Pair of Alabaster Fredrick the Great and Napoleon Busts

Pair of similar French Louis XV style (19th century) metal busts of 18th century style Noblemen (signed POLI).  

Pair of French Victorian bronze busts of Apollo and Diana mounted on a black marble square shaped base under a fluted column with red marble trim

Small turn of the century French Empire style bronze bust representing Napoleon's uniformed likeness propped upon a white marble pedestal base adorned with a bronze letter "N."

French Empire style (late 19th Century) life size Parian bust of Napoleon on blue porcelain socle and square ormolu base (signed HOUDON, 1805)

A wonderful and small scaled pair of Italian 19th century Grand Tour Period Alabaster and Verde Ranocchia marble bust of Torquato Tasso and Michele Sanmicheli. These most decorative ...

An elegant pair of Italian 18th century Louis XVI st. white Carrara and Gris St. Anne marble busts. These finely detailed Roman busts are of a young boy and girl, possibly brother an...

A pair of Royal Busts Of Clotilde of France, Queen of Sardinia And Marie Adélaïde of Savoy, Dauphine of France Both noblewomen carved from marble and dressed in contemporary fashion, wearing luxurious flowing garments, their hair coiffed, done up and ribbon-tied. On Sienna marble octagonal pedestals. French, circa 1880 Dimensions: H: 79 in / 200 cm The Two "Marie Adélaïde's" The marble portrait busts represent two French royal figures, Clotilde of France and her great-grandmother Marie Adélaïde of Savoy. Marie Adélaïde Clotilde Xavière, known as Clotilde of France (1759-1802), was Queen of Sardinia and the younger sister of King Louis XVI of France, who was married to Marie Antoinette. Marie Adélaïde of Savoy (1685-1712) was the Dauphine of France and Duchess of Burgundy. The famous sculptor Antoine Coysevox...

An extremely well carved pair of Statuary Carrara marble busts on marble pedestals, by important sculptor Odoardo Fantacchiotti.  Odoardo Fantacchiotti (11 May 1811–4 June 1877) was an Italian sculptor of the late-Neoclassic period. He was born in Rome, but his family moved to Florence. In 1820, he enrolled in the Accademia di Belle Arti di Firenze. At the Academy, he studied under S. Ricci, and first started exhibiting in 1828. Gaining the patronage of the Grand Duke, he continued his studies, following the ideas of Aristodemo Costoli of depicting the "bello naturale". In 1839 at the Academy, he exhibited the work of the Massacre of the Innocents. In 1840 he was named professor at the Academy. Among his public works are the statue of Boccaacio and dell'Accorso for the ground floor niches of the courtyard of the Uffizi, medallions commemorating Francesco Redi and the bust of Ferdinando II de Medici for the Museo della Specola, a statue of Sallustio Bandini (now at the Accademia dei Georgeofili, but initially planned for the loggia of the Uffizi. A marble Virgin...