European Clocks

An English George III period Chinoiserie parcel gilt and japanned tall case clock from the 18th century, with black paint and arched brass di...

Lunar clock in pure crystal glass paste made in France in 2018. Clock showing moon age, also shows moon sunsets and sunrises. Major world cities are plan...

Wooden clock face and brass clock hands and index. Fitted with a battery movement. Made in Germany in the 1950s.

German Art Deco wood round wall clock by Kienzle International, 1920s Wall clock in wood. The round quadrant has a beige background with black numbers, black hands and a glass closur...

Swedish mora grandfather clocks are noted by their gentle curves and classic style as seen in this tall and slender long case clock with simple lines and curvaceous skirt. The origin...

This stunning 19th-century French gilt bronze mantel clock is a true testament to craftsmanship and timeless design. Featuring intricate Gothic cathedral-inspired detailing, this clo...

Antique Victorian quality brass carriage clock having bevelled edged glass panels, white enamel dial with Roman numerals, original hands, 8 day movement and a shaped carrying handle ...

A lovely, solid bronze mantel clock depicting Ariadne and the Panther, after the famous sculpture by Johann Heinrich Dannecker (1758-1841). Here the princess Ariadne, wife of Dionysi...

A very fine and large Early 18th Century French Louis XV period corne verte (green horn) and ormolu mounted cartel or wall clock. The impressive cartel rests on its original socle - wall mounted base. Signed on the original white enamel dial with hand painted Roman numerals within a hand blown glass door with ormolu trim and decorated with ornate bronze. Impressively chiseled or ciselé work throughout. Original gilding throughout, exquisite patina. The wonderful gilt bronze case is signed by the highly respected maitre ebeniste and clockmaker, A. Gosselin from Paris. It is surrounded by flowers and foliage. Antoine Gosselin ‘A. Gosselin’ (Antoine Gosselin 1731-1794, Paris, master in 1752). Antoine Gosselin who worked actively under Louis XV until the Revolution and was established in rue du Faubourg-Saint-Antoine, in Paris. He hand crafted magnificent pieces that were at the time only reserved for the King. Clock is in very good antique condition and functions, but may need to be serviced again after shipping just as all clocks do. The ormolu Chinoiserie...

Superb 18th century oak floor clock from the city of namurNamur (belgium) Very beautiful finely carved clock in superb condition with its original mechanism Very beautiful dial of ...

Brass construction with glass front. Battery movement.

A fine early 19th century French Horloge De Parquet, or tall case clock, from Provence made of solid walnut. The case is in three parts with paneled sides and beautiful hand carvings...

Black glass fiber double-ring wall clock that contains the walnut case and clock hands in the center. The whole set is grouped and fastened by a support with two rods and support to the wall that serve to indicate two time points. ¯66 cm. mini version of the famous Barcelona clock. This wall clock that Nomon offers us is a very original accessory that is ideal for design houses since it has a style that makes it a unique piece by perfectly combining with the various types of modern decoration that exist today. It is the mini version of the classic Barcelona clock by Nomon so it has a circumference measuring 66 centimeters standing out among the modern wall clocks that can be installed in medium or small rooms where it usually stands out for the elegant and sophisticated design that characterizes it. The structure of this designer clock...

A desk clock designed by Cartier. An impressive and beautiful desk clock, created in Paris France by the house of Cartier, during the art deco period, back in the 1920. This stunning rare piece has been designed with Chinoiserie patterns and carefully crafted up with parts in yellow gold of 18 karats and carved nephrite green jadeite jade. Accented with applications of navy blue enamel and fitted on top, with a hinged retractable handle. The movement is mechanical It is accompanied with the associated original key for the winding. The dial is silver with guilloche, Roman numerals with gold hands and inscribed, Cartier. Weight: 320.95 Grams, (205.74 Dwt). Measurements: 69 mm by 31 mm by 78 mm (2.72 x 1.22 x 3.07 Inches). Hallmarks: Stamped with French marks, five times with the head of the eagle for the assay and guaranty of the gold, two times with the maker's mark JM inside of a lozange cartouche and signed on the reverse, "CARTIER 1649". Literature: Olivier Bachet & Alain Cartier, Cartier Exceptional...

PICO ø40cm Avant-garde design with a nordic air, which combines walnut wood or oak finished wood with black and white colours. Available in Black and Walnut, white and O...

Wonderful polychrome 19th century Swedish tall case clock with central urn with swags, Roman numeral dial, brass works and waist door with circular window. Very good overall conditio...

19th century Folk Art tall case clock from Luleå Norrbotten, Northern Sweden. Made in wood. Nice details and beautiful carvings. Beautiful handpainted flowers on the front. The M...

Impressive three piece gilt bronze mounted Sevres robin egg porcelain clock set, center clock urn having amorial bow and quiver finial and rams head handles, body with hand painted c...

Set of early 20th century Art Déco black marble desk clock and inkwells with base, France By: unknown Material: crystal, glass, marble, stone, metal Technique: cast, metalwork, mold...

A Very Fine French 19th Century Louis XVI style ormolu-mounted amaranth, tulipwood, sycamore and parquetry pedestal "Régulateur de Parquet" Clock, after the model attributed to Jean-...

A 19th century Louis XV style French cast bronze mantel clock. Fine casting with lots of sculptural details: floral open work front, a bow and quiver with rose garland, large scrolli...

Fine antique George lll all original longcase clock signed Charles Shuckburgh of London having a brass arched dial, silvered chapter ring, subsidiary dial, original hands, 8 day move...

Mocap (white-black) Illusionistic wall clock Design: Jan Paul “Time is an illusion” Most wall-clocks have the same basic shape: round. Also t...

Louis XVI style garniture set. Torch and quiver design is centered at Bottom of the clock. A hand painted garden scene is presented at the Lower portion of the clock and a beautifu...

Intricate, painstaking detail is featured in this rare and magnificent, hand-carved, Black Forest chalet clock, which has professionally restored woodwork...

A charming antique French wall clock by the famous maker Japy Freres. Beautifully modelled with leafy scrolls and flowers and painted with gold lacquer with the flowers picked out in...

An antique oak and mahogany grandfather clock by W Prior Skipton with a swan-neck pediment with an attractively decorative arched painted dial with date and seconds dial. It has a 30...

Portuguese wall clock, Art Deco. With straight lines and gentle curves, the frame is made of varnished wood, with a rectangular shape and slightly arched top. The dial is white with...

Belle epoque desk clock designed by Cartier. An impressive and magnificent "mignonette" desk clock, created in Paris France by the house of Cartier, during the Edwardian Belle Epoque period, back in the 1905. This stunning piece is very rare and has been designed with neoclassic French patterns and carefully crafted with parts made up in yellow gold of 18 karats, silver and platinum. It is mounted with four spherical parts, carved from green chrysoprase. The five sides are embellished with applications of vivid purple enamel over a sunburst and linear guilloche ground and the borders are accented with a linear frame of white champleve enamel. Fitted in the reverse with a system to open and close the three winding parts to manipulate. Movement: Mechanical 8 days, key winding and It is accompanied with the associated original key. Dial: White ceramic, with Arabic black numerals, with gold indexes batons for the seconds and gold hands with juxtaposed circles ending on arrowhead, inscribed, Cartier Paris-London. Diamonds: The platinum part on top is mount, with 60 calibrated Old European rose cuts diamonds, 0.30 carats, F color, VS-1 clarity Chrysoprase: Mounted with screws on the base, with 4 four spherical cabochon cuts carved from natural translucent green chrysoprase with a weight of 8 carats. Weight: 272.8 Grams, (174.87 Dwt). Measurements: 69 mm by 50 mm by 37 mm (2.72 x 1.97 x 1.46 Inches). Hallmarks: Stamped with French marks, the mark of the boar for the silver and the gold assay and warranty, the maker's mark for Eugène Bako inside a lozenge cartouche, the case numbers, the Cartier serial numbers and signed at the bottom, "CARTIER LONDON PARIS 2027,11290,11453,21". Literature: Olivier Bachet & Alain Cartier, Cartier Exceptional objects, Palais Royal 2021, Volume 1, Pp-117 and 128, for two similar Illustrated, see figures. Comparative Literature: Hans Nadelhoffer, Cartier, Jewelers Extraordinary, London, 1984, pl.18 Barracca, Negretti & Nencini, Le Temps de Cartier, Milan, 1989, p.34 A Cartier carriage clock of very closely related design was sold Antiquorum Geneva, The Magical Art of Cartier, 19 November 1996, lot 36 (illustrated in its travel case in Nadelhoffer). The dial design may be compared with other Cartier desk clocks of this period illustrated in Barracca et al. Publications: Published in the Vogue Art...

The clock movement with a fresh battery has been running, however it may need to be serviced, it is quite loud. The manual timer is in working order. For reference an example was auc...

This magnificent Louis XV-style pendulum clock from the mid-19th century features elaborate Boulle marquetry and fire-gilded bronze appliqués in the form of rocaille, shell decoratio...

Suitcase luxury watch black covered with black cowhide leather sheathing, box with details and finishings in polished nickel-plated brass. Upholstery and ...

A fine quality Louis XVI style bronze ormolu mantel clock. The case is made of gilt brass and bronze ormolu casted ornaments, Roman numerals in white enameled cartouches. On top of t...

Hand-picked by buyers at Ann-Morris Inc.

Clock and aneroid barometer in walnut made circa 1960. The aneroid barometer (or holosteric barometer) was developed by the Frenchman Lucien Vidie who filed a patent for it in 1844 ...

Splendid wall clock set in an elegant opening wooden case, with carved frame and golden tablet. The internal finishes of the clock are also in golden tablet and brass. The decoration...

Beautiful solid brass gold gilt desk clock by Omega from the 1960's. The clock comes with the original and good working 8-day movement, the dial is signed with Omega. Backside the Re...

An very fine quality burr walnut longcase clock from the Quenn Anne period with exceptionally well patinated case. With moulded stepped cornice above a fretwork border and silvered d...

An Italian Baroque style Table Clock, it is made of embossed sheet silver with typical Baroque style swirls. Cast details decorate its four...

A beautiful and decorative Mid-Century Modernist solid brass Kienzle desk or table clock with a world map clocks face and world time zones. Executed in the 1960s by Kienzle in Wester...

EMPIRE ORMOLU BRONZE FIGURAL MANTEL CLOCK OF CERES, GODDESS OF AGRICULTURE Movement by Etienne Tavernier; France, circa 1815 Item # 104HWG22Z A fine Empire period mantel clock with bun feet raising a rectangular base with a central portrait of Bacchus flanked by exquisitely chiseled motif of swirling foliage surmounted by a figure of the goddess Ceres grasping in her lowered hand a wreath woven with foliage and berries while in her garment she collects a bountiful harvest; she rests beside the clock tower with a framed lens opening to access the white enamel dial with black Roman numerals inscribed Etn. Tavernier set with Breguet style hands, raising an urn filled with fruits of the soil; against the tower rest the implements of labor, a shovel and flat rake. The movement is engraved "B". A significant clock movement maker, Etienne Tavernier (French, 1756-1839) is listed in Tardy's horology reference as working closely with the house of Abraham-Louis Breguet as well as providing clock movements...

A magnificent Louis XV style French gilt bronze elephant clock, signed by Barreau F. de Bronzes, dating to the 19th century. This highly decorative timepiece exemplifies the elegance...

A 21st Century German Franz Hermle Mantel Clock in DeArt Italian Fine Marquetry and Ormolu Case in new open box condition. Clock made in Germany by the historic, very famous Franz Hermle clock...

Ø80cm clock composed of a walnut wood hour hand and a fiberglass minute hand on top of a metal ring. Contemporary design and great visual impact. Chromed metal details, white fi...

Magnificent midcentury French three-piece gilt bronze Ormolu garniture set. The set consists of a clock and two Six-light candelabrum in the Louis XV style with floral and Grape ...

Northern Swedish classic Rococo long case clock from the first half of the 19th century, circa 1820-1830. The clock has a good size and the clas...

A CARTIER 'PASHA' DUAL TIME ZONE CALENDAR DESK CLOCK WITH MOON PHASE, CIRCA 1995 jewelled quartz movement, frosted silver signed dial with subsidiary dials for the day, date and seco...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Marble and gilt bronze clock with mythological decor, 19th century, Napoleon III period. A 19th century Napoleon III period clock in marble and gilt bronze with a mythological theme...

Swedish antique clock cabinet made during the early to mid 1800s, circa 1820 to 1840. The cabinet is veneered and waxed elm. The lower cabinet is...

Rare calendermeto travel clock designed by Movado. Beautiful and very rare calendermeto travel purse clock, created in Switzerland by the Movado Clock Factories, back in the 1948-1954. Crafted in stainless steel and leather with the purpose to use in desks, travels, in the pocket or a purse. Patented Ermeto winding device by means of the sliding case, with all original parts. The Movado Ermeto watch...

A carved crest of a basket with flowers crowns this heavily carved oak case clock, c. mid 1800’s. A glazed-panel door just below the crest is flanked by sides with pierced half-moon...

A 19th century Country French comtoise, or grandfather clock, with polychrome painted pine case and embossed brass pendulum. Seven day Morbier movement, professionally cleaned and in...

Huge English Illuminated advertising clock by Smiths of London “Time stands still for no one” as the saying goes. A colossal example of an Illuminated advertising clock by Smiths ...

A Louis Philippe Gilt-Bronze 'Reims Cathedral' Musical Mantel Clock, The Clock Movement By J. Charles, Paris. The Musical Movement By Martinet & Benoit, Geneva. Modelled as the We...

Large Cartel Clock signed Joffroy of Besançon (clockmaker active around 1760) and Balthazar Lieutaud (ébéniste, 1720–1780) with an enameled dial featuring Roman numerals for the hour...

this design was the biggest success in the history of chopard. designer ronald kurowski was inspired by water droplets sparkling in the sunshine at a waterfall and decided to design ...

Antique George III quality brass face oak longcase clock by William Lister having a quality oak case with an arched top, two turned columns, ...

This is a late 19th century gingerbread mantle clock. The clock is from the Eastlake period. The face of the clock is white porcelain. The clock is nicely carved and has brass accents.

For your consideration is this rare Smith mystery clock made by Smith's Electronic Clocks . The chrome case was moulded in aluminium. The glass has black numerals on a square silver ...