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Abstract Marble Sculpture by Scott Donadio

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Abstract Marble Sculpture
Located in Dallas, TX
Solid 'Aurora marble' abstract direct carved sculpture from the estate of a private collector in the Florida Keys. This sensual form is attached to...
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Late 20th Century American Modern Sculptures

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Marble

Abstract Sculpture, Marble
Located in Madrid, ES
Abstraction. Marble sculpture. Abstract sculpture is non-figurative, it is based on three-dimensionality and relies on texture and geometric shapes, with color as the protagonist ...
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20th Century European Other Abstract Sculptures

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Abstract Marble Sculpture by Jan Keustermans
Located in Vlimmeren, BE
This abstract sculpture in Portuguese marble was sculpted ‘en taille directe’ by the Belgian artist Jan Keustermans. The soft pink veins of the Portuguese marble are beautiful. The sculpture is not signed. It is a unique piece, one of his most recent work. It is the first time that Jan Keustermans and his family offer a selection of sculptures, directly from the artist’s atelier. Jan Alfons Keustermans (°1940) is a Belgian sculptor, medalist and draftsman. He studied at the National Higher Institute of Fine Arts in Antwerp and until 2000 he was director of the Municipal Academy of Fine Arts in Turnhout. He has won several art prizes for sculpture and participated in group exhibitions in Belgium and abroad. He has created more than 850 works. In 1994, he won the Ministry of Finance’s competition for a portrait of King Albert II on the Belgian currency. In 1997 he designed a similar version for the euro coin. Keustermans’ work evolved from figurative to completely abstract. He describes the abstract works as ‘memorial...
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Early 2000s Belgian Modern Abstract Sculptures

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Marble

Contemporary Abstract Welded Steel Sculpture by Scott Gordon (Ramp, 2014)
By Scott Gordon
Located in Sharon, VT
Ramp steel Measures: 6 x 8 x 42 in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...
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21st Century and Contemporary American Abstract Sculptures

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Steel

Contemporary Abstract Mixed Media Sculpture by Scott Gordon (Bird I, 2009)
By Scott Gordon
Located in Sharon, VT
Bird I wood, steel, carpenter’s level, bronze 12 x 8 x 31 in Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and ...
Category

21st Century and Contemporary American Abstract Sculptures

Materials

Steel

Contemporary Abstract Welded Steel Sculpture by Scott Gordon (Shaman, 2010)
By Scott Gordon
Located in Sharon, VT
Shaman steel, found objects 20 x 6 x 20.5 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Bio Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...
Category

21st Century and Contemporary American Abstract Sculptures

Materials

Steel

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