Damien Hirst, Magnificent 7, Produced 2000. Gagosian Gallery Ed, Signed/Numbered

Taro Okamoto, artist (Japan) Tower of the Sun’ ceramic face wall plaque, for Expo ’70 world fair in Osaka japan, 1970. Cast, glazed ceramic. Due to th...

Alison wilding Ceramic sculpture, 1999 Produced by Royal Doulton, 2000 Porcelain Imprinted stamp 'AW 2000 Royal Doulton' A usable table object, o...

Geoffrey Harcourt, UK (designer) Artifort, The Netherlands (manufacturer) Chair 130 - 'RCA' Chair - designed 1960 Curved, veneered plywood, cast aluminium swivel base. Geoffrey Har...

Raymond Loewy and Richard Latham for Rosenthal, 1954 ‘Form 2000’ Coffee Pot A lovely example of this design classic White ceramic with gold edging Exce...

Loet Vanderveen (Dutch, 1921-2015). Artistic African Antelope bronze wildlife animal sculpture. Original Loet Vanderveen bronze Ibex or gazelle sculpture in Charcoal patina finish. L...

A very handsome and engaging circa early 2000s signed and numbered Brutalist cast bronze sculpture of a puma by world renowned San Francisco Bay Area sculptor and painter Bruce Hasson (b. 1954). The big cat—deemed a puma based on its similarity to the one in a titled sculpture from his "Plight of the Animals" series, but conceivably a mountain lion, panther, or particularly healthy domestic feline–lounges languidly upon a rectangular platform. A big paw hangs over the front, while a long tail extends well past the back, giving the sculpture wonderful dimensionality. As relaxed as its body looks, though, its eyes remain alert and sharply focused. Brutalist/Expressionist work displays fantastic and loose natural texture and character from top to bottom, having been initially crafted in clay of small built-up applied pieces. Calls to mind the works of Alberto and Diego Giacometti—both inspirations to Hasson—and especially the latter, whose work features many similarly executed animals. Verdigris finish is a fantastic shade of bluish-green, with hints of natural bronze intentionally peeking through in spots and adding to the depth of color. Numbered and signed “© 1/50 Hasson” in the artist’s hand in the casting on the side of the platform. The piece came to us untitled, and our research uncovered no other matching examples. We’ve dated it based on examples of his work that bear a similar theme and aesthetic; however, it could be from as early as the mid-to-late-1980s, another period during which he produced cast bronze animals. Dimensions listed are overall; platform is H 1.75 x W 9.5 x D 4.5. Single piece casting weighs a substantial 16 pounds. Bruce Hasson lives and works in the San Francisco Bay Area, and studied at the University of California-Santa Cruz before continuing at the Accademia di Belle Arti in Florence, Italy, and the Accademia Carrara in Bergamo, Italy. He draws his influences from a broad spectrum that includes artists and designers such as Naum Gabo, David Smith, and Isamu Noguchi, as well as early Latin American and Etruscan cultures. Per Berenson Fine Art: “After 1989, he has spent much time in Latin America, including Peru, where Machu Picchu made an indelible impression. He places great value in the sculpture of the Aztecs as well as the Incas. The Archaic Etruscan style, in all its primitive crudeness, beautiful simplicity and realism has also been a significant influence in the artwork of Bruce Hasson over the last 35 years.” Through the years, Hasson’s sculptures have often conveyed strong themes of peace, disarmament, and the conservation of nature. His 1,700 pound “Millenia Bell” was first installed at the Campidoglio in Rome during the 2000 Nobel Peace Prize Conference as a monument to human survival, and was struck by Soviet Union President Mikhail Gorbachev during its dedication. Notable public works in San Francisco by the artist include “The Ark” in Father Alfred E. Boeddeker Park, a powerful 1985 bronze drawing attention to the preservation of endangered animals and their natural habitats; and 1989’s “Trolleys” at the Polk-Bush Garage, 56 cast aluminum balustrades and a balcony based on the human form and transportation, and part of the San Francisco Arts Commission Collection. Across the bay at Berkeley City Hall you’ll find Hasson’s 2002 “Peace Bell...

Beautiful expression and sense of movement and alertness in this "Gray Owl" sculpture by Elaine Franz Witten, Vermont. Attention to detail abound. Wise one perched on a slab of grani...

Superb diorama sculpture by Serge Mansau simulating a freeze-frame on a vintage television set. On the outside of the thermoformed glass, at the cent...