Polychromed Busts

Ulysse Dabouze (Haitian, 19th C.) hand-carved bust of Henri Christophe. inscribed H. Christope This hand-carved wooden bust of Henri Christophe, attributed to Ulysse Dabouze (Haiti...

A fine French 19th century Polychromed Japonisme life-size cast-metal figure of a standing Geisha, cast after a model by Charles Massé (French, 1855-1913). The standing Japanese beau...

Gaston Leroux (French, 1854-1942). A very fine French 19th century polychromed and patinated bronze sculpture of "Aida" resting on a sphinx, her legs crossed and holding a gilt-bronze tambourine, after the model by Gaston Veuvenot Leroux "Aida, A Femme Au Tambourin Assise Sur Une Tete De Sphinx". Signed: Gaston Leroux, Paris, circa 1890. Measures: Height 29 inches (74 cm). Width 15 inches (38.1 cm). Depth 15 inches (38.1 cm). The opulent and extensively detailed version of Aida was inspired by ethnographic findings of the mid-19th century in ancient Egypt as well as the influences of theatre and costume design. Travelers to the East had often recorded their journeys, either in writing or in pictures, but the movement of Egyptomania was wider-reaching than Egyptology. The immensely popular vogue of Egyptomania is without doubt due to the success of performing arts in recreating this era, in particular, Giuseppe Verdi's Aida. Both the Cairo and Paris premieres created sensations so large that they influenced generations of artists from Alexander Cabanel to Cecil de Mille. In Aida, the ruins of Egypt were brought back to life in full color and scale before the eyes of a generation that would make history as romantics, adventurers and explorers. The Cairo premier of Aida was entirely conceived by one of the foremost Egyptologists of the day, Auguste Mariette, who was assigned to the project by Khedive Ismail Pasha...

Old woman terra cotta bust sculpture by Berthe GIRARDET (1861-1948), Manufacture de l'Isle-Adam (north of Paris), France, ca.1900. Polychrome terracotta. Height : 16"(41cm), Width ...

An exceptionally rare antique German Renaissance carving by Stephan Rottaler (1581-1533), Bavaria circa 1500. The carving is by Stephan Rottaler, Landshut, Germany, an architect who ...

18th Century Carved & Polychrome Bust of a Saint with Glass Eye. Either Italian or Spanish. This piece retains a good portion of the original painted f...

Bust of a North African Tribesman, DE CAÏD Friedrich Siegfried Goldscheider This exquisite portrait bust of a North African tribesman, titled "DE CAÏD," was masterfully executed by ...

An Austrian 19th-20th century Orientalist terracotta bust of a young girl in Middle-Eastern Garb. The young smiling beauty wearing a head scaft and shawl tied with a broche-pin brooch pin and jewlry around her neck, raised on a circular ebonized wood stand. Probably by Friedrich Goldscheider (Goldscheider'sche Porzellan-Manufactur und Majolica-Fabrik) - The backside stamped: "T - No. 258". circa 1900. The Goldscheider Manufactory and Majolica Factory (German: Goldscheider'sche Porzellan-Manufactur und Majolica-Fabrik, (now) Goldscheider Keramik) is an Austrian ceramic manufactory. In 1885, Friedrich Goldscheider came from the small Bohemian city of Pilsen to Vienna and founded the Goldscheider Manufactory and Majolica Factory. It became one of the most influential ceramic manufactories of terracotta, faience and bronze objects in Austria with subsidiaries in Paris, Leipzig and Florence. For over half a century Goldscheider created masterpieces of historical revivalism, Art Nouveau (Jugendstil) and Art Deco. Famous artists such as Josef Lorenzl, Stefan Dakon, Ida Meisinger and the two perhaps best known Austrian ceramic artists Michael Powolny and Vally Wieselthier worked for Goldscheider. Several of the artists who worked for Goldscheider also worked for other Viennese studios, such as Augarten, Keramos or for the German brands Rosenthal and Meissen. The Goldscheider family emigrated in 1938 to United Kingdom and USA. Walter Goldscheider startet a new factory in Trenton, New Jersey and returned to Vienna in 1950. Marcel Goldscheider went to Stoke-on-Trent and produced figurative ceramics for Myott and opened his own studio in the 1950s in Hanley. Both brothers died in the early 1960s. More than 10,000 different models were created over a period of three generations. Since the very beginning many of these won first prizes and gold medals at innumerable world fairs, exhibitions and trade fairs. Goldscheider figures...

French Antique Bust of a Young Girl in Plaster A pretty polychrome plaster bust of a young girl wearing a headscarf with her eyes cast downwards. The piece features carvings of b...

Make a statement on your mantel, enfilade or tabletop with this antique "Haute Epoque" carved santo figure. Created in Spain, circa 1680, the bust is set ...

Polychromed cast aluminium “Art Nouveau” bust of a young woman dressed in a ruffled bustier. Entitled “Strawberries with Champagne”, it is signed on the left side with the sculptor...

Magnificent 19th century French bust, signed and dated.

A fine French 19th-20th century Art Nouveau polychromed terracotta bust of "Crépuscule" (Twilight) After Henri Jacobs (Belgian, 1864-1935) version of Crépuscule, depicting a young ma...

French Art Deco plaster child sculpture, France, 1900s. Child reading a book. Polychrome plaster. Measures: height : 11.4"(29cm), width : 9.2"(23.5cm), depth : 7.5"(19cm). Signed and...

Pair of 19th Century French Busts

18th Century Bust of a Bishop finished in polychrome. The shape of the bust would suggest that it was originally part of a full-length figure.

A highly decorative portrait bust of a bearded Moor in profile, modelled wearing traditional garb, painted in polychrome detail in the manner of Friedrich Goldscheider, unsigned.  

A terracotta bust of Christ as The Redeemer Tuscany or Emilia Romagna, late 15th century Measures: 46 x 43 x 21 cm This powerful, moving bust of...

17th Century (Baroque) pair of Italian carved and polychromed figures. Each statue is holding a torchere and are mounted on their original turned wooden faux marble column.