Roman Portrait Bust of a Noble Woman

Roman Marble Head of Sophocles Circa 1st-2nd Century Marble This fine Roman marble head preserves the proper left side of the face of a middle-aged man, with broad nose, soft lips, and bearded chin. The short beard and sideburns have been finely carved with a flat chisel, to render the soft, wavy strands of hair. The cheekbone, undereye, and nasolabial folds have been delicately modelled in the marble by a skilled hand. In a letter from 1975, the former director of Ny Carlsberg Glyptotek, Copenhagen, suggested that the head could depict the Ancient Greek tragedian Sophocles. Few figures in the Classical world stand aside Sophocles (c. 496-406 BC), inarguably the best known of the Athenian tragedians, in terms of the impact his works have had on the history of art and literature. The psychological depth he achieves in the seven of the 123 of his plays that have survived to the present day - most notably the three Theban plays: Antigone, Oedipus the King, and Oedipus at Colonus - not only inspired the Athenians, among whom Sophocles was honoured as a hero long after his death, but in our own time, have provoked landmark works on phychoanalysis and literary criticism, by thinkers like René Girard and, most famously, Sigmund Freud. In its masterful treatment of the marble this fragment sensitively captures the features of one of the most important playwrights of all time. Height on stand: 7.9 inches (20 cm). Provenance: Collection of Danish sculptor Jens Adolf Jerichau...

Roman Marble Fragment of jupiter Circa 2nd-3rd Century A.D. Measure: Height: 19.7 cm This beautiful Roman fragmentary statuette depicts Jupiter, the king of the gods, here recognisable from his two chief attributes, the eagle with outstretched wings - according the Pseudo-Hyginus, singled out by Jupiter because ''it alone, men say, strives to fly straight into the rays of the rising sun'' - and the base of the scepter, which remains at the side of the left foot, an aspect likely borrowed from the statue of Zeus at Olympia, once one of the Seven Wonders of the World. Though much of the original piece has been lost, the subtle anatomical detail in the feet mark this out as a piece of exceptional quality, and the work of an artist of particular talent and patience - as Johann Winckelmann once said of the famous Belvedere Torso, ''if you contemplate this with a quiet eye [...] the god will at once become visible in this stone.'' This fragment once caught the eye of Henry Howard, 4th Earl of Carlisle (1694-1758), a Knight of the Garter and among the most prolific collectors of his day. The piece, acquired during his travels to Rome, was proudly displayed on an alcove of the Western Staircase of Castle Howard...

Roman marble Fragment of a Right Foot with Sandal Circa 1st - 2nd Century A.D. An evocative Roman marble fragment, preserving the front portion of an over-lifesized sandalled foot. The toes, nails, and bridge of the foot have been sensitively carved. The outer sole of the sandal remains, with delicate, pointed straps joining between the first two toes in a diamond shape. This fragment once belonged to Danish sculptor Jens Adolf Jerichau...

Head of a Satyr Roman, circa 2nd - 3rd century AD Carved and highly polished marble An extremely fine marble head of a satyr, depicted with ivy wreath, curly hair and pointed goat’...

Grotesque theatrical mask of Maccus Late Hellenistic or Early Imperial period, circa 1st century B.C. – 1st century A.D., likely from Southern Italy. Terracotta with remains of pin...

Turquoise glass cup Roman Empire, circa 3rd-4th century A.D. With old label reading ‘’965’’. “Pliny relates that the art of glass-making [.] was actua...

An antique Art Deco Carrara marble portrait of a noble woman in a head dress, signed ‘schy’. Thought to be a lady in waiting, this handcarved detailed sculpture has a modernist, mid-...

A portrait of Roman aristocrat executed in the Veristic style. From the Latin "verus" meaning truth, the practice represented everyday subjects with great realism often including signs of age with exacting detail. Wrinkles, furrowed brows, and moles are presented as signs of wisdom and power and suggest the philosophical and moral character of the sitter. With the ascent of Emperor Augustus, eternal youth again took center stage, and verism fell into disfavor. The style enjoyed a resurgence after Emperor Vespasian came to power in 69 AD, Italy, 1st century BC. Provenance - the collection of Spanish fashion designer Elio Berhanyer...

This terra-cotta sculpture no doubt depicts the bust of Roman Emperor or Senator in classical dress gazing over his left shoulder. This is a magnificently robust life size bust...

large and impressive mid century Italian Bronze Bust of Roman Emperor on a marble base.

A terracotta portrait bust of Caracalla, Roman Emperor from 198 to 217 AD. The Emperor is depicted in expressive detail and wears a swathed toga which is glazed in white for a striking colour contrast. Similar portrait busts, showing Caracalla with cropped hair, stubble beard and a menacing glare, are found on display in museums across the globe including The Metropolitan Museum of Art, New York and The St. Louis Art...

An ancient Roman marble bust of a male, dating to the 1st-2nd century AD. Larger than life-size and depicting a male wearing a laurel wreath and milit...