1990s Bowls and Baskets

This striking Murano art glass heart-shaped vase was designed by Maria Christina Hamel in the 1990s and produced by the renowned Venetian glasshouse Salviati. Expertly mouth-blown on...

1990s Gorgeous ashtray or catch-All in porcelain by Paloma Picasso "Hongkong" for Villeroy & Boch, limited edition. Marked on the bottom. It's excellent condition Dimensions: ...

Elegant clear crystal bowl by Orrefors, Sweden, featuring a sophisticated wavy cut design that captures and reflects light beautifully. This heavy, multifaceted bowl serves as a styl...

Andy Warhol, Marilyn Monroe, Rosenthal Studio Line Limited Edition Plate. This glass tray is both a practical accessory and a captivating piece of contemporary art. Squared in shape...

This exceptional vintage decorative bowl was designed and manufactured in Taxco, Mexico by renowned artist Emilia Castillo, one of the most celebrated figures in late-20th-century Me...

Sculptural bowl / dish designed by Per Lütken in the 1970s and manufactured by Holmegaard for Royal Copenhagen in the mid 1990s. The bowl is heavy and weighs in around 1,5 kg. Its ex...

Striking monumental sized drip bowl hand blown by acclaimed glass artist, Will Dexter. This bowl is composed of thick rivulets of glass that give it a dyna...

Glorifying the effects of refracted light for 170 years, the iconic Harcourt line embodies not just stemware but a whole family of artefacts with a radiant destiny. Beautiful crystal...

A beautiful handmade ceramic dish or vide-poche by unknown studio potter / maker with an organic oval form and hand painted glaze of cream and dark grey / blue color (color). Would be perfect for serving nuts or other little bar snacks...

Piatto Calendario in ceramica di Fornasetti, realizzato per l'anno 1993 Ø cm 24 I piatti calendario sono una tradizione Fornasetti dal 1968, originariamente concepiti come strenna ...

Rare beautiful Tapio Wirkkala “Polipo” plate for Venini, from the serie “Piatti di Tapio” signed and dated Venini TW 90 on the back, made of Murano glass using Incalmo technique. The...

For your consideration, a woven storage basket, also commonly referred to as a wicker basket. It is made by weaving natural seagrass, or bamboo. Dimensions: 5" H x 9.25" W x 7. 25"...

This an unique and special bowl; hand made by Greg Hamilton Australis. It is a bit Picasso like. It is one of my favorite items, I have for sale. This studio pottery bowl is execute...

A striking and uncommon piece by renowned Florentine ceramicist Bruno Gambone (circa 1990s). The exterior features a soft, creamy matte glaze accented with tonal oatmeal-brown highli...

Beautiful hand turned Black Walnut Bowl by Dale Larson Studio - Oregon , signed & dated 1993 on bottom. Appears to be used, heirloom pieces like this, only get better from use. ...

Beautiful hand painted multi color charger with large heart. Measuring seventeen inches in diameter, it makes for a great center piece or display. Signed J. Myers 94 and photographed...

Art Glass Graal Bowl by Wilke Adolfsson, Sweden 1995 A large scandinavian art glass bowl, designed and produced by the Swedish glass artist Wilke Adolfsson in 1995. Blue and yellow ...

Stylish serialized art glass bowl by Swedish female designer Anna Ehrner. Manufactured at Kosta Boda during the 1990s. Very well-kept. Intact and clean. Measurements: Diameter: 1...

Organically shaped yolk-yellow bowl made using the sommerso technique and signed via engraving on the base. The bowl is not quite round, it has a slightly oval mouth, and the base wi...

Beautiful decorative plate made by Adage et Flammarion , for the Magritte Collection .edition 330/1000 Box measures 9.5 x 9.5 x 1 high . shows light ware and scratches in cardboard .

A beautiful double walled stoneware bowl with amazing glaze. Made by renowned Swedish ceramist Kaj Fogelberg in his studio in Skåne, Sweden, 1990s. Excellent condition. Signed 'Foge...

Note: Only for decorative use. Not suitable for food This bronze footed bowl has a simple yet striking presence. Its shallow form rests on a small pedestal, giving it a balanced, e...

Anna Ehrner for Kosta Boda Epoque Green Stripe bowl

A stylish and large Carnon Downs Pottery raku bowl made during the 25th anniversary by renowned potter Hugh West (British, b.1950) and dating from 1996. The lightly hand potted bowl ...

A captivating decorative bowl designed by Emilia Castillo—affectionately known as Mimi—for the legendary Los Castillo workshop in Taxco, Mexico. This exceptional piece exemplifies Ca...

Vintage glass bowl in biomorphic shape was created by Rick and Janet Nickolson in 1992; it features a pair of abstract patterns in pink, cream, and white glass fused on thin, almost transparent green glass background. The green color deepens around the heavier base, creating a contrast with the light, ethereal body of the bowl. The bowl is signed and dated on the base near the bottom. Rick and Janet Nicholson of Nicholson Blown Glass Studio have worked together as a successful team since 1979. Rick first studied glass with Don Hartman and the University of Southern California and was a TA at Pilchuck Glass School for Dale Chihuly and Fritz Dreisbach in 1981; he continued to study with such notables as Therman Statom...

Artist Jindra Viková Czech (1946-) for "Royal Dux Bohemia" surrealist hand painted porcelain tray / or wall handing with raised red apple with crossed legs lying in a field of grass ...

Millefiori Murano Blown Glass Swirling Mixed Color Bowl Has silver flakes in glass. No marks

Phillips Starck Custom Stainless Steel Dishes set of Thirty-Eight, from The Clift Hotel, San Francisco, California. Two sizes: Both 1/2" high Smaller 23" in total 9" x 6" Larger 15 i...

Round Dish in 24KT gold bath metal design .

Danish mid-century low ceramic bowl by Leif Messell made at his own ceramic workshop in Sejs, Silkeborg, Denmark in 1997. The low bowl has a figurative decoration of a flying bat ...

The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

Cust bronze bowl designed in the 1990s by French artists Elisabeth Garouste et Mattia Bonetti for Herbert Blome signed B.G. BLOME B.G.H. EDITIONS/BLOME.

Vintage Nantucket Purse by Barbara Grey, circa 1995, a covered oval Nantucket basket, with cane weave on rattan staves, braided leather shoulder strap, turned bone peg, and having a ...

Commissioned by Briger Design and made by Mexican artisans in San Miguel de Allende, this painted tole wastebasket is boldly designed and painted. The flaring sides of the piece are...

This sophisticated, large cigar ashtray, catchall, or desk tidy has a superb Art Deco revival flair. The rectangular shape features a high-gloss Macassar wood veneer base, holding a ...

Borek Sipek master Czech glass blower , artist of high end glass work . This one is known as Trinite”. Signed

Post Modern Glazed Ceramic Bowl. Offered is a absolutely gorgeous Postmodern glazed ceramic decorative bowl in a variety of colors. This lovely bowl is the perfect cocktail table acc...

Pair of hands bowls designed by Afra & Tobia Scarpa. This is a fabulous matching pair of bowls designed in Milano Italy by the architects Afra & Tobia Scarpa, back in the 1990. The ...

Hand made murano glass ashtray or vide poche by designe Ettore Sottsass for Venini. The piece is signed underneath and we believe it to be limited to 97 pieces. 1990s - italy Good...

The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery #129 on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

A small studio pottery dish by significant 20th Century ceramicist Otto Heino. This example features the finger ribbing with a blue and red glaze, blending to a purplish haze in some...

Round sterling silver centrepiece on feet with pierced by hand and finished with Baroque edge. 835 grams.

1990s Gorgeous ashtray or catch-All in porcelain by Paloma Picasso "Bangkok" for Villeroy & Boch, limited edition. Marked on the bottom. It's excellent condition Dimensions: 5,51...

Glorifying the effects of refracted light for 170 years, the iconic Saint Louis vases are well-known all over the world. A crystal masterpiece set of exceptional proportions, the se...

Beautiful and rare find Egizia art glass bowl, designed by Ettore Sottsass. This thick and heavy cobalt blue bowl is decorated with hand silk-screened...

Piatto Calendario in ceramica di Fornasetti, realizzato per l'anno 1995 Ø cm 24 I piatti calendario Fornasetti sono oggetti da collezione in porcellana decorata, prodotti in edizio...

Elegant and richly detailed porcelain and pure silver bowl designed and handcrafted by Emilia Castillo in Taxco, Mexico, dated 1995 and marked “Emilia Castillo, Plata Pura, Mexico, M...

Beautiful ceramic bowl by Jerome Heck crafted in the Raku firing technique. This one of a kind piece stands on four legs and develops and opens upwards. The glaze has variations of greens that ondulate in shape around the bowl. Inside the bowl, different designs come forward (turtle figure...

This striking late 20th century studio ceramic bowl showcases a rich cobalt blue glaze accented by an expressive white abstract motif that flows organically across the interior and e...

Mid-Century Modern Porcelain Dish by Piet Stockmans, 1991

Piatto Calendario in ceramica di Fornasetti, raffigurante l'anno 1997. Ø cm 24 È un piatto decorativo in porcellana, parte di una serie prodotta in edizione limitata a partire dal...

Kachnar II fruit holder designed by Singh Mann and produced by Driade in 1994. With an all-silver brass frame, this Bowl is characterized by its botanical shape, composed of intertwi...

Thick textured glass ashtray by Stephen Schlanser, c.1996, USA. This piece features a deep well with textured glass and one metal divot at one side to place a cigarette or other smok...

Vintage hand-crafted bowl or platter features abstract free-flowing pattern of linear structures, spreading in concentric manner around the shallow body and wide rim of the piece. The minimal, streamlined form of the bowl allows the colorful pattern to take the center stage in the composition and to guide the eye along the lines of the bowl. The monochromatic palette of bright light green elevates the pattern against the clear glass on the background while adding a calming, but cheerful tone to the piece. The platter is signed and dated on the bottom by the artist. Due to its convenient size, the piece can be used either as a centerpiece, or as a catchall bowl, or as a part of a table or shelf decor. Sculptural Organic Modern plate, distinguished with elegant form, high quality craftsmanship, and statement piece presence, will make a great gift to a collector or design enthusiast and a perfect addition to a wide range of interiors, from Traditional to Modernist, Transitional, Hollywood Regency, Glam, Grand Millennial, Organic Modern, Collected, or Contemporary. Eben Horton is an established American glass artist. Growing up in the family of a curator at the Newport Art Museum, he was immersed in the art world from an early age, and started his glassblowing training at age 16 at Thames Glass...

A very fine casting of three Dolphins holding up the Crystal Bowl with their tails . A lost wax bronze casting with a darker bronze patina finish , The Lead Crystal bowl in from Chez...

A Rosenthal crystal center piece or bowl. This lovely piece by the German maker is signed " Rosenthal Germany" . The crystal center piece or bowl ...

This stunning crystal vide poche, ring holder, or decorative bowl, was designed for the Christian Dior Interior Collection. The piece was meticulously crafted in France circa 1990. T...

This is a tea bowl for matcha. It was used to use during tea ceremony. This bowl is made with porcelain and it will come with a wooden box. This bowl was made with style Raku (Raku yaki...

An important and rare Baccarat & Jean Boggio ''Masquerade'' double overlay ruby red over clear crystal and gilt bronze centerpiece. A double overlay ruby-red or cranberry over clear crystal bowl with intaglio cut "Masquerade" motif having hand painted gilt accents with gilt bronze rim and raised on gilt bronze base. The bowl with acid-etched maker's mark. The circular gilt-bronze pedestal stand molded in the form of a copse of trees, surmounted by a circular ruby-red or cranberry glass bowl...