19th Century Bronze Phryné by James Pradier, 1790-1852

Bronze group with brown patina featuring Cupids fighting over a heart after Etienne-Maurice Falconet (1716-1791). This work had a great success in the second half of the 19th century...

Bronze bust with a medal patina representing a young man with a childish look and butterfly wings. He is wearing a drape held by a knot on his chest. His bodice is decorated with a r...

Bronze statue in brown patina representing Susanna, sculpted by Eugene-Antoine Aizelin (1821-1902). Susanna at the bath is a story from the apocryphal ...

Patinated bronze allegorical group featuring three putti on a cliff strewed with wheat. Two of them are playing the drum and the bagpipe whereas the third one is dancing. He is weari...

Jean Jacques Pradier (1790-1852) Bronze Napoleon Bonaparte James Pradier (born Jean-Jacques Pradier, 1790–1852) was a Genevan-born French sculptor best known for his work in the neoclassical style, one of the primary artists of Napoleon's tomb, Les Invalides.  This exceptional 19th-century French bronze full-length portrait of a standing Napoleon Bonaparte bronze...

French (19th Cent) bronze of 17th century figure with book and quill sitting in chair (signed PRADIER)       

A mahogany/dark-chocolate-patinated bronze from one of the finest foundries of 19th-century, Siot-Decauville. The sculptor James Pradier (1790-1852), who commenced his career with wo...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...