Indian Decorative Boxes

This lovely small round 2 part box is an early piece of the designs of MIchael Aram's work from the early 90's. It is a tooled design silver metal on the top of the box with a black...

1950s Antique Anglo Indian Victorian Style Rosewood Box with Brass Tree of Life Symbol Inlaid. An elegant Anglo Indian Victorian style rosewood box in rectangular shape.A Beautiful A...

A fine Vizagapatam made antler veneered sewing / work box having tapered sides and a double tiered four-slope lid with a carved finial and all raised on four turned feet. The interio...

19th Century Hoshiarpur Inlaid Writing Box Quite simply, this is a stunning example of a 19th Century hand crafted Hoshiarpur inlaid writing box. The craftsmanship is quite amazing ...

Late 19th c. early 20th c. Persian Footed Wooden Round Jewelry Box. Antique rare in round shape large Persian wooden box with marquetry called "Sadeli" or "Khatam Kari" with exquisit...

Tall Curio Box by Casa Shop in Green Marble with Black Onyx. Inspired by a favorite vintage find, each box features a polished rectangular base with a spher...

The Curio Box by Casa Shop in Green Marble with Black Onyx. Inspired by a favorite vintage find, each box features a square base with a sphere handle. Handma...

Antique 19th century Anglo-Indian jewelry, trinket footed box, inlay with ebony, mosaic marquetry Sadeli work and a carved Hindu scene on top. The box case is made from sandalwood wi...

1950s Vintage Asian Large Hand Carved Wooden Humidor Box. Hand-carved Kashmiri style Mid 20th century wood box richly decorated overall with s...

A brass box with turquoise and coral. Turn of the century, India.

A turn of the century silver Vermeil reticulated Indian box with enamel border and flowers. It was monogrammed on the bottom at a later date as a gift.

A wonderful 1920s wood box inlaid with mother of pearl from India. Box is lined with a blue velvet interior and is an inch deep.

A 19th century small Indian dowry box on wheels with fitted compartments. The door at the top that slides to the side. The fitted interior has a small...

Tall Curio Box by Casa Shop in Yellow Jaisalmer with Beige Sandstone. Inspired by a favorite vintage find, each box features a polished rectangular base wit...

An exceptional, fine and impressive antique Indian sterling silver cedar lined box; an addition to the ornamental silverware collection This exceptional antique sterling silver box ...

VERY DECORATIVE VIZAGAPATAM BOX Vizagapatam, India, 19th Century. Rustic workmanship will only add to the decorative appeal of this Anglo-Indian footed domed casket in ebonized woo...

Contemporary Indian lidded bone box. Thin etched horizontal black line design. Part of a large collection of bone boxes.

Contemporary Indian decorative lidded bone box. Small criss cross design. Thin black lines form small overall diamond pattern. Part of a large collection of bone boxes.

Contemporary Indian natural cream colored lidded bone box. Composed of a mosaic of slices of bone. Also available in a smaller size ( S6532 ). Part of a large collection of bone boxes.

Contemporary Indian natural cream colored bone box. Composed of a mosaic of slices of bone. Also available in a larger size ( S6543 ). Part of a large collection of bone boxes.

Contemporary Indian lidded bone box with etched chevron pattern design. Part of a large collection of bone boxes

1950s Anglo Indian Micro Sadeli Mosaic Inlaid Jewelry Box. DIMENSIONS: 7ʺW × 7ʺD × 2.5ʺH. Indo Persian Moorish style micro mosaic inlaid jewelry box with lid. Intricate inlaid Anglo ...

Contemporary Indian lidded cream bone box with thin black criss cross pattern design. Overall diamond pattern. Part of a large collection of bone boxes

Handcarved wooden trinket box with carved geometric shapes, small handmade ornamental indentations and cream white decor on the lid. Rustic organic ...

Contemporary Indian bone box with natural cream colored rectangular box design Also available in a smaller size ( S6530 ) as well as three sizes of trays ( S6539 / 6546 / S6547 ) Par...

Contemporary Indian bone box with natural cream colored rectangular box design Also available in a larger size ( S6531 ) as well as three sizes of trays ( S6539 / 6546 / S6547 ) Part...

PRESENTING A VERY NICE 19C Anglo Indian Highly Carved Padouk and Sandalwood Sarcophagus Sewing Box. Made in Bombay, India circa 1890-1900. The box case/body is made of sandalwo...

1950's Anglo Indian, Indo Persian style micro mosaic inlaid jewelry box with lid. Large vintage intricate inlaid middle Eastern Persian style box with floral and geometric Islamic Mo...

A small bone box in shades of grey with a faint hint of blue. This box is hand assembled and hand dyed by artisans. The half round bone segments have been hand pieced to reveal a cha...

A large bone box in shades of grey with a faint hint of blue. This box is hand assembled and hand dyed by artisans. The half round bone segments have been hand pieced to reveal a cha...

1950's Agra Indian Mother of Pearl and Black Marble Box with The Taj Mahal Inlays.Onyx Black Marble Box with Pietra Dura Intricate Mother of Pearl Inlay of the Taj Mahal.Fine Quality Mother of Pearl Inlaid Taj Mahal Box.Black marble trinket box with an inlaid image of the Taj Mahal in mother of pearl. This unusual piece has the details drawn on the mother of pearl in black ink, giving it the appearance of a micro mosaic. The surface catches the light and shows some iridescence at different angles.The Anglo Indian style box is lined with black velvet.A Very fine intricate work of Islamic Art.From Agra, India. Circa 1950's.Great gift to express your Love.DIMENSIONS: Height: 1.75 in.Width: 3.75 in.Depth: 2.75 in.About the Taj Mahal: The Taj Mahal is a world-renowned monument located in Agra, India. It is considered one of the most iconic examples of Mughal architecture and is recognized as a UNESCO World Heritage Site. Here's some information about the Taj Mahal: 1) History: The Taj Mahal was built by Emperor Shah Jahan in the 17th century as a mauseum for his beloved wife, Mumtaz Mahal. Construction of the Taj Mahal began in 1632 and was completed in 1653. 2) Architecture: The Taj Mahal combines elements of Islamic, Persian, Ottoman Turkish, and Indian architectural styles. It is primarily made of white marble, with intricate inlay work using semi-precious stones. The central structure is a large dome surrounded by four minarets at each corner. 3) Symbism: The Taj Mahal is often regarded as a symb of love. It was built as a testament to Emperor Shah Jahan's eternal love for his wife, Mumtaz Mahal. The gardens and reflecting po in front of the Taj Mahal add to its romantic ambiance. 4) Location: The Taj Mahal is situated on the right bank of the Yamuna River in Agra, Uttar Pradesh, India. Agra is located approximately 200 kilometers (125 miles) southeast of India's capital, New Delhi. 5) Visitors: The Taj Mahal attracts millions of visitors from around the world each year. It is open to the public, except on Fridays when it is reserved for Islamic prayers...

19th Century Indian Chest with Wooden Frame Covered in Embossed Brass with Handles

19th Century Indian Chest with Wooden Frame Covered in Embossed Brass with Handles

PRESENTING A LOVELY 19C Anglo Indian Vizagapatam Bone and Shell Domed Stationery Box – ‘Alice’s Box’. Made in Vizagapatam, India, circa 1860-80. We call this one: “Alice’s Box”! It has lived ‘a hard, well used and traveled life’, as is evident from the number of losses and repairs, as is obvious from the photos, especially to the faux ivory panels and bands to the top. The bonus to the loss of the frieze panels to the dome has a ‘bonus’, however, as their loss has revealed the most GORGEOUS faux blonde tortoiseshell underneath! The box is dome/casket shaped. The top has 3 bands, with the center one being the original. The 2 side bands are later ivorine. The faux ivory and hand-painted medallions on the domed lid, have been saved and they depict Hindu Gods, Vishnu and Shiva. The front and side panels are still in pretty good shape and are decorated with lac ink (indelible ink made from crushed beetles) depicting lovely floral designs. The domed lid open to reveal a series of open compartments for envelopes, writing paper etc. and one lidded panel for stamps. Inside the box are 2 paper labels: one probably being the original item ticket and the other with: ” Alice’s address is 272 Ashworth Ave, Toronto 4, Ontario”. Probably, the original owner? Hence, we call it ‘Alice’s Box’. What a journey/life this box has had! Made in India, made its way to Canada, back to Ireland and then to Texas! This is why, WE LOVE ANTIQUES...

A large Indian Colonial ‘Vizagapatam’ pen-engraved bone inlaid ebony box Masulipatnam or Vizagapatam, 2nd half 18th century H. 10.8 x W. 47 x D. 34 cm ...

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Padouk and Sandalwood Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved padouk wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosiac, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

PRESENTING A RARE AND DESIRABLE 19C Anglo Indian Highly Carved Padouk and Mosaic Folio Cover. This is a VERY RARE piece of Anglo-Indian and British Victorian Colonial history! ...

A limited production, functional object d'art exclusively produced by Anastasio Home. The 50/50 is a perfectly imperfect four inch cube box, cut from a single piece of solid stone...

Bud Box is a limited edition functional object d'art carved from a single cube of Italian Greige Marble. Hand-finished by a growing artisan atelier in Rajasthan, India it is produced exclusively by Anastasio Home...

XXL Box is a limited edition functional object d'art carved from a single cube of Travertine. Hand-finished by a growing artisan atelier in Rajasthan, India it is produced exclusively by Anastasio Home...

PRESENTING A LOVELY 19C Anglo Indian Highly Carved Padouk Wood with Sadeli Mosaic Inlay Sewing Box. Made in Bombay, India, circa 1880. The box is made of sandalwood with highly carved raised padouk wood panels on all sides, depicting temple scenes, animals and foliage. The box is in a sarcophagus form. It is edged in bone (and we can tell it is bone and not ivory, from the color and evidence of capillaries, which are not found in ivory), and banded with Bombay Sadeli mosaic and ebony veneer. The lid opens to reveal a removable tray with various open compartments and lidded compartments. 5 lidded compartments, 1 unlidded compartment and 8 holders for thimbles, etc The tray lifts to reveal a blue velvet (original) lined section, for storing jewelry etc, with sections for collars etc. The inside of the lid has a removable mirror (the mirror is missing on this one but can easily be replaced). Behind the mirror is the original green velvet lining. It has its original brass carry handles on the sides and sits on 4 silvered button feet (of recent origin). Some repairs to the exterior and condition issues (priced accordingly), but still a LOVELY COLLECTIBLE box! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and Horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, Horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

mall Bell Jar, is a 4 inch vessel cut from single pieces of solid stone and hand-finished by artisans in a growing stone atelier in Rajasthan, India. Dimensions: 4”Dia. x 3"H Sub...

This is a small antique apprentice-piece chest. An Anglo-Indian, carved teak Colonial keepsake box, dating to the late Victorian period, circa 1880....

Introducing the signature Flo Box by Anastasio Home. Handcrafted from a single block of exquisite marble, this lidded vanity jar is a one-of-a-kind creation. With its substantial...

Antique Patinated & Engraved Bronze Mughal Domed Box India, 20th century A fabulous Indo-Islamic architectural circular domed box, with elaborate front...

Dot Box is a limited edition functional object d'art carved from a single cube of Travertine. Hand-finished by a growing artisan atelier in Rajasthan, India it is produced exclusively by Anastasio Home...

PRESENTING AN ABSOLUTELY STUNNING AND EXCEPTIONAL 19C Anglo Indian Highly Carved Padouk Sadeli Mosaic Scroll Box of Hindu Gods from circa 1870-80. The box case is made from sandalwood with highly hand-carved padouk wood reliefs on all sides and banded and edged in fabulous ‘Sadeli Mosaic’, made from faux ivory/bone, ebony, silver, semi-precious green stone, etc., in various geometric patterns. The carved lid of this box is EXCEPTIONAL! It is HIGHLY HAND-CARVED and depicts 13 Hindu Gods: Vishnu, Shiva, Harihara, etc., in 9 oval shaped reliefs, surrounded by foliage etc. The sides and rear have highly carved foliage relief panels. The lid opens to reveal the original red velvet lining (also on the base) in SUPERB CONDITION throughout. The QUALITY of the ‘sadeli mosaic’ work is EXCEPTIONAL all over. It has its key and working lock. It sits on it’s 4 original brass turned ball feet. THIS IS A HIGH QUALITY & VERY RARE AND DESIRABLE BOX! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Collection of 19th Century Kashmiri Objects A beautiful selection of late 19th Century hand crafted Kashmiri objects. This collection includes a tobacco jar, pepper shaker, cigar b...

This is an antique Campaign correspondence box. An Anglo-Indian, teak and brass bound Colonial traveller's writing case, dating to the late Victorian period, circa 1880. Captivati...

Vintage Moorish Mughal Raj jewelry box inlaid with semi-precious agate stones and covered with silvered metal filigree. Moorish Middle East jewelry...

Decorative brass box made by Saks Fifth Avenua, India. Embossed with fish silhouttes on each face with two small brass circular handles on each side. Natural patina. Property fro...

This lovely bone box has an elegance and quality craftsmanship to it with its layered look.

Beautiful blue Lapis Lazuli and Carrara marble stone jewelry box. Created from genuine blue Lapis Lazuli, this box is low in profile and rectangular in form. This lovely jewelry or trinket box features a lid that fits onto its base. Both of which are completely covered in this beautiful blue stone. The interior of the box's base and lid, are created using Carrara marble. The lid features stays, which retrofit into the base, and allow the top to hold to the base without sliding or moving. The exterior is flanked with the gorgeous richly hued blue lapis lazuli. How we would style it: This blue stone box...

Vintage South Asian / Kashmir hand painted papier mâché box with removeable lid - featuring a profuse floral pattern over the top and sides set against a black lacquer background - h...

19th century Kashmiri Hand Painted Trinket Box A true work of art, this mid-19th century Kashmiri handcrafted trinket box is covered in beautiful detail. Including peacocks, birds, flowers, and foliage. The hand painted detail is raised from the box with gold gilded paint and vibrant colours. The box is hinged with its original key and painted orange inside, this example would likely have been owner by a wealthy individual considering the amount of detail and craftsmanship that has gone into creating it, A rare survivor. Size of inches approx.: H 4” x W 11.5” x D 4.5” Completely solid in structure and form, with natural wear, loss of surface detail, the paint has worn away over years with damage in areas and loss of detail, The key is present however the lock does not close. The House of...

Log Jar, an usual object from the Forest collection, has intricate brass and resin inlay to resemble a log of wood, with a cute boney lid. For his debut creations, Marcantonio int...

Beautiful blue Lapis Lazuli and Carrara marble stone jewelry box. Created from genuine blue Lapis Lazuli, this box is low in profile and rectangular in form. This lovely jewelry or trinket box features a lid that fits onto its base. Both of which are completely covered in this beautiful blue stone. The interior of the box's base and lid, are created using Carrara marble. The lid features stays, which retrofit into the base, and allow the top to hold to the base without sliding or moving. The exterior is flanked with the gorgeous richly hued blue lapis lazuli. How we would style it: This blue stone box...

Collection of 19th century Kashmiri items A highly decorative collection of 19th Century hand crafted Kashmiri objects including 6 different shaped boxes, a working lamp and urn....