Large Japanese Contemporary Orange Brown Gilded Porcelain Lucky Cat Sculpture

Japanese Contemporary porcelain beckoning cat, a uniquely and intricately gilded and hand painted porcelain piece from the Kutani region of Japan. The cat raising his left paw is adorned with multiple golden medallions and is covered with raised loops characteristic of the Kutani “mori” style. While the origins of the Japanese beckoning cat are unclear, contemporary woodblock...

Exquisite Meiji period Japanese Kutani sculpture of a sleeping cat in fine porcelain, inspired by the small wooden sculpture at the entrance of...

Extraordinary Japanese contemporary porcelain bear sculpture, hand-painted in green, blue, orange purple in a dramatic pattern set against a gold background, by Japanese artist from the historic Imari-Arita region of Japan. This stunning bear is from the limited edition series of four bear...

Exquisite Japanese Contemporary porcelain beckoning cat, a uniquely and intricately gilded and hand painted porcelain sculpture from the Kutani region of Japan. The cat raising his left paw is adorned with multiple golden medallions and is covered with raised loops characteristic of the Kutani “mori” style. While the origins of the Japanese beckoning cat are unclear, contemporary woodblock prints show they were being widely sold as good luck charms by the 1850s. The beckoning cat comes in two varieties. The more common right-handed beckoning cat (with right paw raised) is said to bring money and wealth to its owner, and are to this day frequently seen in shops and restaurants in Japan. The less common left-handed cat is said to be inviting friends and acquaintances to hearth and home. The “mori” style refers to raised loops and other decorative motifs applied by squeezing a tube of slip onto the body of the cat much like applying frosting to a cake. The cat boasts the traditional Kutani colors of bright green, red and yellow presented against an dark blue background, and is generously accentuated with gold. The red kerchief with a knotted amulet in the back and two bells on the side also identify this as a traditional Kutani piece, as do the perked ears turned outward. A stamp indicating it is produced in Kutani region of Japan appears at reverse side of this beckoning cat scultures...

"Purple Dawn", a ceramic sculpture piece by Japanese potter Kiyoharu Ichino (1957-). Purchased from Touching Stone, Santa Fe, New Mexico in 2003. Tradition meets renovation, this sculptural piece with its slab like minimal shape draws the viewer into its mysterious shape that is reminiscent of a monument. Its surface, with the typical Tanba clay fired at very high temperature and completely free of glaze, radiates a subtle metallic sheen that is nearly in a shade of purple. This piece was purchased from Touching Stone, Santa Fe, New Mexico in 2003. Artist's bio from the gallery and the exhibition: "Kiyoharu Ichino was born in 1957 in Tachikui into an extended family steeped in pottery-making tradition. He learned all aspects of Tanba pottery since childhood. When he was twenty, he moved to Seto to study pottery under a master of Akatsu-yaki. Upon returning to Tachikui, he launched his career with the Tanba Group Kiln. In 1983, he established his own kiln and began showing in galleries all over Japan. His works have been selected repeatedly for the prestigious juried Japan Traditional Crafts Exhibition sponsored by the Japan Crafts Association. In 1995, he was nominated to be a permanent member of The Japan Crafts Association, an honor bestowed to the most experienced and talented artists. Traditional Tanba pottery is fired unglazed at very high temperature in large wood-fueled kilns. Ichino uses both an anagama (hole kiln) and a noborigama (climbing kiln), burning almost a thousand bundles of wood over several days to bring out the unique personalities of Tanba clay, which is renowned for its rich texture and deep purplish brown colors. Many of his pieces show silvery fire-marks like swirling mists left by the wood fire. His pieces appear to be integral parts of the clay rather than separate objects made from it. To show the unique clay texture, he often includes seemingly unfinished edges in his designs, exposing the rough clay body. Despite the high level of sophistication and innovation, Ichino's works maintain a strong connection with the ancient Tanba pottery tradition. Ichino should be no stranger to many Santa Fe residents. His work has been exhibited both in Touching Stone Gallery and as part of a major exhibition in the New Mexico Museum of International Folk Art in 2006. About Tanba ware...

A delightful Japanese attributed porcelain figure of a resting elephant with a young boy dating from the early 20th century. The hollow molded figure portrays a sleeping elephant, ly...

A ceramic square plate with white-celadon glaze by Japanese potter Yoshikawa Masamichi (1946-). The sharp-edged plate features a concaved center an...

To keep her elaborate hairstyle intact while sleeping, a well-to-do Qing-dynasty woman would use a rigid headrest or neck pillow to keep her head elevated. Whether functional or purely decorative, such headrests were crafted from a variety of materials and were often decorated with elaborate patterns or symbolic motifs. This porcelain headrest...