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A Pair of Wedgwood Black Basalt Dolphin Candlesticks

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Antique Wedgwood Creamware Charger Geometric Border England Circa 1785
By Wedgwood
Located in Katonah, NY
This elegant Wedgwood charger was made in England in the late 18th century, circa 1785. Crafted from creamware, the charger features a meticulously painted geometric border composed of orange and black flowerheads set within a lattice of fine black lines. Each flowerhead is centered in a diamond-shaped cell, creating a repeating pattern that radiates rhythm and precision. The inner field is left undecorated, emphasizing the clean form and enhancing the visual impact of the border. The simplicity of the cream-colored ground paired with the precise hand-painting along the rim reflects the neoclassical restraint and balance that defined Wedgwood’s aesthetic...
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Antique Late 18th Century English Neoclassical Decorative Dishes and Vid...

Materials

Creamware

Pair of Antique Wedgwood & Bentley Black Basalt Jars England, Circa 1775
By Wedgwood & Bentley
Located in Katonah, NY
This pair of Wedgwood & Bentley black basalt urns, crafted at the renowned Etruria factory around 1775, exemplifies the refined simplicity of neoclassical design. The smooth, tapered...
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Antique Late 18th Century English Neoclassical Jars

Materials

Stoneware

Wedgwood Egyptian Jug Decorated in Black Basalt and Rosso Antico
By Wedgwood
Located in Katonah, NY
This special edition Wedgwood ale jug is decorated in Egyptian Revival style, showing a sphinx to either side of a firebird in flight. The material is Wedwood's Black Basalt stonewar...
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Antique Mid-19th Century English Egyptian Revival Pitchers

Materials

Stoneware

Pair Antique Black Basalt Vases Wedgwood and Bentley Late 18th Century Ca. 1775
By Wedgwood & Bentley
Located in Katonah, NY
This exceptional pair of black basalt vases was produced by Wedgwood & Bentley in the late 18th century, circa 1775. The vases' decoration features bacchanalian boys playing. They symbolize liberation from social norms and constraints, often embodying the balance or imbalance between order and chaos. The figures are sculpted in solid deep relief. Wedgwood and Bentley...
Category

Antique Late 18th Century English Neoclassical Urns

Materials

Stoneware

Pair Antique Drabware Candlesticks Made in England circa 1850
Located in Katonah, NY
A pair of charming antique drabware candlesticks painted with delicate bands of small flowers and bands of gilt on a beige ground. Dimensions: 7,25 in...
Category

Antique Mid-19th Century English Victorian Candlesticks

Materials

Stoneware

Pair of Antique Wedgwood Creamware Neoclassical Tureens England Circa 1820
By Wedgwood
Located in Katonah, NY
A pair of Wedgwood creamware sauce tureens with original attached underplates and spoons, made circa 1820 in the refined Neoclassical style popular during the Regency era. Each turee...
Category

Antique Early 19th Century English Neoclassical Soup Tureens

Materials

Creamware

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Pair of Rosso Antico Candlesticks, Wedgwood, circa 1820
By Wedgwood
Located in Melbourne, Victoria
A rare pair of bell shaped candlesticks in rosso antico, with black decoration of ‘Boys at Play’.
Category

Antique Early 19th Century English Neoclassical Pottery

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Pair of Bacchantes in Black Basalt. Wedgwood C1860.
By Wedgwood
Located in Melbourne, Victoria
Perhaps the most complex work in black basalt undertaken on any scale by Wedgwood, the Bacchantes, are adapted from sculptures by Clodion. A large and impressive pair, ful of vigour ...
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Antique Mid-19th Century English Neoclassical Pottery

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Pair of Flaxman Ewers in Black Basalt. Wedgwood C1830.
By Wedgwood
Located in Melbourne, Victoria
One of the iconic early wedgwood pieces, the pair of ewers Sacred to Neptune & Sacred to Bacchus was designed by Flaxman in the 1780s for Josiah Wedgwood. They have remained popular ...
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Antique Early 19th Century English Neoclassical Pottery

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Black basalt figure of Bacchus. Wedgwood C1780.
By Wedgwood
Located in Melbourne, Victoria
Exceptionally rare early figure of Bacchus in black basalt. The mixed-case mark places this figure between 1780 and 1785. He is portrayed in typical style, his head garlanded with grapes and with a wine cup to his lips. Bacchus, also known as Dionysus in Greek mythology, is the enigmatic god of wine, fertility, and ritual madness. He symbolizes freedom, ecstasy, and the blurring of societal norms through his rituals and festivities. Bacchus is often depicted in myths as a deity who challenges the status quo, promoting an atmosphere where conventional rules do not apply, and his followers are liberated from their everyday constraints. Born from Zeus and the mortal Semele, Bacchus is unique among gods, bridging the divide between the divine and the human. His followers included the wild and ecstatic maenads, female devotees who often reached states of divine frenzy, and the satyrs, mischievous half-man, half-goat beings. The worship of Bacchus was marked by theatrical processions, dances, and plays, reflecting his patronage of the theater and the dramatic arts. Bacchus’s mythology...
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Antique 1780s English Neoclassical Pottery

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Swagged Basalt Vase, Wedgwood, circa 1775
By Wedgwood
Located in Melbourne, Victoria
A particularly successful vase in black basalt, with simple, classical deocration or swags and berries & leaves. This vase comes from the Wedgwood & Bentley period, during which the ...
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Antique Late 18th Century English Neoclassical Pottery

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Stoneware

Encaustic Painted Basalt Vase, Wedgwood, circa 1785
By Wedgwood
Located in Melbourne, Victoria
A large vase in black basalt, with restrained neoclassical decoration taken from examples in The Hamilton Collection, now in The British Museum...
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Antique Late 18th Century English Neoclassical Pottery

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