1990s Bowls and Baskets

Vintage Nantucket Purse by Barbara Grey, circa 1995, a covered oval Nantucket basket, with cane weave on rattan staves, braided leather shoulder strap, turned bone peg, and having a ...

This stunning modernist vase was realized by the esteemed artisan Robert Guenter in the United States circa 1990. It features a tiered skyscraper style geometric base consisting of s...

Unique sculptural centerpiece bowl by Martha Sturdy Canada circa 1990's Square form shallow bowl in highly textured brass with undulating edges Visually thin in profile yet solid an...

Andy Warhol, Marilyn Monroe, Rosenthal Studio Line Limited Edition Plate. This glass tray is both a practical accessory and a captivating piece of contemporary art. Squared in shape...

This is a vintage decorative fruit bowl. An English, cut crystal glass serving dish, dating to the late 20th century, circa 1990. Appealingly decorative fruit bowl with a bright app...

Striking monumental sized drip bowl hand blown by acclaimed glass artist, Will Dexter. This bowl is composed of thick rivulets of glass that give it a dyna...

Elevate your home decor with this exquisite Vintage Emilia Castillo Bowl with Rope & Malachite Accents, originating from Mexico in the 1990s. The piece was made in Taxco mexico by sk...

Stefano Giovannoni for Alessi, Italy "Fruit Mama" Fruit Holder, designed in 1993 No longer in production, this is a fun, useful and scul...

A captivating decorative bowl by renowned Mexican designer Emilia Castillo, handcrafted in black porcelain and intricately inlaid with pure silver. This generously scaled piece featu...

Elegant clear crystal bowl by Orrefors, Sweden, featuring a sophisticated wavy cut design that captures and reflects light beautifully. This heavy, multifaceted bowl serves as a styl...

This is a tea bowl for matcha. It was used to use during tea ceremony. This bowl is made with porcelain and it will come with a wooden box. This bowl was made with style Raku (Raku yaki...

Pignate designates a traditional tureen from the french riviera of which the town of Vallauris was the almost exclusive center of production. This magnificent and unusual creation t...

Pair of hands bowls designed by Afra & Tobia Scarpa. This is a fabulous matching pair of bowls designed in Milano Italy by the architects Afra & Tobia Scarpa, back in the 1990. The ...

Blue ceramic decorative vide poche

Decorative art glass bowl by Marco Susani and Elisabeth Vidal for Sottsass Associati circa 1990s Rare amber example in matte finish with copper metallic animal silhouette motif Sign...

A unique pair of hand-formed bowls crafted from papier-mâché, each with a richly textured surface and sculptural form. One features a shallow, open shape, while the other is footed w...

Great Art Glass Centerpiece by Seguso Vetri D'Arte, Murano A large art glass bowl designed by Gianluca and Pierpaolo Seguso in the late 1990ties and manufactured by Seguso Viro. Bla...

Nantucket Basket by Harry Hilbert, 1995, a Nantucket purse having a solid mahogany hinged top with colonial or federal style stenciled decoration on ebonized reserve, fine brass hinges minutely inlaid, and tropic wood cross-band inlay around perimeter; double carved wooden swing handles attached with bone mounts; nickel clasp; two tone woven cane wrap on oak staves; signed and dated by wood-burnt stamp on the mahogany bottom. This is a beautiful basket made with astounding craftsmanship by one of the finest artists in the field. The basket remains in superb, barely used condition. I found one scuff above the stenciled reserve. Harry Hilbert (1917 – 2010) was an acclaimed Nantucket Basket maker known for his fine inlay and superb craftsmanship. He originally made his baskets as personal gifts, but later sold them through Wayne Pratt...

Stephane Galerneau oversized decorative leaf dish in gilded pewtebronzer. Galerneau's distinctive sculptural design is emphasised by the scale and the quality in this dramatic piece...

Daum France "The Caduceus". Sculpture in pâte de verre and crystal. This is an original work in a limited edition numbered  1548 / 2000. This piece was created by Christian Poincigno...

Large Vintage Hand Painted Decorative Ceramic Fish Bowl By Italian Ceramist Nino Parrucca Signed and Numbered. Circa 1990s Features a large size and a c...

This is a matcha bowl which we use during a tea ceremony in Japan. There are a signature written on the bottom of this bowl 'Mizuho'. This matcha bowl was made in Japan around 1990s ...

A stylish and large Carnon Downs Pottery raku bowl made during the 25th anniversary by renowned potter Hugh West (British, b.1950) and dating from 1996. The lightly hand potted bowl ...

A very finely crafted signed bowl by New Mexican craftsman Joe H. King. With a fine form somewhat reminiscent of Southwester Native American pottery, the primary wood is beautifully...

Commissioned by Briger Design and made by Mexican artisans in San Miguel de Allende, this painted tole wastebasket is boldly designed and painted. The flaring sides of the piece are...

Phillips Starck Custom Stainless Steel Dishes set of Thirty-Eight, from The Clift Hotel, San Francisco, California. Two sizes: Both 1/2" high Smaller 23" in total 9" x 6" Larger 15 i...

A large elegant Scandinavian Modern white glazed ceramic footed bowl with gold details. Designed by Karin Bjórquist for Rörstrand, Sweden, signed and dated 1990’s on the bottom. Hei...

Round sterling silver centrepiece on feet with pierced by hand and finished with Baroque edge. 835 grams.

Large Art Glass Centerpiece by Studio Glass Artist Horst Stauber 1994 Large studio glass bowl designed and manufactured by Horst Stauber i...

Murano glass centerpiece dish designed by Berit Johansson for Salviati in 1991. Signature of the maker engraved on the back. Perfect condition.

Lalique compote Nogent bowl. Signed on bottom. Designed by Marc Lalique in 1966, this small bowl has become a Lalique classic. The satin finish on the birds contrasts with the trans...

Anna Ehrner for Kosta Boda Epoque Green Stripe bowl

Anja Marita Notini (1940-2018) was a Swedish author, photographer, journalist, ceramicist, and painter. She was born in Stockholm. Anja worked for the magazine Femina from 1964 to 19...

Czech Art glass bowl by ladislav Palacek

Wonderful oval Empire style centerpiece with foot made in sterling silver by Ilario Pradella for Bellezza Cagliari. New, never used Pradella Iario, founded in 1920, was the greatest Italian silversmith of the second half of the 20th century, famous for his collaboration with Buccellati. We have had the honor and privilege of collaborating with them for over fifty years until its closure. With silversmith marks for Pradella Ilario...

This lovely shell and gold plated butterfly bowl is great for a ring dish, desk or nightstand accessory. It has a butterfly that connects the 2 shells. This could also be a high end ...

Late 20th century, American, large turned wood vase, possibly yew. The vase has been indistinctly branded on the base. A beautifully turned vase with...

Beautiful ceramic bowl by Jerome Heck crafted in the Raku firing technique. This one of a kind piece stands on four legs and develops and opens upwards. The glaze has variations of greens that ondulate in shape around the bowl. Inside the bowl, different designs come forward (turtle figure...

Dimensions: 21,5cm diameter, 12,5cm H Condition: Mint Material: Glass Designer: Bertil Vallien Manufacturer: Kosta Boda

Glorifying the effects of refracted light for 170 years, the iconic Saint Louis vases are well-known all over the world. A crystal masterpiece set of exceptional proportions, the se...

Great post modern bowl in bright red color , by the well known artist / designer Alessandro Mendini .signed Venini 94.

Bowl for grapes with completely smooth with inside a crystal for the bunches of grapes. A branch with grapes and leaves is welded on the edge, again in solid silver made with the fus...

The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery #129 on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

For your consideration is this art glass centerpiece bowl by Jeffrey Andrews for Felt Glass, originally retailed by Henri Bendel, New York. It's comprised of thick 3/4" glass which i...

Michael Taylor cast stone shell grotto urn vase planter. Great for 3 to 4 orchids. Gorgeous grotto details. Very heavy quality stone details.

The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

Hand formed abstract sculpture shaped like a large seashell is glazed in rust brown. Its organic form is accentuated by the way it leans sideways resting in its natural position, by ...

Pignate designates a traditional tureen from the french riviera of which the town of Vallauris was the almost exclusive center of production. This magnificent and unusual creation t...

Italian modern Decorative bowl in green light blue Murano glass by Venini, 1990s Decorative bowl with a round base in light blue aqua-green Murano glass. Perfect as a centerpiece or ...

Heavy and thick blown glass large bowl "Atoll" by Anna Ehrner for Kosta Boda, Sweden. Original manufacturer label on the wall. Excellent condition. Dimensions: Diameter 17,5 cm, hei...

Pair of porcelain mini ashtrays by Hermès Made in france Good condition

Gyula Budveszel is a Hungarian glass artist who has gained recognition in the world of glass art. His outstanding works and techniques in glassblowing are widely recognized and highl...

Thick textured glass ashtray by Stephen Schlanser, c.1996, USA. This piece features a deep well with textured glass and one metal divot at one side to place a cigarette or other smok...

Striking Murano Hand Blown 2 Tone White Italian Art Glass Bowl. Beautiful Murano hand blown opal Italian art glass bowl. Can be used as a display piece on any table. Measures: 13"...

The ceramic charger with scalloped edge is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed on verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

Silverplate over brass bowl designed by architect Richard Meier for Swid Powell, referred to as the Cross Bowl, made by Plata Lappas, Buenos Aires for Swid Powell. Unlike the larger ...

Mid-Century Modern Artisan Studio Made Bowl / Vessel, Cherry Burl Unique live edge tableware entirely made of cherry burl by Tom Frey. This work is signed and dated on it's undersid...

Sven Wejsfelt for Gustavsberg Studio. Unique bowl on foot in glazed ceramics. 1999. Beautiful glaze in blue shades. Signed. In very good condition. Measures: 13.3 x 5.5 cm.

This is a Matcha tea bowl which we use during a tea ceremony. This bowl was made with style Raku (Raku ware). This is made with porcelain. Raku ware is a type of Japanese pottery t...

This is a large vintage display bowl. A Belgian, glass and turned oak jardiniere or decorative table centrepiece, dating to the late 20th century. Fascinating proportion with a dist...