Busts

Art Deco female bronze sculpture by important Belgian artist, Jan Anteunis who worked primarily in the city of Ghent. A large and dra...

Art Deco bronze female statue by Paule Bisman entitled ”Serenite”. A high quality bronze was produced with only 12 examples ever made, this is number 4/12...

Beautiful sculpture in brown earthenware modeled in the expression of a woman in polychrome glaze with blue hair, made in Germany, 1930s. Erwin Spuler (1906-1964), who initially studied at the School of Applied Arts in Stuttgart, studied with Georg Scholz...

A French bronze sculpture in the pastoral and Classic Art Deco image of a woman and deer. Partially nude, but draped in elaborate folds of dark bronze which contrasts the brilliant gold tones of her skin and tresses. The artist is Gaston Beguin...

Ernestine Sirine-Real (1899-1994) "Art Deco Bust of a man", plaster, circa 1930. May be her husband the painter Charles Real (1898-1979).

Terra cotta bust portrait of woman mounted on a wooden base stained grey.

Ernestine Sirine-Real (1899-1994) "Bust of a man". Signed and dated 44, plaster.

Hand-built terra cotta bust. Signed on lower rear. Published: “American Art Today, Gallery of American Art Today, New York World’s Fair.” Whalen & Goodyear, pg 201. *This sculptur...

Great female bust ceramic-molded casting, Bagnante, "Monumento alla balnearita'" collection, designed by Ugo La Pietra and produced by Superego Editions. Limited edition of 29 pieces...

Ernestine Sirine-Real (1899-1994) "Bust of a woman". Unsigned plaster. Measures: H. 61cm.

Handcrafted polished iron horse head with a polished shiny finish.

1930s sculpture by famous French artist Marcel André Bouraine Documented.

This sculpture is a fragmented copy of the Farnese Hercules that dates back to the early third century AD and is housed in the National Archeological Museum of Napoli. The handmade p...

Eros is the Greek god of love and desire. In ancient Greek, four separate words were used for love or amity one of which being “Eros” which meant passionate love. -Produced from ...

Hermes is the messenger god in Greek mythology. He is the quickest and most clever of the gods. The original is displayed in the Side Museum. Measure: height: 11.8'' / Weight: 2 k...

Art Deco bronze sculpture bust of Jean Mermoz by Alexandre Kelety. Signed Kelety with foundry mark Les Neveux de Lehmann. Patinated b...

This extraordinary sculptural portrait head takes its beginnings from classical antiquity. Attention to detail and complete understanding of the human figure are evident. The sculpture, which is made of resin and patinaed and is then highlighted with gold leaf. Dean Kugler The Black Road: Verdigris resin, gold leaf, patina Measures: 10 H x 13 W x 19 D in 25.40 H x 33.02 W x 48.26 D cm DK0045 Kugler uses scale and the juxtaposition of disparate elements in order to engage and challenge the viewer. He combines elements such as strength and weakness or beauty and damage to be experienced simultaneously within the same piece of work to create a tense energy. Kugler also incorporates the technical skill of tight rendering with the dynamism of abstraction to create this energy to add additional excitement and intrigue to his aesthetic.   Dean Kugler is a seasoned interdisciplinary artist, painter, and figurative sculptor. His 3D work is featured primarily at Gallery Victor Armendariz in Chicago. In the last three years, Dean has also been featured at Abend Gallery in Denver, The Figge Art Museum, and Bereskin Gallery in Iowa. He has shown at SOFA Chicago in 2017, 2018, and 2019 and participated in ArtPrize in 2013, 2014, and 2015. He sees himself primarily as a sculptor due to the challenges he finds and thrives on within the process. In all its beauty, crudeness, and subtleties, the figure offers infinite opportunities to express feelings and emotions. There is also a physicality to sculpture that requires the work to be experienced through movement in order to reveal more about the piece. Dean has always been drawn to the interactive nature of large-scale sculpture that is available to the public - he loves the idea that his work entices the observer to go beyond what they can see and add tactility to the experience. By using both realism and abstraction, he creates a visual that challenges the viewer to resolve what they are seeing. Therefore, providing a greater connection between the artist and the viewer. Education 1993 – AA from Blackhawk College. 1995 – BFA from Western Illinois University. Texts 1995 – “Drawing: Skills, Means, Freedom”. Jan Clough / Ann Mullin. pub. 1995. 1993 – “Images” College publication featuring multiple pieces. 1992 – “Images” College publication featuring multiple pieces. Bibliography Dec 2022 - American Art Collector. “Room to grow”. Pages 48 and 49. 1 Oct 2018 – River Cities Reader. Article discussing a group show titled “Earth, Wind, and Fire” at Bereskin Gallery. 18 Aug 2018 – River Cities Reader. Article by Mike Schulz about my show titled “Relic” at the Quad City Arts. 1 Nov 2017 – Dispatch-Argus and QCOnline, Coverage of my showing at SOFA. 16 Dec 2016 – River Cities Reader. Article by Rick Martin about one-man art show titled “It Figures” at Black Hawk College. 22 June 2016 – Dispatch-Argus. Coverage of my one-man show titled “Animal Farm.” 22 Sept 2015 – Quad-City Times. “Body of work”. Article by David Burke about a one-man art show at Black Hawk College. 30 October 2014 – WVIK radio and online. Coverage of the ribbon-cutting for “Gravity” installation at the Rivercenter in Davenport, IA. 28 Sept 2014 – TV interview on WZZM13 in Grand Rapids covering ARTPRIZE and my sculpture, Gravity at the Gerald Ford...

This stunning Art Deco sculpture was realized in France, circa 1930. It offers a lady in repose donning a flapper dress, flanked by two greyhound dogs in silvered pewter presented on...

Ignacio Gallo was born in Valladolid, Spain in the 19th century. He worked from 1910–1935 specialising in statuettes of bathers, dancers, nudes and pagan goddesses. While working in Paris in the mid to late 1920s he created this piece of two women dancing. Unlike a nude sculpture, this gives us a glimpse of the era with the fashionable bobbed hairdo, and the shortened skirt. The 1920s “Jazz Age” saw a great deal of same sex dancing partners some of it romantic but more often just the popularity of both social dance and “artistic” (think Isadora Duncan) as well as “cabaret” performance. This lively sculpture is a nod to all three forms. Ignacio Gallo’s creations in bronze were made at the Marcel Guillemard Foundry which has an interesting history of its own. Guillemard worked first with Andre Fau...