Desk Accessories

A lovely pair of bookends. The base is made of marble, with deer statues on top. These are made of spelter, patinated in a bronze color. The figurines are marked 'TEDD'. The set is ...

An Art Deco letter holder with a bronze stork head over a marble base. The beak opening to act as a letter holder. Dimensions: H 5.5cm W 14c...

German designer, complete writing set with inkwell, letter holder, wax seal and a letter knife. Approx. 1930/40s. In excellent condition. Letter knife with small chip. A glass in...

An inkwell, a mail buffer and a pad with ink blotting paper. Manufactured in France during 1930's. Made of Italian Portoro marble and chrome plated steel. In ...

Unusual, fun, pair of art deco, marble and bronze, mouse, sculpture bookends. One mouse is absorbed acquiring knowledge reading a book and the other is curiously looking towards the...

A wooden mannequin head, probably a toupe stand, with good color and a well-carved idiosyncratic and compelling face, having laconic eyes and with what ...

A very elegant desk set in art deco probably from 1930s or earlier. The desk set is made of patinated brass and consists of two parts. An ink stand with pen stand and a rocker blotter...

An exceptional, fine and impressive vintage cast English sterling silver paperweight/model of a pig; part of our animal related silverware collection. This exceptional, fine and impressive vintage sterling silver pig ornament/paper weight has been realistically modelled in the form of a whimsical pig, sat waving. This cast silver ornament has been embellished with details reproducing the fine features of the pig's skin and anatomical features. This exceptional and comical model is fitted with a leatherette covering to the underside. This impressive example of vintage silverware...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

GAB Sweden, a writing set in bronze consisting of an inkwell, letter knife, letter holder, seal and inkwell. Art Deco approx. 1930. In excellent condition with good patina. Seal w...

Art Deco desk set with ink wells & calendar. Modernist design with glass base and streamlined metal with black vitrolite glass tops for the ink wells...

Empire style 800 silver inkstand The base of the inkstand, completely handmade, is shaped like a "cathedral". The classic "palmettes" of the Empire style have been chiseled around i...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Salviati & C Measures: Violet : 33 long x 10 high x 5.5 depth Green: 30 long x 9 high x 5.5 depth The lawyer Antonio Salviati and his dream In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass. An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades. A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters. The first successes and international investments The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula. The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel. The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano. The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati “Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275. “Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311 The fundamental role of training in murano glass Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”. Together with the art school, a free school was also set up to teach all employees to read and write. Diversification in production and made-to-measure projects In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years. Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality. The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world. The Salviati legacy at the turn of the century On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries. The post-war years, biennials and lighting After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934. Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances. The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today. The great lighting projects The larger production area allowed the company to further expand the international market in the field of architectural lighting. A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller. The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones. Salviati from the modern age to the present The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari. In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti. In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company. Since 2015 the company returned to be Venetian with the acquisition by the Umana group. Salviati and its designers Salviati’s designers: Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...

This collection of lucite jewel toned sculptures in orange, red, sapphire blue and purple are two pyramids and one abstract form. They glisten with gorgeous colors and make a great s...

A wonderful little toast rack which would look equally impressive on a smart desk-top to organise small papers, business cards etc. Made from solid Engli...

A set of four ceramic hand painted Moroccan coasters or tiles featuring lovely geometrical design. Dimensions: 4" W x 4" D x 0.5" H.   

Art Deco woman's cosmetic face powder box. This petite wooden box has it's original label on top reading Blue De Dorin; a well known French toiletry company. The vanity box is sweet and simply elegant sitting on display in a boudoir or bathroom. Add this little treasure...

Beautiful set of Hermès place card holders. Hermès stamped on the slide-out base which supports the cube. Center has a strong spring loaded c...

An exceptional, fine and impressive antique George V English sterling silver and glass inkwell made by Walker and Hall, part of our antique silver and glassware collection. This exceptional antique George V English sterling silver inkwell has a hexagonal shaped, waisted form. The shaped surface of this impressive antique inkwell is plain and unembellished, with applied iconic Art Deco style tiered designs to the either side of the base. The elevated anterior edge of the base composes a pen receiver. This Walker and Hall inkwell is fitted with an impressive flat topped hinged hallmarked sterling silver cover. The cover opens to reveal a sunken well and removable glass ink liner. The underside of the inkwell is fitted with the original wood base. Condition This antique Walker...

Art Deco desk set in black leather, brass and glass. The leather with contrast saddle stitching is handcrafted and exquisitely done using brass elements that give the set a luxuriou...

Art Deco Belgium black marble desk set This 3-piece desk consists of an inkwell (with the original brass insert) Penn holder and a rocker blotter. S...

A real statement piece! An Art Deco malachite with brass three pen holder. France, circa 1930s.

A 1930s bronze plaque of a woman in profile by the German sculptor Artur Imanuel Loewental mounted on a mahogany board with stand. Diameter of bronze 7 inches - 17 cm. Marked: A.LOEWENTAL.F. Artur Immanuel Loewental (1879-1964) was a sculptor who created medals of eminent people in Austria, Germany and Britain. well-known for his series of World War I German commemorative medals...

1990s telephone made of LEGO by Tyco.

Classic 1930s black forest Brienz wood carved inkwell in form of a Scotty Dog. Nice addition to your room or just for use it on your desk. Made of hand carved wood and glass eyes. Th...

Desk bell in sterling silver. The bell is smooth with beaded decorations both on the body and on the knob. The body is perforated to make the bell sound (br...

A rare 1930's Bucherer pencil watch. It was made by Bucherer for a few different firms including Rolex. This version is in a gold filed case I assume as it is not hallmarked. The watch works and has been keeping pretty good time. Dial is marked C. Bucherer Lucerne...

Small table clock made of beautiful dark walnut wood and silver chrome-plated brass. Clock face is wood with inserted beams and dots to show the ti...

Pair of multi-coloured solid marble bookends. The height and length are 14.5 x 15.5 cm. the depth is 10.5 cm. The items are in good condition and together weigh 4.8 Kg.

Beautiful 20th century silver plate pocket emptier. Refined finely chiseled decorations. Perfect for embellishing a desk with class.

Antique Metal Inkwell, Painted Inkstand, Germany 1930, H301 Germany 1930 Metal German Inkwell Stand With Carving To The Front Lift Up Lid With...

Antique Metal Inkwell, Painted Inkstand, Germany 1930, H300 Germany 1930 Metal German Inkwell Stand With Carved Oval Face Having A Pen Rest Li...

Beautiful pair of flying fish bookends in brass, 1930s. These two are beautiful sculptures on their own. Gilt and patina coexist in each of these pieces adding an element of movement...

2 Modern Swedish Åhus glass paperweights. The signed paperweights are frosted glass with colorful interior and frosted glass surface. The larger pie...

Very nice set of Tiffany Studios New York bronze blotter ends # 994. They have a great patina! They are circa 1902-1910. They measure 1/4" high x 12 1/4...

Wonderful desk relic from a Bostonian Tailor.

This amazing and intricate carved wood box sculpture that stands tabletop is signed and dated. The signature is not terribly legible but is dated 1996. It is in the style of Louise Nevelson. The box opens to geometric and raised forms that are dimensional. It bridges Folk Art, Tramp Art and modern art all in one. As you can see from the photos it folds up like a small suitcase...

One 1930s Danish Art Deco pewter elephant bookend by sculptor, Just Andersen.

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Original and important desk set in polished black marble; the massive inkwell with an elongated octagonal shape, has a container with a hinged lid that echoes the shape of the top, inside there are two cylindrical housings for glass ink containers (one of which is missing); on the plan has been created a seat for a pen; the part below the inkwell is rough, not polished and there are applied four circular feet in black wood; the ticket holders have a rectangular base with three metal supports to support tickets or envelopes, finally we find the pad with ink blotting paper. It was handcrafted in France between 1930 and 1933 when the Art Deco movement was at its peak; our desk set features classic, symmetrical shapes and sharp geometries reflecting the energetic and compact style of Art Deco. The thing that makes it precious and fascinating is the material with which it was made: it is Portoro (or Portovenere) marble, one of the most valuable qualities of Italian marble. This material has an ancient and compelling history that links it to the Etruscan civilization present in Luni, in the province of La Spezia (Italy), still today its only place of extraction. The Etruscans and then the Romans loved it immensely for its decorative aspect and for those celebratory golden veins, due to the oxidation of the organic substance present in the mixture, so perfect for objects of art and furnishings that over the centuries have embellished homes and brought prestige to kings and emperors. Portoro is one of the most beautiful of polychrome marbles; the highly prized Italian stone has an intense, brilliant black color with golden veins ranging from deep yellow to honey-colored; the uniqueness of its appearance makes it a unique marble, irreplaceable as an ornamental material. There is no similar stone that is as distinctive and as luxuriously sophisticated. Portoro is a true work of art of nature, in front of which it is easy to be enchanted. As we have said, the outcrops of Portoro that are exploited for extraction are present exclusively in the province of La Spezia and extend in particular from the islands of Tinetto, Tino, and Palmaria towards Portovenere. The current number of quarries is very limited compared to the last century and the blocks are obtained inside large chambers whose vault is supported by pillars to avoid the impact on the landscape (see photo). At the beginning of the nineteenth century, the export in Europe developed, first to France, Belgium, and Switzerland to embellish palaces and castles such as those of Versailles, Marly, and Compiegne, then to the United States of America: the great projection room of Paramount is completely covered with the so-called "Black and Gold Marble", as Portoro marble is often called in English-speaking countries. Our set is a simple and charming set that by virtue of its extreme elegance and its strong and decisive line, makes it pleasantly placed on any desk or desk. The items are in good condition, you can see a small superficial crack on the unpolished part below the top (see photo), also missing a glass container for ink. Measures inkwell width cm.35, depth cm.21, height cm.10; ticket holder width cm.15, depth cm.8, height cm.12; ink pad...

Beautiful Black Forest style hand-carved wooden double inkwell with a majestic owl figure sitting on two books. The owl has glass eyes, and the Stand has a tray for pen and accessori...

Art glass sculpture by Johnathon Schmuck. Signed "Schmuck '93." This piece can be displayed in two different positions. Johnathon Schmuck attended the Canberra School of Art, in Aust...

- made in Czechoslovakia - made of metal - re-polished . fully functional - good, original condition.

A stunning group of vintage signed Marta Marzotto murano glass cactuses circa 1990 just arrived at Maison Nurita. Entirely handblown in glass, thes...

Just Andersen of Denmark bronze bust of a Fano Danish Girl designed by Carl Emil Ruge A lovely innocent face makes this piece absolutely charming Superb dark...

Gucci desk paperweight from the 1980s, this elegant piece is based on an anthrazite metal base and an acrylic stand, attributed to Tom Ford.

A hand mirror in pewter designed in Sweden but not marked, it is in a beautiful Art Deco style from the 1930-1940´s. It is 15 cm in diameter and in very ...

A '90s Postmodern black and brown polished marble stone desk pen pencil holder, circa 1990s. Dimensions: 2.5" square x 4.19" height. Matching...

A stunning green onyx and brushed nickel desk set. The set features to recessed areas in the onyx base -- one for paper clips and another for pens. Two nickel and bakalite pen holder...

Two beautiful and desirable vintage desk pieces by the most famous luxury brand, the crocodile skin still has its original sheen and is in very good condition. Both pieces have st...

Original German-made spittoon from the 1930s, signed bwo at the base, in white enamelled metal with removable lid It measures 20 cm in diameter by 8 cm in height, in vintage condi...

- Made in Czechoslovakia - Made of glazed ceramic - maker: Ditmar Urbach - Good, original condition.

Antique double inkstand, carved wood and antlers, Middle Eastern 1930, H564 Middle Eastern Wood + horn Wooden base with bun feet Having two glass inkwells with wooden tops Two antle...

Shocking pink paperweight Tapio Wirkkala style controlled bubble art glass decorative egg design signed 1990 Unable to read signature Attributed to ...

Vintage Notre Dame De Lorette copper double inkwell, France 1930, H556 France 1930 Copper + Glass Central Monument Pair of pictured lids with glas...

Elegant Gucci display in brown Lucite and golden metal stand.

An exquisite retired Swarovski crystal daisy flowers arrangement designed by Michael Stamey. The figurine was part of the “Secret Garden theme” and featu...

This original Postmodern Michael Graves chess set with checkers pieces has been fully restored with the wood which is 2 variants of maple. The wood was redone and new felt was put on the bottom. The resin players are a composition. It has velvet storage compartments inside for the players when you wish to use the checkers game part. Michael Graves was a Memphis Group designer and a member of the New York Five...