. Very chic Louis Vuitton Jewelry Dish or a Personal Cards / Keys / Phone / Coins Plate This piece is a handsome Tray. Can be use as a jew...

Bowl for grapes with completely smooth with inside a crystal for the bunches of grapes. A branch with grapes and leaves is welded on the edge, again in solid silver made with the fus...

For your consideration is this art glass centerpiece bowl by Jeffrey Andrews for Felt Glass, originally retailed by Henri Bendel, New York. It's comprised of thick 3/4" glass which i...

Dimensions: 21,5cm diameter, 12,5cm H Condition: Mint Material: Glass Designer: Bertil Vallien Manufacturer: Kosta Boda

This an unique and special bowl; hand made by Greg Hamilton Australis. It is a bit Picasso like. It is one of my favorite items, I have for sale. This studio pottery bowl is execute...

Mid-Century Modern Porcelain Dish by Piet Stockmans, 1991

For your consideration, a vintage woven basket southwest navajo inspired. Unmarked. Dimensions: 3" ⁠H x 12.5" diameter. Please visit take a look at our listings, we have an amazing...

Rare beautiful Tapio Wirkkala “Polipo” plate for Venini, from the serie “Piatti di Tapio” signed and dated Venini TW 90 on the back, made of Murano glass using Incalmo technique. The...

Glorifying the effects of refracted light for 170 years, the iconic Saint Louis vases are well-known all over the world. A crystal masterpiece set of exceptional proportions, the se...

A unique pair of hand-formed bowls crafted from papier-mâché, each with a richly textured surface and sculptural form. One features a shallow, open shape, while the other is footed w...

Elevate Your Decor with the Exquisite Blue and White Ceramic Bowl (Signed). Its Rich Blue Coloring, Delicate White Patterns, and Raw Terracotta Base Make It a Captivating Accent or D...

Italian modern Decorative bowl in green light blue Murano glass by Venini, 1990s Decorative bowl with a round base in light blue aqua-green Murano glass. Perfect as a centerpiece or ...

An important and rare Baccarat & Jean Boggio ''Masquerade'' double overlay ruby red over clear crystal and gilt bronze centerpiece. A double overlay ruby-red or cranberry over clear crystal bowl with intaglio cut "Masquerade" motif having hand painted gilt accents with gilt bronze rim and raised on gilt bronze base. The bowl with acid-etched maker's mark. The circular gilt-bronze pedestal stand molded in the form of a copse of trees, surmounted by a circular ruby-red or cranberry glass bowl...

Sven Wejsfelt for Gustavsberg Studio. Unique bowl on foot in glazed ceramics. 1999. Beautiful glaze in blue shades. Signed. In very good condition. Measures: 13.3 x 5.5 cm.

A very fine casting of three Dolphins holding up the Crystal Bowl with their tails . A lost wax bronze casting with a darker bronze patina finish , The Lead Crystal bowl in from Chez...

Larry Lubow is a contemporary California artist; his sculptures are ceramic and metal. This is a stunning large bowl with thick gold crackle glaze overlay. His work can be viewed in ...

A large porcelain art pottery bowl by California ceramicist, Bing Gleitsman. Features a design of four 3 dimensional faces along the sides with an organ...

A beautiful double walled stoneware bowl with amazing glaze. Made by renowned Swedish ceramist Kaj Fogelberg in his studio in Skåne, Sweden, 1990s. Excellent condition. Signed 'Foge...

From Niagara Furniture a Vintage Faux Leather Waste Can. Cast from resin the planter has been given a super high end look by decorating it to appear as though it is wrapped in leather and painted with what looks like gold tooling. Ingeniously designed to resemble an antique waste basket...

Borek Sipek master Czech glass blower , artist of high end glass work . This one is known as Trinite”. Signed

Vintage Rare to see Louis Vuitton Small Tray. Very chic Louis Vuitton Jewelry Dish / Keys / Coins Plate This piece is a handsome Tray. Can be use as a jewelry dish. Perfect size. Tri...

This is a matcha bowl which we use during a tea ceremony in Japan. There are a signature written on the bottom of this bowl 'Mizuho'. This matcha bowl was made in Japan around 1990s ...

Self-portrait Curved Glass Tray, designed by the iconic artist Andy Warhol, edited by Rosenthal Studio Line. This glass tray is both a practical accessory and a captivating piece of ...

Cust bronze bowl designed in the 1990s by French artists Elisabeth Garouste et Mattia Bonetti for Herbert Blome signed B.G. BLOME B.G.H. EDITIONS/BLOME.

Beautiful decorative plate made by Adage et Flammarion , for the Magritte Collection .edition 330/1000 Box measures 9.5 x 9.5 x 1 high . shows light ware and scratches in cardboard .

The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

This is a matcha bowl which we use during a tea ceremony in Japan. This kind of bowl is called Matcha Wan. And This bowl was made in Japan around 1990s, Heisei era. This bowl was mad...

A leaf-shaped aluminium and brass brutalist style tray by David Marshall (circa 1990s). The shiny aluminium forms the base structure and the brass features on the edges of the piece....

The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery #129 on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...