19th Century Grandfather Clocks and Longcase Clocks

A Swedish Fryksdahl painted and carved wood floor clock from the 19th century. This antique Fryksdahl clock from Sweden features it's original metal face with hand painted numbers, a...

A 19th century Swedish painted Fryksdahl clock scraped to it's original finish. This antique Fryksdahl clock from Sweden has a rounded head, and retain...

A Swedish 19th century painted wood floor clock with volutes on both side of the head. This clock features a lyre-shaped body and rectangular base flanked by two stylized Corinthian ...

This is a Swedish Mora Clock Jmptland Model . the old works have been removed and New battery works installed. I do offer the Original works with every clock I sell.

This is a Swedish Mora Clock Alfta Model . its been restored and repainted with Milk Paints "Oyster White" the Non working Original works have been removed and New Battery works hav...

A very impressive 19th century cold painted and patinated bronzed Spelter statue of an Arab girl in front of a castellated clock tower. The white enamel clock face with an eight day ...

An unusual flame mahogany long-case clock attributed to Maples with a Smith & Sons 3-train movement, the case with a stepped base, the hood with two fluted columns and brass finials ...

Early 19th c. English mahogany brass arched dial longcase clock Period c.1840 Measures: Width 55 cm / 21 1/2 in Depth 27 cm / 10 1/2 in Height 227 cm / 89 1/2 in Dia...

A Palatial and Extremely Rare Napoleon III French Ormolu and Patinated Bronze Regulateur de Parquet Clock by Louis-Constantin Detouche, Paris, Circa 1850 An exceptional testament to the grandeur and technical mastery of 19th-century French horology, this palatial and extraordinarily rare Napoleon III ormolu and patinated bronze Regulateur de Parquet clock stands as a crowning achievement of the renowned Parisian horologist Louis-Constantin Detouche. Created circa 1850, this monumental timepiece exemplifies the perfect synthesis of artistic opulence and mechanical precision, distinguishing itself as one of the most impressive works from Detouche’s illustrious oeuvre. At over six feet tall, this clock’s imposing scale and decorative grandeur make it an object of immense historical and aesthetic significance. The case, crafted from the finest French ormolu, features two majestic patinated bronze seated putti, serving as allegorical figures and underscoring the artistic sophistication characteristic of the Second Empire style. The white enamel dial, elegantly signed "C. Detouche/Paris," affirms its prestigious maker, while the movement, meticulously numbered 7064 and bearing the stamps "C. Detouche RUE St. MARTIN" and "C. DETOUCHE 158 R. St MARTIN 160," speaks to the highest standards of 19th-century horological craftsmanship. Further distinguishing this piece is the medaille d’argent stamp, a testament to the numerous accolades and awards bestowed upon Detouche for his innovations in timekeeping. A Masterpiece of Horological Artistry: Louis-Constantin Detouche was not merely a clockmaker; he was a visionary whose contributions to horology redefined precision and complexity. This particular regulator clock...