Shelomo Selinger (1928): Anthopomorphic striaght carved sculpture

Shiv Singh (1938-2015) Sculpture abstraite - 1975 Un seul fil de fer enroulés, monté sur une base carrée en bois noir. / Rolled up onepolishe...

Miguel Ortiz Berrocal (1933-2006, Spain): "Eros" Perfume bottle in its original box topped with a sculpture of a male bust with an antique green patina, and 24-carat gold plated fo...

Jean-Michel Garino (1962- , France) : "Gorilla" Head of a gorilla made by hand carving in French-Italian black marble from the valley of La Roya Unique piece circa 2000 Dimensions...

Robert Fachard (1921-201, France) : "Abstraction" Abstract welded and patinated bronze sculpture Unique piece Signed : "RF", monogram of the artist Circa 1970-75, France Dimens...

A tall and arresting Hand-Carved wood Sculpture of of an inverted woman. Strongly carved with only acceptable age-related wear including some stable checking to the wood. Signed on b...

This early 20th-century hand-carved teak sculpture has a gorgeous patina and wood grain, showing off its rich character. Set on a metal stand, it’s a timeless piece that blends rusti...

Interesting carved soapstone Modernist sculpture.

J. CLINTON SHEPHERD United States, 1888-1975 "The Desert Rat" (1928) Patinated bronze signed "(c) 1928 J. CLINTON SHEPHERD", cold stamped "GORHAM CO FOUNDERS QGCB" Item # 405KOB04A An exceedingly rare cast of J. Clinton Shepherd's study of a Western miner and his pack mule titled "The Desert Rat", it features a tired old-timer with his worn and weathered features trodding along with his pickaxe resting on top of the full pack and a sturdy walking stick in his other hand. The sheer rarity of the cast perhaps is due to the timing of his model, which was modeled in 1928 and started production at Gorham almost in sync with the beginning of the Great Depression. Shepherd saw his income from sculpture dwindle to such a degree that he was forced to begin illustrating thriller novels during the 1930s. The only other model we have seen on the open market was offered at Christie's in New York on November 30th of 1990 (lot 86) with an estimate of $ 10-15,000. An example of this sculpture is recorded in the Smithsonian American Art Museum index of American Art as being preserved in the permanent collection of the University of Delaware (acc. no. 64.2.007); it is also held in the Birmingham Museum of Art (acc. no. 1978.41). Joy Clinton Shepherd was born on September 11, 1888, in Des Moines, Iowa, to Charles and Emma Shepherd. He was the third of five children, and his family lived on Twenty-third Street. His father, a men's suit salesman, enabled Joy to attend college after high school. Joy studied at the University of Missouri at Kansas City before leaving in 1909 to travel to the Northwest with his brother, where they lived with the Crow Indians and learned their customs. In 1910, Joy moved to Chicago and enrolled at the Art Institute of Chicago where he graduated in 1914. He subsequently studied at the Beaux-Arts Institute of Design and afterwards worked as a freelance artist. He married Gail English, a fellow art student, in 1915. In 1916, he joined the Illinois National Reserve as a bugler. Despite a hearing defect, he served until 1919 when he moved to New York City to work as a freelance artist for magazines like Colliers and The Saturday Evening Post. Joy adopted the signature "J. C. Shepherd" and found success throughout the 1920s. He and Gail moved to Westport, Connecticut, and had two children, Joy and Charles. In addition to illustration, he pursued a career as a sculptor of western bronzes. The Great Depression shifted his work to pulp magazine covers...