19th Century Pair of Louis XVI Style Silvered Bronze Candelabras, circa 1880

A very good quality 19th century French charming two-tier side table with a single frieze drawer parquetry inlaid, designed with Allegories of Geography and Astronomy, with pierced three-quarter gallery surround, above a foliate and loop frieze, the front with a drawer, ormolu mounts and raised on delicate cabriole legs. The Louis XVI furnishings and decorative style started in 1774, at the begin-ning of Louis XVI reign up until 1790. The Directoire style will succeed. It followed a European movement return to classicism in the second half of the eighteenth century. Louis XVI, grand-son of Louis XV, became king in 1774 at the age of 20. Queen Marie Antoinette also very much appreciated the decorative arts. The middle of the eighteenth century and the Louis XVI style furnishing has been heavily influenced by the discovery of the remains of Herculaneum (1738) and Pompeii in 1748. Thus, was born the neo...

Very Fine French 19th Century Pair of Candlesticks In ormolu, very finely chiseled and decorated with knotted garlands, branches of leafy flowers, spokes of hearts, leaves of water...

A French 19th Century Pair of Large Rectangular Curule Stools Gilt and carved wood, decorated with interlace frieze, acanthus leaves and rosaces The 4 feet linked by a gadrooned stretcher. Louis XVI Style Napoléon III Period In the manner of Georges Jacob (1739-1814) Attributed to Maison Jansen Circa 1900 Used Petit Point Tapestry Upholstery Maison Jansen, the French luxury: Opulence, refinement, audacity of style marriages… so many words agree with Maison Jansen. Through this name, a whole era sounds like a reminder of a certain French chic… Some names evoke immutable images, atmospheres... Like Jansen, for example. Let’s close our eyes… The 1960s and 1970s are at their peak. France is doing well. It is a country of full employment where everything seems possible. Within the international Jet Set, a carefree crowd of movie stars, public figures, literary idols and crowned heads, we love the Maison Jansen, its taste for styles struck with a good quality exuberance, and its brilliant side. It all began in 1880, when the Dutchman Jean Henri Jansen founded the epon-ymous house in Paris. Jansen is part of the continuity of these world-famous furniture manufacturers and companies that operated under the Second Empire and at the time of the Universal Exhibitions, as the ‘Escalier de Cristal’ teaches. At that time, the Union Centrale des Beaux-Arts appliqués à l'Indus-trie and the Société du musée des Arts Décoratifs merged to form the Union Centrale des Arts Décoratifs. Supported by both gallery owners, collectors and manufacturers, this organi-zation gives the «la» to the whole profession, and in the prevailing politico-ideological slump (France was defeated by Prussia in 1871 and Napoleon III is in exile), the ‘Union Centrale des Art Décoratifs’ focuses production on the celebration of past styles. While this nostalgia evokes memories of an era that we imagine more stable, an innovative exoticism will be all the rage: the reign of Turkish style and Japonisme. The Jansen house masterfully rushed into the «exotic» trend, but quickly de-veloped a style derived from the ornamental splendor of the eighteenth, then a little later, so-called «imperial» styles mainly intended for royal families. Af-ter the First World War, J.H Jansen was joined by the cartoonist Albert Cazes, by Stéphane Boudin and by Pierre Delbée, who successively directed the house when it disappeared in 1929. At the end of the Kennedy era, Boudin complete-ly redecorated the White House, at the request of the First Lady, Jackie, who had fallen in love with his work after discovering it at Malmaison. In 1971, Jansen joined forces with Leleu-Deshays and continued its quest for excellence. From 1969 to 1979, the dandy decorator Serge Robin took the reins of the house, granting it an eclectic and luxurious style: he revisited the great eras of French art, from the Renaissance to Louis XVI, by modernizing them with more contemporary pieces in Plexiglas or wrought iron. His recomposed and sophisticated style met with resounding success. When Jackie Kennedy, who became the wife of the great Greek shipowner Aristotle Onassis, moved to France, the young architect married Louis XVI-style furniture to modernist designs from the 1950s. When the Shah of Iran decided to celebrate the 250th anniversary of the Per-sian Empire in 1971, Serge Robin and his teams turned to the grandiose and ephemeral setting of Persepolis. A hundred semi-trailers then left the work-shops on Rue Saint-Sabin to reach Tehran. At the same time, Princess Soraya of Iran commissioned her a sumptuous palace for Avenue Montaigne, the princes Faisal bin Fahd of Arabia and Mubarak Al-Sabah, and the Agnelli snatched it. On the French side, he puts his talent at the service of Brigitte Bardot, for whom he completely revamped the Madrague and the Lannes boulevard. Serge Robin embodies all the audacity of the name Jansen with the most im-probable weddings. With him, Plexiglas tables, Japanese chairs from the 50s, gold thread curtains, zebra sofas...

A French 19th Century Pair of Large Rectangular Stools natural and carved wood. The 4 sheaths feet carved and linked by a stretcher. Louis XIV Style Napoléon III Period Circa 1880 Used Petit Point Tapestry Upholstery If the stool played a great role at the court of Louis XIV, it was also the pretext of a war... that of the stools precisely, recounted by Saint-Simon. The Duchesses fought and the Duchesse became a seat with very curious forms. There were benches and chairs, then armchairs, not to mention stools. A seat dear to the duchesses. Some fought for one, to sit in the presence of the queen. Standing, while others, sometimes cousins, were seated, was intolerable. The Duke of Saint-Simon was pleased to recount the «war of stools». This one was provoked by Mme de Chevreuse who sat, without any way, before Queen Anne of Austria...

Pair of polychromed hand painted porcelain with Japonisme floral decoration Ormolu-mounted with open-worked base and rim Louis XVI Style circa 1880.

An impressive French 19th century Neo-Greek style bronze nine-lights center piece In patinated and gilt bronze, engraved on the body of foliage and rings, the collar decorated with a frieze of palms in bas-relief. It is held by a tripod base decorated with shards, foliage, and fins, in the center a mask of man. Surmounted by three arms, nine-lights ending in lion’s paw. Curved triangular base with ivy friezes, and palm-leaf feet. Attributed to Georges Emile Henri...

A pair of Louis XVI style marble and gilt bronze candelabra. Rising from a square base supported by gilt bronze scrolling lions' paw feet, the red 'partridge eye' griotte marble s...

An impressive pair of 19th century French gilded ormolu, bronze and white marble candelabra, each having six scrolling foliate branches with candle sconces, above a pair of bronze se...

An impressive pair of 19th century gilded ormolu and onyx four branch candelabra, each with wonderful classical urns, Rams heads, scrolling foliate and ribbon decoration. Raised on out swept hoof feet, on an onyx plinth...

This lovely small pair of two-light candelabra are made in gilded bronze and were made in France around the turn of the century. Cast as a satyr holding up sinuous candle arms termin...

Pair of 19th Century French Louis XVI Style Gilt Bronze Candelabras.

These large and finely cast candelabrum were made by the well respected bronzier Ferdinand Barbedienne. They are truly exceptional examples of 19th century French craftsmanship. They...