18th century tuscany iron candelabras

Pair of hand-forged and wrought iron candlesticks, with floral motifs and central iron core. The iron is gilded with gold leaf. Manufacture from the Marche or Veneto in the first hal...

This pair of table candlesticks is a fine example of Tuscan manufacturing from the mid-18th century. Made of carved wood and finely gilded in pure gold, these candlesticks exhibit hi...

This pair of vase palm holders is ascribed to Tuscan manufacture from the neoclassical period (18th century). They are made of carved wood and painted with a lean tempera, which give...

Made with five lights with cornucopia ends with the possibility of removing the upper part and making them two classic torchlights, they rest on a base carved with acanthus leaves wi...

Beautiful pair of small mirrors in carved and "gouache" gilded wood with the central part consisting of a small shelf decorated in faux yellow Siena marble. Original mercury mirror i...

Splendid pair of vase palm holders, dating back to the Louis XIV period, and made of carved, silvered and mecca-gilded wood. The wood carving of vases and floral motifs gives the two...

A spectacular hand-forged iron candelabra, made in England circa 1700. The fixture will hold seven candles, arranged in a triangular fashion. Sourced from an English church, the anti...

Decorate a mantel or a buffet with this elegant antique four-arm candelabra. Crafted in southern France circa 1780, the large forged piece stands on an octagonal base over a central turned stem, and features four scrolled arms decorated with acanthus leaves and dressed with circular bobeches. The Louis XIV candelabra...

A pair of Candelabras, made in France about 1780. Lois XVI, gilded and patinated bronze with white Carrera marble.

Large candelabra, presumably made in Sweden in early 18th century. Highly unusual, made in brass, with four candle holders.

Beautiful 18th century Italian candelabra, painted and gilt. Probably a religious candelabra. Provenance: Italy.

The epitome of Russian craftsmanship, this majestic and incredibly rare pair of candelabra would have been fit for the Czar. These superb Louis XVI style figural bronze candelabra were created in the Neoclassical taste that permeated Russia during the late 18th century. The chiselled gilt bronze work is in a class all its own – a trademark of only the most exceptional Russian ormolu craftsmen. Elegant patinated bronze nudes hold aloft delicate gilt bronze branches accentuated by gilt chains. Elevated atop classical columns crafted of polished gray marble, these lights perfectly express the outstanding grace and luxurious artistry of Russian decorative art. In France during the late 18th century, Neoclassicism emerged as the most popular style after the exuberance of Rococo during the reign of Louis XV. The emphasis was on simplicity, straight lines and symmetry. Slenderness of proportion was stressed in furniture and decorating, and these patterns extended to other areas of the arts. French design taste has historically spread and influenced styles throughout Europe, and Russia in particular has a long history of adopting foreign stylistic trends considered to be the epitome of grand taste. Catherine the Great and her grandson Alexander I...