European Mantel Clocks

A beautiful brass clock with gold dore finish. Beveled glass panels with a porcelain dial and time and strike. French works. Running condition. Corner crack in one glass panel.

This rare French set features a bronze clock with statue and two matching candelabras. The bases are a luxurious creamy white marble in a Doric column mo...

Comprising of a royal blue hand painted porcelain clock garniture set. Marked Japy Freres Cie Med Honheur Mark in the back of the movement. Origin: French Date: circa 1890 Dimension: clock 18...

A beautiful, classically designed antique French gilt bronze clock set by Japy Frères. It features oval panels to the sides showing Fortun...

Large antique 19th century French gilded bronze mantel clock surmounted with two angels holding the dial. The enamel dial numerals are hand...

An impressive 19th Century French Louis XVI style, Boulle mantel clock, having red stained Tortoiseshell veneer to the case, gilded Rococo influenced ormolu mounts, white enamel Roma...

Grand ormolu and marble clock set by Raingo Frères and Salmson French, Late 19th Century Clock: Height 69cm, width 81cm, depth 23cm Candelabra: Height 80cm, width 34cm, depth 34cm This elegant clock set was created by Raingo Frères and Jean Jules Salmson (French, 1823–1902). Raingo Frères, founded in 1832, was famous for its astronomical clocks, one of which is now in the Windsor Castle collection. The set is complemented by bronzes from the renowned sculptor Salmson, a regular exhibitor at the Paris Salon. The garniture includes a central mantel clock and two matching eight-light candelabra, all expertly crafted from ormolu and white marble. The clock features a central column topped with a finely detailed sculptural group of bacchantes holding grapevine garlands, with cherubs draping them over large vases. The white enamel dial is framed by an acanthus ormolu mount and rests on a base with twin ormolu lion feet. The candelabra mirrors...

A mantel clock crafted from gilt and gilded brass (also known as ormolu) and red griotte marble in the eclectic style popular during the Napoleon III period. The mantel clock featur...

A beautifully executed mid-19th century mantel clock by the esteemed Ansonia Clock Company, featuring the “La Layon” model in collaboration with Royal Bonn, one of Germany’s most cel...

An exceptional quality three-piece clock set designed in a grand neoclassical style by 'Domange Rollin Rue de Bretagne Paris'. France. The set is comprised of a central clock and tw...

A fine William and Mary eight-day spring-driven table clock signed on the backplate, Isaac Lowndes Pallmall Court, c.1695. The elegantly proportioned ebony-veneered oak domed top c...

English brass skeleton clock under original glass dome with a polished steel roman numeral dial, fusee chain movement, and affixed to an oval carved wood felt base with four bun feet...

A large and impressive French Empire period gilt bronze mantel clock of exceptional quality and colour. French (possibly retailed in Italy) - Circa 1820. The finely chased and original gilt bronze case depicting Orpheus playing his lyre with an eight-day bell striking movement, outside countwheel, backplate initialled and numbered 'A C D 1516’. The dial with Roman numerals and inscribed Riccardo Pacinoti of Lavourne. It is a French movement (silk suspension) striking the hour and half hour. The case in the form of an oblong pillar cast with anthemium and cornucopia beneath a draped urn and a laurel wreath, flanked by the figure of Orpheus playing his lyre, the stepped plinth cast with wonderfully detailed underworld scenes, on leaf scroll feet. In excellent condition the clock case has been cleaned with the movement completely overhauled and serviced to the highest standard by a specialist restorer. In general 19th century French bronze clocks...

Dial signed G. Fabre, 4 rue des Filles du Calvaire, Paris Clockwork signed Samuel Marti – Médaille d’Or 1900 A Louis XVI style gilt-bronze and statuary Carrare marble clock set, consisting of a clock and a pair candelabra...

Large French marble figural mantle clock. Hippolyte Francois Moreau (1832-1927) famous for bronze statuettes of young women. Son of Jean Baptiste Moreau...

A Magnificent Large Antique French 19th Century Ormolu and Rouge Griotte marble clock set of exquisite craftsmanship. This spectacular clock set is comprising a pair of very large ni...

Magnificent midcentury French three-piece gilt bronze Ormolu garniture set. The set consists of a clock and two Six-light candelabrum in the Louis XV style with floral and Grape ...

A remarkable example of mid-1700's French horology, this Louis XV period Pendule à l’Éléphant showcases the technical mastery and playful elegance characteristic of the Rococo era in...

Vintage italy 1990s bronze 4 flame clock and candelabra

Miniature Empire Bronze Clock - Matelot Paris fire-gilded and patinated bronze early 19th century Dimensions: H x W x D: 18 x 14 x 9 cm Description: Very rare miniature of the famous Pendule Matelot "Au Bon Sauvage". The depiction deals with an important topic of the time, trade with the colonies. The rectangular base stands on pressed ball feet. Attached to the front, we see two cornucopias filled with exotic fruits and held by a bow. A young sailor, dressed in a raffia skirt and feather jewellery...

Stately, two-handed, Swiss 15 jewel, 8 day winding desk clock manufactured by Imhof for Saks Fifth Avenue- early 1960s. Polished brass, splayed cir...

The clock with laurel wreath and torch finial over a clock set in a rectangular case, bronze feet. Together with a pair of two light candelabra.

A mid 19 century French Gilt Bronze Gothic style mantel clock and garniture which the French call " A la Cathedrale". The three pieces are of finely chased and gilded bronze; the cl...

A most spectacular and high quality French 19th century Louis XVI st. patinated Bronze, Rouge Royal marble and Ormolu garniture set. This most striking garniture set consists of a ce...

Impressive three piece gilt bronze mounted Sevres robin egg porcelain clock set, center clock urn having amorial bow and quiver finial and rams head handles, body with hand painted c...

A lovely antique 19th Century French Boulle Style Mantle Clock. Recently serviced and working well, this clock features a faux tortoise shell veneer and bronze gilded accents around the entire clock. Enamel roman numerals are featured on the clock face overlaying a nicely detailed gilded face. Signed "LEPAUVRE ROUEN" on face. Some minor loss to the veneer as seen in the pictures. Some of the gilded overlay is peeling up in some minor areas as seen in the pictures. The Lepauvre Rouen enamel...

Measures: H: 25 1/2 in / 64.7 cm ; W: 22 1/4 in / 56.5 cm ; D: 9 1/2 in / 24.2 cm An exceptional quality three-piece clock set designed in a grand neoclassical. The set is compri...

This wonderful 1920s Egyptian Revival clock is surmounted with an Assyrian style lamassau (human headed winged lion) and flanked by a pair of re...

Beautiful 18th century Rococo manner gilt bronze mantel clock with elegant Sèvres style bleu / navy colored porcelain. The porcelain is very delicately hand painted with a landscape on one side of the vases and figures on a staircase on the other. Gorgeous gold details on a deep blue and jeweled background. The clock has a painting on the top with 2 ladies...

Louis XVI Gilt Bronze and Marble Mantel Clock, late 18th century, of architectural form, the pediment surmounted by an Apollo portrait bust, supporting by tapering columns, centered ...

A stunning and most impressive French 19th century Louis XVI st. Marble and Ormolu clock, by Chaumont & Languereau. This large scale clock is raised by six Ormolu toupie shaped feet ...

In the form of a putto with a wheel barrow carrying a keg mounted with a clock face topped by a crane, on a rectangular chased plinth ending in bun feet.

A superb and substantial ormolu clock from a design by the 18th century bronze founder Robert Osmond and made by the famous Compagnie des Bronze of Bruss...

Antique French Louis XVI Carrara Marble & Bronze D'Oré 3 Piece Garniture Clock Set, Circa 1890. Size 8 key. Clock: 17 1/2" H x 8 1/4" W x 6 1/4" D 2 Candlesticks: 14" H x 8" W x 3 3/...

Louis XVI Style Ormolu and Alabaster Portico Mantel Clock, late 19th century, the circular enamel dial, with strike on bell movement, surmounted by an urn and supported by four flute...

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

A very fine and most attractive 19th century French Louis XV Rococo Style ormolu and porcelain mantle clock, modelled as an urn with floral finial and goat head masks to the sides, o...

The mantel clock with a seated putto and birdcage. Maker: Alfred-Emmanuel Beurdeley (French, 1847-1919) Origin: French Date: 19th century Dimension: 26 in. x 13 1/2 in.

French mantel clock "Astronomy" Paris Bronze, marble Mid 19th century Dimensions: H x W x D: 38 x 55 x 16 cm Description: A Louis XVI-style figural mantel clock mounted on a two-t...

A very important French gilt bronze and Rouge marble figural mantel clock by Japy Frères Movement: Japy Frères (1806-1930) Origin: French Date: 19th century Dimension: 30 3/4 i...

A superb late-19th century porcelain mantel clock, titled “La Manche”, created by the renowned Ansonia Clock Company in collaboration with Royal Bonn of Germany—famed for their exqu...

The beautiful set by Esdeve - Sarreguemines features a lovely pink French Majolica dresser mantel clock and a matching pair of pink floral garniture vases. It features an Art Nouveau...

A fine quality monumental gilt bronze three-piece clock garniture. Comprising a fine quality large gilt bronze eight-arm figural rococo candelabra a...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Good size and wonderful quality, heavy bronze clock. This late 19th century work of time telling art is in very good condition and the design is both elegant and stylish. We have cl...

An elegant table clock made of polished green veined onyx with broad gilded bronze indices, manufactured by the renowned Swiss manufacturer Imhof in the 1930s.

Antique portal clock France marble, bronze, enamel Directoire around 1800 Dimensions: H x W x D: 46 x 28 x 14 cm Description: Antique portal c...

This extremely rare swinging portico clock by Béchot Paris, in an ormolu case of exquisite quality, finely cast and gilded with its original burnished and chased finish, this clock i...

Elegant antique clock garniture set, crafted from striking pink-veined marble and adorned with ornate gilded bronze details. This exquisite...

An exquisite 19th century French gilt bronze and hand painted jeweled Sevres Porcelain clock set. Fine gilt bronze and hand painted jeweled...

A sophisticated Napoleon III Sèvres Porcelain mounted ormolu clock set by Grohé Paris with ram’s mask mounted ovoid clock case supported by twin putti terms on a shaped base set with...

A fine quality late 19th Century German, Meissen porcelain clock on stand, having wonderful bold traditional colours, the figures representing the four seasons. The clock striking on...

A magnificent and high quality French 19th century Louis XVI st. Sévres Porcelain, patinated Bronze and Ormolu garniture set. This stunning set consisting of a central clock and two ...

Louis XVI style gilt bronze and white marble figural mantel clock Origin: French Date: circa 19th century Size: 26-1/2 in x 19 in x 10-1/4 in.  

A gold, antique French table clock, pendulum made of hand crafted fire-gilded bronze, in good condition. The circular enamel dial of the Pa...

Neoclassical mantel clock composed of patinated and fire-gilded bronze with white marble. The movement is positioned on the right, finely chiseled and adorned with laurel appliqués. ...

Black Forest Swiss carved mantle clock with elaborate design. Featuring a chamois buck and doe on finial on top of rock formation. Lower, there are three grouse, a rabbit and varmint...

A fine French gilt-bronze and porcelain clockset with figural group and porcelain flowers. The figural group modeled as 18th century lovers, the woman carrying a lamb, a dog besid...

Antique 19th Century French Empire style ormolu bronze mantle clock. The foliate surround gilt dial, Inside with eight day movement with strike on bell. The top mounted with a figure...

Immerse yourself in the opulence of the 19th century with this exceptional French Bronze and Black Marble Figural Mantel Clock. Crafted with meticulous artistry, this clock stands as a testament to an era where beauty, design, and function converged in breathtaking harmony. The distinguished bronze and black marble case...