Metal Candle Holders

Mid-Century Danish Teak Candleholder, 1960s, in Very Good conditions. Designed 1960 to 1969. Additional information: Materials: Brass, Teak Style: Mid-Century Modern Country of Orig...

Pair of Patinated Bronze Three Branch Candelabra, after the antique, 19th century, each surmounted by a heron standing on a tortoise, entwined with a snake, below three projecting br...

Pair of Mid Century Vintage Silver-Plated Candle Sticks by Fisher. In the manner of Tommi Parzinger. Some Tarnishing. Polishing may be desirable.

A Monumental Pair of Gilt Bronze and Verde Antico Marble Seven-Light Candelabras attributed to Eugène Cornu. Eugène Cornu was a sculptor and director of ...

Arvika Wall Candlesticks in Art Deco style. Hand hammered brass work by Arvika Konsthantverk. Design by Lars Holmström 1960s. Arvika Konsthantverk stamp. Excellent condition with onl...

A magnificent, fine and impressive pair of antique George III English cast sterling silver candlesticks made by Edmund Vincent; an addition of our ornamental silverware collection These magnificent antique George III cast sterling silver candlesticks have a baluster shaped form with a waisted knopped stem onto a shaped base. The waisted capitals of these exceptional antique silver candlesticks are embellished with gadroon decorated borders. The capitals are fitted with the original hallmarked detachable sconces ornamented with six-shell ornamentation, in addition to further gadroon decoration to the curvilinear-shaped rim. The upper portion of the waisted shaped column features a shaped knop embellished with six shell designs, reflecting the decoration to the sconce. The waisted column is further ornamented with fluted decoration, in a swirl design, with a gadroon decorated knop to the lower portion The shaped bases of these Georgian silver candle holders are embellished with a swept fluted upper portion to six large shell designs, alternating with convex oval bead motifs. The decoration to each base incorporates a bright cut engraved crest of the bust of a man in profile couped at the shoulders. The shaped rim of each candlestick features an impressive gadroon decorated border. These magnificent candlesticks feature a stunning and ornate variation of six-shell decoration and are the finest of their type you could hope to acquire. Condition These antique 1700...

Gunnar Ander for Ystad Metall, Sweden. Brass candlestick holder with blue glass sleeves. For two candles. Circa 1960. Perfect condition. Suitable for candles with a diameter of 12 m...

A Fine Pair of Ormolu-Mounted Candelabra in the Louis XVI Manner Constructed from Carrara marble with mercury gilded mounts, the vases are supported on square bases with laurel-wreathed socles; the marble ovoid bodies with ormolu foliate twinned handles and floral festooning; each candelabrum issuing a gilded bouquet of flowers with three candleholders. French, circa 1880 A nearly identical model appears in the daybooks of the famous l'Escalier de Cristal, described as "Candelabres vase marbre...

A rare and iconic work by Daniel Grobet, a Swiss sculptor renowned for his poetic mobiles in precarious equilibrium. This sculpture, titled “Firecatcher,” perfectly embodies the arti...

Pre-1740 English George II period brass candlestick. Octagonal petal base; the sides forming large, flat petals with arched corner petals. 2-part casting. Split in the base at top. 7...

Set of Three Antique Gilded Italian Three-Flame Candlesticks From the Late 1700s in carved poplar wood. This exceptional and rare triptych of tall candlesticks has the octagonal ba...

Pair of American Edwardian sterling silver candlesticks, ca 1910. Urn socket on baluster shaft on domed foot. Plain bobeche and knop. Allover floral repousse and leaf-and-dart foot b...

Pair of Candlesticks light Green Enamel and hand painted ivy on Sterling Silver Salimbeni Pair of gold-plated 925/1000 sterling silver candlesticks with translucent fired enamels on ...

Pair of Georgian Rococo sterling silver candlesticks. Made by Dominick & Haff in New York in 1898. Each: Baluster shaft on raised and round shaped base. Concave socket with square de...

Monumental pair of vintage Persian silver (.840 pure) candlesticks, said to have been commissioned by the royal family in the mid-twentieth century, measuring 31 inches in height. F...

An outstanding 18th century pair of Pique Cierge from the Veneto region of Italy. Masterly crafted from hand forged iron with gilt accents. A very elegant accent for a lovely surro...

A most unusual and decorative pair of antique horn-shaped glass candlesticks fitted with hallmarked sterling silver mounts. The nozzles remove for easy cleaning.

Pair of Modern Georgian sterling silver candlesticks. Made by Towle Silversmiths in Newburyport, Mass., ca 1940. Each: Elongated baluster socket with flat rim on baluster shaft. Rais...

Pair Antique French Empire Gold Bronze Candelabra, Circa 1890.

Brutalist tripod candle holder handmade from wrought iron. Additional information: Materials: Metal Color: Black Styles: Brutalist, Mid-Century Modern Period: 1960s Item Type: Vinta...

Pair of French Provincial bronze harvest motif 5-armcandelabras with decorative grape vines and leaves, wheat sheafs, and lilies intertwined above a ...

Candle Melki made in porcelain with semi-precious cabochon finial on the lid. In porcelain with malachite pattern and with 24-karat gold-plated. Include paraffin wax with single...

Mark Brazier Jones Bronze Candle Holder

Vintage French Empire Style Gold Gilt Metal 3 Arm Torch Candelabra Wall Sconces (*not electrified) - a Pair. Circa Late 20th Century. Measurements: 17" H x 13" W x 7" D. (Location: ...

A striking pair of polished bronze elephant candlesticks that beautifully capture the 19th-century fascination with exoticism while maintaining a timelessly modern aesthetic. These p...

Our Art Deco-inspired candleholders are ethically handcrafted by artisans in Southern India using a technique that is native to the region. The artisans use a metal alloy that is bla...

Brutalist candleholder by Michael Harjes from the 1970s. High-quality bronze frame with nine movable arms. Quality Features: accomplished design: perfect proportions and visible att...

Pair of solid silver candlesticks made in Italy in San Marco (Venetian) style completely handmade. The base is round and hand-hammered with t...

Beautiful Art Deco candle chandelier by Elis Bergh. Silver plated with large crystal prisms suspended at the top and at the base. Slim, decorative lines.

Pair of figural candelabra by Elkington, Mason & Co English, circa 1860 Height 44cm, width 26cm, depth 20cm This pair of three light figural candelabra is made of silvered-bronze. The candelabra take the form of a male and female figure in exotic dress...

A Rare Pair of French 18th Century Mercury Gilt Dore Bronze, Patinated Bronze Leaves, and Painted Bronze Branch-Form Two-Arm Sconces with 18th Century Meissen Porcelain Flowers. Thi...

American Mid-Century brass adjustable 6 light Candle Holder (Tommi Parzinger)

Pair of Rare Antique 19th Century Victorian Clarke's Gilt Ormolu Bronze candleholders. Neo-classical styling. Made by Samuel Clarke of Cricklewood in London circa 1880-1890 at the W....

Silver candlestick with Chester hallmarks. Weight: 500 g.

Large brutalist style candlestick holder of Wrought iron, Germany, 1950s. Dimensions: Height 30.7" / 78cm, Width 15.0" / 38cm, Depth 15.4" / 39cm, Edge Length Candle Bases 4.7" / 1...

Made circa 1890 by Spurrier & Company, this stylish pair of Antique Silver Plate Candelabra, are in the Corinthian style, each holding ...

Super unique heavy solid brass candle holders that give you the option of narrow or wide candles.These were rescued out of a church in Bethlehem, Pennsylvania

Candle holder, design Gabriella CRESPI for cHANGE restaurant. PERIOD 8-11-1973 DESIGNER Gabriella CRESPI for restaurant OF THE CHANGE MATERIALS Metal and plexi DIMENSIONS Height:...

Stunning French Art Nouveau Brass Candelabra, 1940s Elegant and sculptural French brass candelabrum from the 1940s, exquisitely handcrafted w...

This pair of antique cast and gilt bronze candle sconces show no maker's or foundry marks, but are presumed to have originated from England and date to approximately 1890 and done in...

Pair of 19th century Patinated and Gilt Bronze Standing Crane-Form Candlesticks. This pair of 19th century candlesticks are a stunning example of gilt bronze design, featuring two deeply patinated regal cranes standing erect, both with an oversized gilt-covered bronze flower surrounded by foliate and amusingly held in the beak. The candlesticks are both highly detailed, well-balanced and designed to hold a candle. Beautifully crafted, with the cranes standing elegantly on top of gilt bronze rocks...

A most elegant pair of French 19th century Louis XVI st. Ormolu candelabras. Each four arm candelabra is raised by a most elegant circular mottled base with a beautiful spiraled acan...

Very pretty and heavy bronze French Art Nouveau clary sage (Salvia Sclarea) leaf and plant stem with bronze gilt styled flower in which a candle fits. Fits up to a Ø 5.7cm diameter ...

Article: Brutalist candleholder Origin: Germany Design producer: Michael Harjes Material: bronze Decade: 1960s Description: This original vintage candleholder, was pro...

Available now and ready to ship! SILVER bronze daisy candlestands are cast using the lost wax method. Each daisy comes as a set of two candlestands ...

A magnificent pair of Empire ormolu and patinated bronze figural ten-light candelabra Date: 19th century Origin: French Size: 40 inches high.

A pair of candlesticks made from tin. Made in Sweden, Stockholm early 20th century. J.L. Hultman 1923-1957. Made in Baroque style with flattened ball feet and decorated with c-format...

Beautiful set of four hurricane candle holders designed by renowned Danish designer Bijorn Wiinblad. Constructed of solid brass and glass. In original vintage condition, they show m...

This is a pair of 19th Century French Empire Style candelabras with 7 lights, featuring a luxurious design typical of the French Empire period. These decorative collectibles exude el...

Direct from Paris, a magnificent pair of Louis XVI silver plate 3-candle candelabra by France's premier silversmith "Christofle - Gallia Collection", meticulously restored to near new condition, includes two anti-tarnish storage wraps for easy storage, you can't go wrong buying quality, circa early 1900s. The French silversmithing brand Christofle stands as a paragon of artistry, quality, and timeless sophistication in the world of fine silverware. Founded in 1830 by Charles Christofle, the company has built a reputation for exquisite craftsmanship and pioneering innovation. Over nearly two centuries, Christofle has become synonymous with opulence, earning the favor of royalty, securing prestigious awards, and adorning homes and dining tables worldwide. From their revolutionary silver-plating processes to their dazzling silver plate candelabra, Christofle’s creations epitomize the pinnacle of silversmithing artistry. Charles Christofle’s foray into silversmithing began when he took over his wife’s family jewelry workshop. His entrepreneurial vision and artistic sensibilities allowed him to transform the modest enterprise into a global luxury brand. Early on, Christofle recognized the demand for high-quality yet affordable silverware, leading him to explore innovative methods for producing silver-plated items. This ingenuity was paired with a deep commitment to artistry, ensuring that every piece bore the hallmarks of French elegance and meticulous craftsmanship. Christofle’s philosophy of blending tradition with innovation set the company apart. In 1842, Charles Christofle obtained an exclusive license for the electroplating process developed by the English inventors George and Henry Elkington. This technology allowed the company to produce silver-plated goods of unparalleled quality and durability, democratizing the availability of fine silverware. The decision to adopt and refine this technique marked the beginning of Christofle’s ascent to global renown. The electroplating process revolutionized silversmithing by enabling the application of a thin layer of silver onto a base metal, typically copper or nickel silver. This innovation significantly reduced costs without compromising quality, making silverware accessible to a broader clientele. Christofle’s mastery of this technique elevated the art form, as their artisans meticulously ensured that every piece retained the luster, weight, and elegance of solid silver. Christofle’s silver plating involved several intricate steps, each requiring skill and precision. The base metal was first meticulously cleaned to ensure that the silver coating would adhere uniformly. The item was then submerged in an electrolytic bath, where an electric current deposited a fine layer of silver onto its surface. Finally, the piece underwent polishing and finishing, a process that demanded an artisan’s eye for detail and dedication to perfection. The company’s innovations did not stop at electroplating. Christofle continually refined their techniques, developing proprietary methods to enhance the durability and brilliance of their silverware. Their relentless pursuit of excellence ensured that Christofle pieces would retain their splendor for generations, cementing the brand’s reputation for quality and longevity. Christofle’s commitment to excellence quickly attracted the attention of European royalty and nobility. The brand’s association with regal splendor began in 1851, when Napoleon III appointed Christofle as the official purveyor of silverware to the French court. This prestigious commission marked a turning point in the company’s history, solidifying its status as a symbol of luxury and refinement. The French court’s endorsement opened the doors to further royal patronage across Europe and beyond. Christofle created bespoke silverware for monarchs, aristocrats, and heads of state, often crafting pieces that were as much works of art as functional items. Their designs graced palaces, embassies, and luxury liners, including the opulent dining rooms of the Titanic and the Orient Express. Among Christofle’s most notable commissions was the creation of the Sèvres table service for Napoleon III, a stunning collection that showcased the company’s technical prowess and artistic flair. The service featured intricate designs inspired by classical motifs, reflecting the grandeur and sophistication of the Second Empire. Christofle’s ability to seamlessly blend tradition with innovation ensured that their creations remained relevant and desirable, even as tastes and styles evolved. At the 1855 Exposition Universelle in Paris, Christofle was awarded a gold medal for their groundbreaking electroplating technique. This recognition underscored the company’s role as a pioneer in the field of silversmithing and solidified their reputation as a leader in luxury silverware. Subsequent exhibitions in London, Vienna, and Philadelphia further showcased Christofle’s mastery, earning them accolades for both technical innovation and artistic excellence. Christofle’s enduring appeal lies in their ability to strike a harmonious balance between form and function. Their pieces are not only visually stunning but also practical, reflecting the company’s commitment to creating silverware that enhances everyday life. This dedication to excellence has earned Christofle a place among the world’s most esteemed luxury brands. One of Christofle’s most iconic creations is their collection of silver plate candelabra. These masterpieces exemplify the company’s dedication to artistry and craftsmanship, serving as both functional lighting fixtures and decorative centerpieces. Christofle’s candelabra...

Pair of candelabra made around the 1980s from murano glass with gold dust. The two subjects represent a couple, Knight and Lady, wearing typical Venetian costumes. The male figure m...

A simple yet stylish configuration in the shape of these wall mounted candlesticks. Made in France circa 1920-30 in a style reminiscent of Josef Frank. They are fashioned from solid ...

Pierre Forssell for Skultuna. A pair of "Reflex" wall-mounted candle holders. Polished brass. From the 21st century. Designed in the late 1960s. In perfect condition. Like new. Dimen...

French Art Nouveau bronze, copper and onyx floral candlestick with holder.  

Eye catching painted tole & iron pair of candle sconces in red, white and blue having a French patriotic feel. Could be electrified.

A pair of finely cast and chased Louis XV bronze candlesticks.

Empire style candlestick, with a cylindrical porphyry base that rests on three bronze claws, the base is the support of the bronze figure of a sphinx or Egyptian character.

Pair of solid brass candle holders by Gusum Bruk, c.1960s, Sweden. The pair of candlesticks feature bulbous spheres and three ball feet each. They're a minimalistic, yet eye catching...

Pair of strict classicistical fire gilded candlesticks France 1840, signed Barbedienne. Strict classicist design with square base, flowers and leaf ornaments in different finish. Decorated and smooth elements in alternation create otically balanced object. The widest part of the stem is 4.0cm Ferdinand Barbedienne (* August 6, 1810 in Saint-Martin-de-Fresnay, Calvados department, France; † March 21, 1892 in Paris) was a French sculptor, bronze ware manufacturer, and gallery owner. One of the most important and popular Éditeurs d'art, or publishers of art articles, he had most of the French sculptors of his time under contract. Life and work Ferdinand Barbedienne was the son of a farmer. At the age of 13, he learned the Craft of saddlery. In 1822 he moved to Paris, where he first worked as a clerk in a wallpaper shop. He received start-up capital from his employer to open his own store, which he set up on Rue Notre-Dame-de-Lorette in 1834. He pursued the idea of exhibiting bronze statues in addition to his core business and mass producing them in small format. In 1838, he joined forces with the mechanic Achille Collas, who had developed the machine á reduction (réducteur for short); a device based on the principles of the pantograph that could reproduce three-dimensional objects in any size - reduced or enlarged. On November 29, 1838, both signed the founding contract for the company Société Ferdinand Barbedienne et Achille Collas, which aimed to commercially exploit the mechanized production of sculptural works for an initial 20 years. Barbedienne took care of the commercial management of the company, while Collas contributed the patent on his invention and seven existing machines, and with his profound knowledge of machinery was responsible for the production processes. Together they decided on the subject matter of the objects, the selling prices, and all other financial matters. In 1841, they produced casts of the Apollo of Belvedere, the Spinario, and 21 pieces with the motif of a bas-relief of the Parthenon. These were followed by versions of the Laocoon group, the Venus of Arles, and the Borghese Fencer, among others. Special interest was initially shown in works from antiquity, for which casts from the Atelier de Moulage in the Louvre served as models. The company continued to produce works by representatives of the Renaissance such as Michelangelo, Donatello, Giovanni Bologna or by French sculptors such as Jean Goujon, Jean-François Flamand, Pierre Puget, François Girardon, Antoine Coysevox...

Could be American or Italian hand-painted flowers that also hold a candle. Makes for a nice indoor or outdoor centerpiece.