Antique Persian Micro Mosaic Box

Handcrafted Khatam wooden box with very delicate micro mosaic marquetry from the ancient Persian technique of inlaying from arrangements of so many delicate pieces of wood, precious wood, and delicate miniatures paintings. This beautiful Middle Eastern Persian style box is covered inside and out with fine Moorish micro mosaic marquetry. Indo Persian Moorish style micro mosaic inlaid jewelry box with lid. Intricate inlaid Asian Indian box with floral and geometric Islamic Moorish Sadeli design in a square shape form with inlay marquetry, very fine artwork, lined in red velvet. Museum collector piece like the one in Doris Duke Islamic Art Museum. The repeating geometric patterns of Sadeli Mosaic are what give it beauty and richness. This decorative technique is a type of micro mosaic featuring repeating geometric patterns. A highly skilled craft, it has had a long history in India and the Middle East with early examples dating back to the 16th century. In the 1800s, it became popular as a decoration on a variety of boxes, card cases, and chess boards imported from India. Since Bombay became a center of making them, they became known as Bombay boxes...

Antique Persian Khatam Micro Mosaic Inlaid Jewelry Box with Miniature Polo Scene, circa 1940s This exquisite Persian Khatam Kari trinket box is a rare example of masterful micro mosaic marquetry, handcrafted in the 1940s using the ancient Persian art of inlay. Featuring an intricately detailed geometric design and a miniature hand-painted equestrian scene on the lid, this museum-quality piece is a stunning representation of Indo-Persian and Moorish craftsmanship. Khatam Kari, or Persian marquetry, is a centuries-old decorative art that flourished during the Safavid dynasty. It involves the meticulous inlay of thousands of tiny pieces of wood and bone into intricate, repeating geometric patterns—each symbolic of harmony and cosmic order. The top of this box is adorned with a finely rendered painting of royal figures on horseback, possibly princes engaged in a ceremonial game of polo, echoing the refined court culture of the 19th-century Persian and Mughal aristocracy. The box’s micro mosaic surface is covered in richly detailed star and polygon motifs typical of Khatam and Sadeli mosaic traditions. These patterns require precise mathematical planning and exceptional artisanal skill, resulting in a surface that is as intellectually complex as it is visually stunning. Details: * Origin: Asia Indo-Persian * Date: Circa 1940s * Materials: Inlaid woods, camel bone, hand-painted miniature * Style: Islamic Art, Moorish, Anglo-Indian, Micro Mosaic * Dimensions: Height 1.5 in. x Width 6.5 in. x Depth 4.25 in. * Condition: antique condition with minor wear consistent with age These boxes were traditionally used to store writing instruments or jewelry, and today they serve as timeless collectors' pieces, suitable for display or thoughtful gifting. Comparable examples can be found in major Islamic art collections, including the Doris Duke Museum of Islamic Art. Keywords: Persian Khatam Box...

Large Middle Eastern Indo-Persian Micro Mosaic Khatam Inlaid Wooden Jewelry Box. Middle Eastern Persian Sadeli micro mosaic marquetry inlaid box with geometric Moorish design. Handcrafted Khatam wooden box with very delicate micro mosaic marquetry from the ancient Middle Eastern technique of inlaying from arrangements of so many delicate pieces of precious hand painted wood, with bone around the edges. This beautiful Middle Eastern Persian, Indian Wooden box is covered with fine Moorish micro mosaic marquetry and is used as a jewelry, trinket box. Lined in deep red velvet. Dimensions: 6.5in.D x 3in.H x 10 wide. Nice Indian Mughal, Indo Persian Box...

Exquisite handcrafted Middle Eastern mosaic marquetry inlaid wood box. Small octagonal box intricately decorated with a miniature painting of an old man with a textile in his hand motif and inlaid with mosaic marquetry. Middle Eastern, Asian micro mosaic box...

Exquisitely crafted early 20th century Anglo Indian micro mosaic Sadeli box with gorgeous antique Persian geometric pattern. The finely detailed box featu...

Brass box originally gold-plated with glass stones, made in Italy, circa 1880.

Stunning little 19th century tabletop stationary box made of micro-mosaic. Made in Britain, circa 1870, in Tunbridge Wells, hence these type of works are called Tunbridgeware! ...

A highly attractive and rare floral Grand Tour micromosaic jewelry or trinket box made by Cesare Roccheggiani in Rome, Italy, c. 1875. This is a beautifully detailed micro-mosaic box. The panel in the lid depicts a lush bouquet of spring flowers, including roses, forget-me-nots, daffodils, buttercups and crocus, amongst others. These are described in brightly coloured stone micromosaic inlaid into a black surround, lending the piece wonderful contrast. The more common subjects for similar micro mosaic boxes are architectural views of Rome; floral examples such as this are much harder to find. The panel is mounted in a box gilded in 24 carat gold. Another distinctive feature is the granulated finish around the lid and to the underside of the box: it is most unusual and lends the piece a lovely texture. A hand-painted champlevé enamel frieze wraps around the central body of the gilt metal box, depicting scrolling turquoise vines blooming with red berries along with blue, green and yellow vine leaves. The interior is lined in the original silk and in very good original condition. The maker’s name ‘C. ROCCHEGGIANI ROMA’ is emblazoned in gold to the interior of the lid beneath the motif of a cross surmounted by a crown. The lining of both the lid and body are bordered with a ropetwist detail. The lid closes with hooked clasp, and the hinge is in good condition. Cesare Roccheggiani was one of the most successful mosaicists in the late 19th century in Rome. He probably worked in Michelangelo Barberi’s workshop, and was in all likelihood related to Lorenzo Roccheggiani, a late eighteenth-century master mosaicist at the Vatican whose work included the altarpiece, Crucifixion of St. Peter after Guido Reni, and Nicolo Roccheggiani who worked on the Achilles Shield tabletop commissioned by Napoleon Bonaparte, and later gifted to Charles X of France, now in the collection of the Louvre. Cesare Roccheggiani opened his premises on Via Condotti in Rome in 1874, and ran a production workshop including mosaicists, goldsmiths and other craftsmen. He was renowned as a source for fine quality Grand Tour mosaics...