Antique Italian Neoclassical Marble Bust of Psyche, by Giuseppe Carnevale

A magnificent Italian neoclassical style marble, malachite, lapis lazuli, and porphyry panel, early 20th century. This panel is made with all different precious hardstones. All the stones used in this panel were also used in many different antique furniture and decorative arts pieces. Some of the rarest pieces are now in museums and private collections worldwide. This can be hung on the wall as art or used as a tabletop. Excellent condition. No damages noted. Measures 27" x 27".   Provenance: Vince...

Rare and important Italian white marble bust sculpture of Jesus Christ, C. 1850. A truly exceptionally carved marble relief of Holy Jesus Christ. ...

Jean-Baptiste Carpeaux (French, 1827–1875) white marble bust of "Genie De La Danse" (Spirit of the Dance), 19th century. Carpeaux was a French sculptor and painter during the Second Empire under Napoleon III. This bust from La Danse was the first detail of the group to be individually edited. Carpeaux frequently offered terracotta editions of the bust in his public sales from 1871 to 1874. Extremely fine quality, very well carved, Signed 'Carpeaux 'on the right lower side. Measures: 25" high x 16" wide x 11" deep. Good condition. No damages noted. Ready to place. Bibliography: Michel Poletti and Alain Richarme, 'Jean-Baptiste Carpeaux sculpteur, catalog raisonné of the edited...

Thomas Ridgeway Gould (1818-1881) an extremely rare American White Marble Bust of A Woman, circa 1870. Depicting a beautiful woman with her hair double row, braided in a bun. Very...

A Large and Rare Patinated Bronze Bust of George Washington, after Houdon by F. Barbedienne Foundry, circa 1870. Very nice quality green patinated bronze bust of President...

Margaret Foley (American, 1827-1877) Marble Bust "Head of Prophet Zephaniah" A rare and important marble bust head relief portrait on The Prophet Zepha...

This is a high quality solid marble bust, though one of a kind, is particularly finely composed and delicately carved. Although she does not wear a wreath of flowers, this young woma...

Fine marble bust on pedestal after the antique. The bust sculpted as the goddess Psyche Of Capua presented as a nude female with a draped partial robe ...

A fabulously hand carved antique neoclassical style Italian Carrara marble bust of Daphne. This bust is of immaculate quality and craftsmanship. Daphne's hair is beautifully hand car...

19th century Italian neoclassical marble bust of female, possibly Aphrodite symbolizing the timeless ideals of beauty, love, and desire. Beautifully carved with delicate facial featu...

A male portrait bust in the Roman manner by Lawrence MacDonald (1799-1878) Carved in Carrara marble, rising from a round socle supporting a waisted column, the bust having resemblances to Arthur Wellesley, the Duke of Wellington as a young man. Signed by the artist, 'L. MacDonald, Romae, 1847'. Dated 1847 Dimensions: H: 26 in / 65 cm W: 19.5 in / 49 cm D: 10 in / 26 cm Lawrence MacDonald (1799-1878) Macdonald worked as an ornamental sculptor for the architect James Gillespie Graham before entering the Trustees' Academy, Edinburgh, in 1822. In Rome, in 1823 he was one of the founders of the British Academy of Art. He returned to Edinburgh in 1826 and became a member of the Royal Scottish Academy in 1829. Four years later he settled in Rome, and from 1844 he worked in Bertel Thorvaldsen's former studio. He became the city's most fashionable portrait sculptor and, according to the Art Journal, his studio was filled with 'the peerage done into marble, a plaster galaxy of rank and fashion'. His sitters included the essayist Henry Taylor...

An extremely well carved pair of Statuary Carrara marble busts on marble pedestals, by important sculptor Odoardo Fantacchiotti.  Odoardo Fantacchiotti (11 May 1811–4 June 1877) was an Italian sculptor of the late-Neoclassic period. He was born in Rome, but his family moved to Florence. In 1820, he enrolled in the Accademia di Belle Arti di Firenze. At the Academy, he studied under S. Ricci, and first started exhibiting in 1828. Gaining the patronage of the Grand Duke, he continued his studies, following the ideas of Aristodemo Costoli of depicting the "bello naturale". In 1839 at the Academy, he exhibited the work of the Massacre of the Innocents. In 1840 he was named professor at the Academy. Among his public works are the statue of Boccaacio and dell'Accorso for the ground floor niches of the courtyard of the Uffizi, medallions commemorating Francesco Redi and the bust of Ferdinando II de Medici for the Museo della Specola, a statue of Sallustio Bandini (now at the Accademia dei Georgeofili, but initially planned for the loggia of the Uffizi. A marble Virgin...