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19th Century Chinese Polychrome Buddha

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    With closed eyes and a gentle expression, this large stone Buddha head brings calm and serenity to its surroundings. The hand-carved figure depicts the historic Buddha Shakyamuni, also known as Shaka, Gautama Buddha...
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  • Chinese Stone Shakyamuni Buddha Head
    Located in Chicago, IL
    With closed eyes and a gentle expression, this large stone Buddha head brings calm and serenity to its surroundings. The hand-carved figure depicts ...
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  • Chinese Polychrome Altar Spirit, c. 1850
    Located in Chicago, IL
    Hand carved and vibrantly painted, this 19th century figure of a mythical spirit was once placed upon a traditional altar table to pay tribute to ancestors past. The figure is carved...
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  • Chinese Polychrome Wooden Altar Spirit, c. 1850
    Located in Chicago, IL
    Carved in wood, this 19th-century figure of a spirit paid tribute to ancestors past on a traditional altar table. Allowing the base to reflect the wood’s natural state, the artist ca...
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  • Chinese Polychrome Seated Ancestor Figure, C. 1900
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  • Chinese Polychrome Seated Ancestor Figure, C. 1800
    Located in Chicago, IL
    An integral part of traditional Chinese home life, ancestor worship before a domestic altar often featured painted ancestral portraits or tabletop ancestor figure...
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    A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...
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  • Buddha Statue 19th Century Alabaster
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    18th/19th century Buddha Statue carved of Alabaster. Burmese Shan Buddha Statue 1800ca, collected in Myanmar Shan State 1998. Legs crossed, the left hand in the lap, and the right ha...
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    A beautifully carved early 19th century Burmese Shan style alabaster Buddha with traces of old color, a sweet smile and a calming, spiritual presence. This piece is in the Bhumisparsa mudra...
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